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João Pedro Paiva de Oliveirahttp://lattes.cnpq.br/7375164992987814Jalver Machado BethônicoDaniel Eduardo QuarantaJônatas ManzolliJosé Henrique Padovani VellosoEduardo Campolina Vianna Loureirohttp://lattes.cnpq.br/4165808414522521Fabio Wanderley Janhan Sousa2020-01-27T18:34:18Z2020-01-27T18:34:18Z2019-11-22http://hdl.handle.net/1843/32251O presente trabalho tem como objetivo principal sistematizar e aplicar, em produções próprias, uma estética da espacialização do áudio em mídias audiovisuais adaptativas para realidade virtual (VR). Para isso apontamos, como uma ferramenta articulatória, o conceito de espaço extrínseco, espaço definido pelo compositor de música eletroacústica no que diz respeito a localização de um determinado objeto sonoro, seu tamanho, movimentação e distância. Baseados nas figuras de espaço de Vande Gorne e nas USTs de Hautbois, propomos o que denominamos de USEs, Unidades Semióticas Espaciais, para sistematização do discurso semântico desse espaço. Com esses conceitos definidos, os aplicamos na descrição de projetos que envolvem tanto estéticas mais realistas, como o desenvolvimento de videoclipes musicais em 360º gravados ao vivo, quanto estéticas mais abstratas, como é o caso de alguns estudos de música eletroacústica audiovisual tridimensionais para realidade virtual.The present work aims to systematize and apply, in the author’s productions, an aesthetics of audio spatialization of adaptative audiovisual media for virtual reality (VR). For that we point out, as an articulatory tool, the concept of extrinsic space, space defined by the composer of electroacoustic music regarding to the location of a particular sound object, its size, movement and distance. Based on Vande Gorne’s figures of space and Hautbois’ USTs, we propose what we call SSUs, Spatial Semiotic Units, to systematize a semantic discourse of this space. With these concepts in place, we apply them to the description of projects that involve both more realistic aesthetics, such as the development of live-recorded 360º music video clips, and more abstract aesthetics, such as some studies of three-dimensional audiovisual electroacoustic music for virtual reality.porUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em MúsicaUFMGBrasilMUSICA - ESCOLA DE MUSICAhttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessMúsica e TecnologiaMídia DigitalAudiovisualSom - Registro e reprodução - Técnicas DigitaisRealidade virtual na arteMusicaEspacialização de ÁudioRealidade VirtualÁudio ImersivoMídia AdaptativaAmbisonicsSistemas BinauraisAudiovisualMídias audiovisuais adaptativas para realidade virtual: o espaço extrínseco de uma modalidade artística emergenteAdaptative audiovisual media for virtual reality: the extrinsic space of an emerging artistic modalityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINAL2019-12-20 Tese Fabio Janhan (final PDF-A).pdf2019-12-20 Tese Fabio Janhan (final PDF-A).pdfapplication/pdf7122615https://repositorio.ufmg.br/bitstream/1843/32251/1/2019-12-20%20Tese%20Fabio%20Janhan%20%28final%20PDF-A%29.pdfdd4752431b58b3ad5862526d3703b1fcMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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