Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)

Detalhes bibliográficos
Autor(a) principal: Denis Roberto Terezani
Data de Publicação: 2016
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFMG
Texto Completo: http://hdl.handle.net/1843/BUOS-B2BK86
Resumo: From the most distinct themes which have done from Festa de Momo (Momos party) its field of research, our interest devotes to the carnival from the city of São Paulo, more specifically to the parades of the samba schools. In the latter months of 1967, proposals aiming the organization of the 1968 carnival were elaborated; due to this, a relationship between the public authorities and the representatives of the carnival entities from São Paulo, including the carnival street bands (Blocos, Ranchos, Cordões) was established. Therefore, the issue of the study leads us to understand: how did these agents position themselves facing the reshuffled of the parades. The study has as its aim to discuss the carnival reconfiguration from the written media representations using periodicals publications: Folha de São Paulo and O Estado de S. Paulo. It was important to note that the written press was not an unbiased organ, leading itself to stand in an ideological way in the political and socio-economic reality in which it was in. Thus, it was necessary to critically analyze these documents both internally and externally. Because it is a historical study, the methodological path uses the discursive approach for the purpose of establishing a broad dialogue with the cultural studies, a fruitful area of cross-curricular investigation able to create, spread and reframe the multiplicity that emerges from the specific nature of each culture. The article selection and analysis were characterized by the use of the word carnival. The gathering of the data starts in 1967, when the parades were rearranged and it finishes in 1977 with the consolidation of the Union of Samba Schools from São Paulo (UESP) as an administrative- representative organ of the association of these parades. Finally, the carnival from São Paulo forming itself by two simultaneous factors at the end of 1960s: a) Administrative activities of the parades these shared between the public authorities and the representative organ of the associations, b) technical-statutory the reshaping which the associations went through raised suspicion from the written press leading to the assumption of the fading of parades in a short time. The softening of this disapproval started to seize from the second half of 1970 and on, when the Rio de Janeiro model was no longer seen as the ideal and at the same time the periodicals, samba dancers and spectators start strengthening the parades from Sao Paulo which have brought results that will echo for decades to come. Therefore, the Capital Sao Paulo being one of the poles of the Brazilian Momos party in the results achieved when arguing this theme we understand that presenting the relations of carnival from the specific universe of the Samba schools from Sao Paulo highlights its historical path, it has become an important challenge, as well as academically it has become an improvement in building up discussion in the fields of knowledge of leisure studies.
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spelling Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)CarnavalEscolas de Samba de São PauloLazerPolíticas PúblicasSambaPolíticas públicasCarnavalEscolas de sambaLazerFrom the most distinct themes which have done from Festa de Momo (Momos party) its field of research, our interest devotes to the carnival from the city of São Paulo, more specifically to the parades of the samba schools. In the latter months of 1967, proposals aiming the organization of the 1968 carnival were elaborated; due to this, a relationship between the public authorities and the representatives of the carnival entities from São Paulo, including the carnival street bands (Blocos, Ranchos, Cordões) was established. Therefore, the issue of the study leads us to understand: how did these agents position themselves facing the reshuffled of the parades. The study has as its aim to discuss the carnival reconfiguration from the written media representations using periodicals publications: Folha de São Paulo and O Estado de S. Paulo. It was important to note that the written press was not an unbiased organ, leading itself to stand in an ideological way in the political and socio-economic reality in which it was in. Thus, it was necessary to critically analyze these documents both internally and externally. Because it is a historical study, the methodological path uses the discursive approach for the purpose of establishing a broad dialogue with the cultural studies, a fruitful area of cross-curricular investigation able to create, spread and reframe the multiplicity that emerges from the specific nature of each culture. The article selection