Uma escrita que acerta o ponto do curau: a geografia do acolhimento em contos de Lílian Paula Serra e Deus

• Autor(a) principal: Wellington Marçal de Carvalho
• Data de Publicação: 2021
• Outros Autores: Mirian Lucia Brandão Mendes
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Repositório Institucional da UFMG
• Texto Completo: http://hdl.handle.net/1843/54596; https://orcid.org/0000-0002-8881-6850; https://orcid.org/0000-0002-9550-7837
• topic: Violência contra as mulheres; Literatura afro-brasileira - crítica e interpretação; Relações étnico-raciais; Negritude; Branquitude; Violência contra as mulheres; Negros na literatura - Brasil; Relações étnicas; Relações racias; Cultura afro-brasileira

The present work delves into part of the work of Lílian and Deus, taking as its motto the different configurations of violence that black bodies face in everyday life expressed in the prose literature of this Afro-Brazilian writer. Elements are highlightedin the literary writing on screen that help to understand the way in which an effort to elaborate and question the everyday reality, fueled by the persistent crossing of (race, gender, social belonging) violence. Such effort allows to bring to the enunciation the rawness of social relations that promote the reproduction of human beings considered as mere objects. Thus, this reflection follows some selected short stories from the work, published in 2020, Não é preciso ter útero para ser mulher, specifically, the ones entitled “Fake News”, “Ligação” and “Putas”. In terms of methods and techniques, the present work can be framed as monographic regarding the methods that indicate the technical means of investigation and, therefore, it deepened the bibliographical research as a research technique. The incursion carried out in part of the prose texts by Lílian Paula Serra e Deus allowed the observation of aspects of a literary project that is carried out in a blackness way. By mobilizing female voices in permanentdenunciation, an Afro-centered writing draws an aesthetics of resistance and, at the same time, manages a black poetics.