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Elisa Maria Amorim Vieirahttp://lattes.cnpq.br/0158056065348126Sara del Carmen Rojo de la RosaRodrigo Antônio de Paiva Duartehttp://lattes.cnpq.br/0834268077776276Camila Carvalho2021-03-02T18:56:01Z2021-03-02T18:56:01Z2020-02-12http://hdl.handle.net/1843/35104A partir da leitura do romance Jamais o fogo nunca (2007), de Diamela Eltit, a presente dissertação propõe investigar a possibilidade de a literatura, ao questionar os lugares hegemônicos do saber, postar-se como uma instância dissensual de pensamento. Guiado pela inteligibilidade de um corpo-memória, que ao recuperar o passado a partir do não-dito revela sua latência no presente, neste romance, estética, política e História cruzam-se a todo tempo. Trata-se de uma narrativa na qual uma mulher sem nome rememora episódios passados ao mesmo tempo em que examina a banalidade do presente que compartilha com seu companheiro, a imagem degradada de uma liderança militante autoritária. Apropriando-se da paradoxal condição à qual Pinochet relegou milhares de desaparecidos – esse espaço de suspensão entre a vida e a morte –, Eltit edifica um corpo-ruína que interpela o desaparecimento de um projeto político ao mesmo tempo em que traz à baila suas contradições internas: escovando o passado a contrapelo, a narradora retira do silenciamento a hierarquia de gênero ao questionar a falocêntrica racionalidade que estruturou tanto o moralismo do Estado, quanto as organizações militantes. Para perscrutar as potencialidades políticas dessas estratégias estéticas, recuperamos, num primeiro momento, as reflexões de Jacques Rancière acerca da partilha do sensível. Em seguida, no intuito de investigar de que maneira esta releitura – que se submete, tão somente, à legislação oblíqua da memória – coloca em disputa outras formas de visibilidade e inteligibilidade, retomamos o conceito de História elaborado por Walter Benjamin. A interlocução entre esses dois autores nos permitiu, por fim, desenvolver a hipótese de, em Jamais o fogo nunca, ser por meio do corpo que o cruzamento entre estética, política e História se perfaz.From the reading of the novel Jamais o fogo nunca (2007), by Diamela Eltit, the present thesis proposes to investigate the possibility of literature, when questioning the hegemonic places of knowledge, to stand as a dissenting instance of thought. Guided by the intelligibility of a body- memory, which in recovering the past from the unsaid reveals its latency in the present, in this novel, aesthetics, politics and History intersect at all times. It is a narrative in which an unnamed woman recalls past episodes while examining the banality of the present she shares with her mate, the degraded image of an authoritarian militant leadership. By appropriating the paradoxical condition to which Pinochet has relegated thousands of missing people – this suspended space between life and death –, Eltit builds a body-ruin that inquires about the disappearance of a political project while bringing its internal contradictions to light: brushing History against the grain, the narrator removes the hierarchy of gender from silencing by questioning the phallocentric rationality that structured both state moralism and militant organizations. In order to examine the political potential of these aesthetical strategies, we first recall Jacques Rancière’s reflections on the distribution of the sensible. Then, in order to investigate how this rereading – which is submitted only to the oblique legislation of memory – highlights other ways of visibility and intelligibility, we recall the concept of History elaborated by Walter Benjamin. The interlocution between these two authors allowed us, finally, to develop the hypothesis that, in Jamais o fogo nunca, it is through the body that the intersection among aesthetics, politics and History is completed.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorporUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em Estudos LiteráriosUFMGBrasilFALE - FACULDADE DE LETRAShttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessEltit, Diamela, 1949- – Jamais o fogo nunca – Crítica e interpretaçãoFicção chilena – História e críticaLiteratura e PolíticaHistória e literaturaEstéticaDiamela EltitJamais o fogo nuncaEstéticaPolíticaHistóriaO anjo da história tem corpo de mulher: estética e política em Jamais o fogo nunca, de Diamela Eltitinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINALO_anjo_da_historia_tem_corpo_de_mulher_CamilaCarvalho.pdfO_anjo_da_historia_tem_corpo_de_mulher_CamilaCarvalho.pdfapplication/pdf4895604https://repositorio.ufmg.br/bitstream/1843/35104/1/O_anjo_da_historia_tem_corpo_de_mulher_CamilaCarvalho.pdfa1bd51d6815b7f653db7182f2f80a07aMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8811https://repositorio.ufmg.br/bitstream/1843/35104/2/license_rdfcfd6801dba008cb6adbd9838b81582abMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82119https://repositorio.ufmg.br/bitstream/1843/35104/3/license.txt34badce4be7e31e3adb4575ae96af679MD531843/351042021-03-02 15:56:01.145oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2021-03-02T18:56:01Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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