and analysis were characterized by the use of the word carnival. The gathering of the data starts in 1967, when the parades were rearranged and it finishes in 1977 with the consolidation of the Union of Samba Schools from São Paulo (UESP) as an administrative- representative organ of the association of these parades. Finally, the carnival from São Paulo forming itself by two simultaneous factors at the end of 1960s: a) Administrative activities of the parades these shared between the public authorities and the representative organ of the associations, b) technical-statutory the reshaping which the associations went through raised suspicion from the written press leading to the assumption of the fading of parades in a short time. The softening of this disapproval started to seize from the second half of 1970 and on, when the Rio de Janeiro model was no longer seen as the ideal and at the same time the periodicals, samba dancers and spectators start strengthening the parades from Sao Paulo which have brought results that will echo for decades to come. Therefore, the Capital Sao Paulo being one of the poles of the Brazilian Momos party in the results achieved when arguing this theme we understand that presenting the relations of carnival from the specific universe of the Samba schools from Sao Paulo highlights its historical path, it has become an important challenge, as well as academically it has become an improvement in building up discussion in the fields of knowledge of leisure studies.Entre os mais distintos temas que fazem da Festa de Momo o seu objeto de investigação, nosso interesse se reserva ao carnaval da cidade de São Paulo, mais especificamente aos Desfiles das Escolas de Samba. Nos meses finais de 1967, propostas foram elaboradas aspirando a organização do carnaval de 1968 na capital paulista; em vista disso, se estabeleceu um relacionamento entre o poder público e os representantes das entidades carnavalescas paulistanas, incluindo Blocos, Ranchos e Cordões. A problemática da pesquisa nos conduz a compreender como estes agentes envolvidos se posicionaram frente à remodelação dos desfiles? O estudo tem como objetivo discutir a reconfiguração do carnaval a partir das representações da imprensa escrita, fazendo uso das publicações dos periódicos: Folha de S. Paulo e O Estado de S. Paulo. Atentamo-nos ao fato da imprensa escrita não ser um órgão transmissor imparcial dos acontecimentos, levando-a a se posicionar de acordo com a realidade política e socioeconômica a qual está inserida. Para tanto, tornou-se necessária a análise crítica tanto interna quanto externa desses documentos. Por se tratar de uma pesquisa histórica, a trajetória metodológica se serve do método discursivo, com vistas a estabelecer um amplo diálogo com os estudos culturais, fecunda área de investigação interdisciplinar, capaz de criar, difundir e ressignificar a multiplicidade que emerge da especificidade de cada cultura. A seleção e análise das matérias jornalísticas se pautaram no uso da palavra-chave carnaval. O levantamento se inicia no ano de 1967, momento da reconfiguração dos desfiles das escolas de samba, e se encerra em 1977, com a consolidação da União das Escolas de Samba Paulistanas (UESP) como órgão administrativo-representativo das agremiações e dos respectivos desfiles. Por fim, o carnaval paulistano, ao se constituir por dois fatores simultâneos no final dos anos de 1960: a) Técnico-estatutário (as reconfigurações pelas quais passaram as agremiações); b) Atividades administrativas (a organização dos desfiles carnavalescos) - despertou a desconfiança por parte da imprensa escrita, o que a levou a presumir o esvaecimento dos desfiles em pouco tempo. O abrandamento dessa desaprovação começou a cessar a partir da segunda metade dos anos de 1970, quando o modelo carioca deixa de ser visto como o ideal e, concomitantemente, se inicia a valorização dos desfiles paulistanos pelos periódicos, sambistas e espectadores, promovendo resultados que ecoaram pelas décadas seguintes. Portanto, sendo a capital paulista um dos polos da festa momesca brasileira, nos resultados obtidos ao discorrer sobre este tema, entendemos que apresentar as relações do carnaval a partir do universo específico das Escolas de Samba paulistanas, evidenciou sua trajetória histórica, tornou-se um importante desafio, bem como, academicamente, um avanço na construção de debates na área do conhecimento dos estudos do lazer.Universidade Federal de Minas GeraisUFMGVictor Andrade de MeloEdmur Antonio StoppaPedro Paulo Araujo ManeschyHelder Ferreira IsayamaMaria Cristina RosaDenis Roberto Terezani2019-08-13T00:49:30Z2019-08-13T00:49:30Z2016-05-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisapplication/pdfhttp://hdl.handle.net/1843/BUOS-B2BK86info:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2019-11-14T23:33:31Zoai:repositorio.ufmg.br:1843/BUOS-B2BK86Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2019-11-14T23:33:31Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
title Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
spellingShingle Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
Denis Roberto Terezani
Carnaval
Escolas de Samba de São Paulo
Lazer
Políticas Públicas
Samba
Políticas públicas
Carnaval
Escolas de samba
Lazer
title_short Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
title_full Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
title_fullStr Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
title_full_unstemmed Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
title_sort Da Avenida São João à Avenida Tiradentes: uma análise das representações jornalísticas sobre a reconfiguração dos desfiles carnavalescos da cidade de São Paulo (1967-1977)
author Denis Roberto Terezani
author_facet Denis Roberto Terezani
author_role author
dc.contributor.none.fl_str_mv Victor Andrade de Melo
Edmur Antonio Stoppa
Pedro Paulo Araujo Maneschy
Helder Ferreira Isayama
Maria Cristina Rosa
dc.contributor.author.fl_str_mv Denis Roberto Terezani
dc.subject.por.fl_str_mv Carnaval
Escolas de Samba de São Paulo
Lazer
Políticas Públicas
Samba
Políticas públicas
Carnaval
Escolas de samba
Lazer
topic Carnaval
Escolas de Samba de São Paulo
Lazer
Políticas Públicas
Samba
Políticas públicas
Carnaval
Escolas de samba
Lazer
description From the most distinct themes which have done from Festa de Momo (Momos party) its field of research, our interest devotes to the carnival from the city of São Paulo, more specifically to the parades of the samba schools. In the latter months of 1967, proposals aiming the organization of the 1968 carnival were elaborated; due to this, a relationship between the public authorities and the representatives of the carnival entities from São Paulo, including the carnival street bands (Blocos, Ranchos, Cordões) was established. Therefore, the issue of the study leads us to understand: how did these agents position themselves facing the reshuffled of the parades. The study has as its aim to discuss the carnival reconfiguration from the written media representations using periodicals publications: Folha de São Paulo and O Estado de S. Paulo. It was important to note that the written press was not an unbiased organ, leading itself to stand in an ideological way in the political and socio-economic reality in which it was in. Thus, it was necessary to critically analyze these documents both internally and externally. Because it is a historical study, the methodological path uses the discursive approach for the purpose of establishing a broad dialogue with the cultural studies, a fruitful area of cross-curricular investigation able to create, spread and reframe the multiplicity that emerges from the specific nature of each culture. The article selection and analysis were characterized by the use of the word carnival. The gathering of the data starts in 1967, when the parades were rearranged and it finishes in 1977 with the consolidation of the Union of Samba Schools from São Paulo (UESP) as an administrative- representative organ of the association of these parades. Finally, the carnival from São Paulo forming itself by two simultaneous factors at the end of 1960s: a) Administrative activities of the parades these shared between the public authorities and the representative organ of the associations, b) technical-statutory the reshaping which the associations went through raised suspicion from the written press leading to the assumption of the fading of parades in a short time. The softening of this disapproval started to seize from the second half of 1970 and on, when the Rio de Janeiro model was no longer seen as the ideal and at the same time the periodicals, samba dancers and spectators start strengthening the parades from Sao Paulo which have brought results that will echo for decades to come. Therefore, the Capital Sao Paulo being one of the poles of the Brazilian Momos party in the results achieved when arguing this theme we understand that presenting the relations of carnival from the specific universe of the Samba schools from Sao Paulo highlights its historical path, it has become an important challenge, as well as academically it has become an improvement in building up discussion in the fields of knowledge of leisure studies.
publishDate 2016
dc.date.none.fl_str_mv 2016-05-31
2019-08-13T00:49:30Z
2019-08-13T00:49:30Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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format doctoralThesis
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url http://hdl.handle.net/1843/BUOS-B2BK86
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
UFMG
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
UFMG
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Repositório Institucional da UFMG
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