| spelling |
2023-05-12T23:25:52Z2023-05-12T23:25:52Z202011120312101http://hdl.handle.net/1843/53259https://orcid.org/0000-0003-2421-6757A jovem artista, brasileira, Gabriela Silva apresenta-nos uma obra de cunho autobiográfico que tem uma relação direta com a vida, onde a memória e o esquecimento imprimem o seu caminho no processo de criação. O presente artigo tem como objetivo refletir acerca da série “Lugar do Esquecimento,” composta por 10 obras impressas em papel fotográfico de 29 x 42 cm. Estas obras se dividem entre: fronteira, limite e esquecimento. São obras que narram por meio da pintura, da fotografia, da costura e da escrita, o lugar do desejo. Envolvida em um sentimento de abandono e de perda ela coleta fotografias do acervo familiar, conectando as imagens com o lugar da sua pesquisa e investigação. A artista parte da memória, das cartografias, quando traz para seus desenhos e pinturas a fluidez das fronteiras e do esquecimento como limite. Um olhar contrabandista da geografia, atravessado pela arte que dialoga com o espaço vago, com a linha limítrofe que separa os limites e as fronteiras entre o tempo, a memória e a imaginação. São conceitos geográficos de espaços, desejos e afetos do seu olhar. Gabriela localiza o seu trabalho entre rios desconhecidos, buscando por materiais degradados pelo tempo, trazendo a fotografia como dispositivo de memória. E é na relação entre a pintura e a fotografia que ela segue a sua trajetória artística. A sua obra inspira-se em Jorge Larrosa, Manoel de Barros, e Christine Delory Momberger. São autores de lugares diferentes que dialogam com a obra da artista, trazendo o fio condutor teórico para a análise da sua obra configurando processos de reflexividade biográfica, estética e artística.The young Brazilian artist, Gabriela Silva presents us with an autobiographical work that has a direct relationship with life, where memory and forgeness imprint their way in the process of creation. This article aims to reflect on the series named Place of Forgetfulness, composed of 10 works printed on 29 x 42 cm photographic paper. These works are divided between: border, boundary and oblivion. They are works that narrate the place of desire through painting, photography, sewing and writing. Involved in a sense of abandonment and loss, she collects photographs from her family collection, connecting the images with the place of her research and investigation. The artist starts from the memory of the cartographies, when she brings to her drawings and paintings the fluidity of frontiers and oblivion as a limit. A smuggler’s look at geography, crossed by art that dialogues with vacant space, with the boundary line that separates the boundaries and borders between time, memory and imagination. They are geographical concepts of spaces, desires and affections of your gaze. Gabriela locates her work among unknown rivers, searching for materials degraded by time, bringing photography as a memory device. And it is in the relationship between painting and photography that it follows its artistic trajectory. Her work is inspired by Jorge Larrosa, Manoel de Barros and Christine Delory Momberger. They are authors of different places that dialogue with the artist’s work, bringing the theoretical guide to the analysis of her work, forming processes of biographical, aesthetic and artistic reflexivity.porUniversidade Federal de Minas GeraisUFMGPortugalEBA - DEPARTAMENTO DE ARTES PLÁSTICASEBA - ESCOLA DE BELAS ARTESFAE - DEPARTAMENTO DE MÉTODOS E TÉCNICAS DE ENSINOCriadores Sobre Outras Obras - Congresso CSOArte - EstéticaMemóriaAutobiografiaFronteirasArteLimiteFronteirasMemóriaAutobiografiaFronteira entre a memória e o esquecimento: possibilidade de abertura para imaginaçãoA boundary between memory and forgetfulness: possibility of openness to imaginationinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/conferenceObjecthttps://cso.belasartes.ulisboa.pt/atas.htmRosvita Kolb BernardesAna Cristina Carvalho Pereiraapplication/pdfinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGLICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/53259/1/License.txtfa505098d172de0bc8864fc1287ffe22MD51ORIGINALFronteira entre a memória e o esquecimento_ possibilidade de abertura para imaginação.pdfFronteira entre a memória e o esquecimento_ possibilidade de abertura para imaginação.pdfapplication/pdf154186https://repositorio.ufmg.br/bitstream/1843/53259/2/Fronteira%20entre%20a%20mem%c3%b3ria%20%20e%20o%20esquecimento_%20%20possibilidade%20de%20abertura%20%20para%20imagina%c3%a7%c3%a3o.pdf88db4a7b976b4d04336a41480ae85803MD521843/532592023-05-12 20:25:52.869oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2023-05-12T23:25:52Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
|