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Sérgio Freire Garciahttp://lattes.cnpq.br/9719486329750422Ivani Lúcia Oliveira de SantanaLuiz Alberto Bavaresco de NavedaJalver Machado BethônicoMaurício Alves Loureirohttp://lattes.cnpq.br/3563806036881003Leandro Pereira de Souza2019-11-18T21:31:01Z2019-11-18T21:31:01Z2018-12-06http://hdl.handle.net/1843/31043As recentes tecnologias são responsáveis por um número crescente de pesquisas e atividades que lidam com música e movimento, um relacionamento profundamente enraizado em toda cultura humana. Em sua trajetória, gestos podem explorar diferentes tipos de energia e se constituir como base da expressão e criação artística. Partindo da investigação do conceito de gesto em suas diferentes acepções, propomos estratégias e ferramentas para o desenvolvimento de criações musicais que exploram dança e música dentro do contexto da composição eletroacústica e performances interativas digitais. Na captura de movimentos, utilizamos sensores de posição e unidades de medição inercial. A partir desses dados, desenvolvemos uma ferramenta em Max/Msp voltada para a classificação de gestos de dançarinos com base na Análise de Movimento de Laban. A abordagem sonoro-musical está baseada na tipo-morfologia de Schaeffer e na espectromorfologia de Smalley, podendo contar com instrumentos ao vivo e gravações, e seu processamento em tempo real. São propostas diversas possibilidades de interação entre os gestos das duas modalidades, pensadas tanto em nível local quanto estrutural. Foram elaboradas peças interativas, explorando as diferentes possibilidades abertas pelas duas modalidades.Recent technologies are responsible for an increasing number of cultural and research activities dealing with the association between music and movement, a relationship deeply rooted in every human culture. Gestures may explore different types of energy and become the basis of expression and artistic creation. Starting from the investigation of the different meanings of the concept of gesture, we propose strategies and tools for the development of musical creations that explore dance and music within the context of electroacoustic composition and interactive digital performances. In motion capture, we used position sensors and inertial measurement units. From these data, we developed a tool in Max/Msp focused on the classification of gestures of dancers based on the Laban Movement Analysis. The sonic/musical approach is based on Schaeffer’s morphology and Smalley’s spectromorphology, which can rely on live instruments and recordings, and their processing in real time. Various possibilities of interaction between the gestures of the two modalities, thought at both local and structural levels, are proposed. Interactive pieces were elaborated, exploring different possibilities opened by the two modalities.porUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em MúsicaUFMGBrasilMUSICA - ESCOLA DE MUSICAGestos na músicaMúsica e tecnologiaDançaGestoMúsica interativaMúsicaDança interativaEntre gestos: interações entre música e dança com mediação digitalinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINALLeandro Pereira de Souza D 2018.pdfLeandro Pereira de Souza D 2018.pdfapplication/pdf18852340https://repositorio.ufmg.br/bitstream/1843/31043/1/Leandro%20Pereira%20de%20Souza%20D%202018.pdf6b7af0e7c68272ca0f11176fb6b73322MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-82119https://repositorio.ufmg.br/bitstream/1843/31043/2/license.txt34badce4be7e31e3adb4575ae96af679MD52TEXTLeandro Pereira de Souza D 2018.pdf.txtLeandro Pereira de Souza D 2018.pdf.txtExtracted texttext/plain142267https://repositorio.ufmg.br/bitstream/1843/31043/3/Leandro%20Pereira%20de%20Souza%20D%202018.pdf.txte0dfcddb74620f513932809225d59b62MD531843/310432019-11-19 03:30:08.097oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2019-11-19T06:30:08Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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