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Ana Lúcia Menezes de Andradehttp://lattes.cnpq.br/3135226803336399Renné Oliveira FrançaMariana Ribeiro da Silva Tavareshttp://lattes.cnpq.br/8175917162162103Guilherme Marcilio Penido Amaral2023-11-30T14:01:47Z2023-11-30T14:01:47Z2022-09-26http://hdl.handle.net/1843/61550https://orcid.org/0000-0002-0228-3441Esta dissertação propõe a análise dos cinco filmes que compõem o que se denomina de “Aventuras de Antoine Doinel”, produzidos entre 1959 e 1979, considerados aqui como síntese do estilo de direção cinematográfica de François Truffaut (1932-1984). A pesquisa foi realizada por meio de análises que buscam validar essa proposição, examinando a influência de cineastas como Jean Renoir, Ernst Lubitsch, Alfred Hitchcock, dentre outros, na concepção, mise en scène e na forma como Truffaut dirigia seus filmes; e investigando como a autobiografia e a utilização do conceito da “Política do Autor” de forma prática por Truffaut em seus filmes tornaram-se as principais estratégias narrativas na construção de seu estilo de direção. Para tal, foram utilizados os estudos sobre estilo de David Bordwell (2013), além de depoimentos e elucubrações do próprio François Truffaut (1989; 2004; 2005), tanto em seus textos, como na obra de Antoine De Baecque e Serge Toubiana (1998) e de Anne Gillain (1990), cujas declarações credenciam as hipóteses abordadas nesta pesquisa.This dissertation proposes the analysis of the five films that make up what is called “Antoine Doinel's Adventures”, produced between 1959 and 1979, considered here as a synthesis of François Truffaut's (1932-1984) cinematographic direction style. The research was carried out through analyzes that seek to validate this proposition, examining the influence of filmmakers such as Jean Renoir, Ernst Lubitsch, Alfred Hitchcock, among others, in the conception, mise en scène and in the way Truffaut directed his films; and investigating how the autobiography and the use of the concept of “Author Politics” in a practical way by Truffaut in his films became the main narrative strategies in the construction of his directing style. To this end, studies on style by David Bordwell (2013) were used, as well as testimonies and musings by François Truffaut himself (1989; 2004; 2005), both in his texts and in the work of Antoine De Baecque and Serge Toubiana (1998) and Anne Gillain (1990), whose statements certify the hypotheses addressed in this research.porUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em ArtesUFMGBrasilEBA - ESCOLA DE BELAS ARTEShttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessTruffaut, FrançoisDiretores e produtores de cinema - FrançaCrítica cinematográficaAntoine Doinel (Personagem fictício)CinemaCinemaFrançois TruffautEstilo de direçãoPolítica do AutorNouvelle VagueAutobiografiaAs aventuras de Antoine Doinel: síntese do estilo de direção de François TruffautThe adventures of Antoine Doinel: synthesis of François Truffaut's directing styleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINALDissertação - As Aventuras de Antoine Doinel - Síntese do Estilo de Direção de François Truffaut.pdfDissertação - As Aventuras de Antoine Doinel - Síntese do Estilo de Direção de François Truffaut.pdfapplication/pdf3790693https://repositorio.ufmg.br/bitstream/1843/61550/1/Dissertac%cc%a7a%cc%83o%20-%20As%20Aventuras%20de%20Antoine%20Doinel%20-%20Si%cc%81ntese%20do%20Estilo%20de%20Direc%cc%a7a%cc%83o%20de%20Franc%cc%a7ois%20Truffaut.pdfc506eb4bccc5b0b190a379df340b15ffMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8811https://repositorio.ufmg.br/bitstream/1843/61550/2/license_rdfcfd6801dba008cb6adbd9838b81582abMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82118https://repositorio.ufmg.br/bitstream/1843/61550/3/license.txtcda590c95a0b51b4d15f60c9642ca272MD531843/615502023-11-30 11:01:47.811oai:repositorio.ufmg.br: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ório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2023-11-30T14:01:47Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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