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Matheus Trevizamhttp://lattes.cnpq.br/9371338613375993Charlene Martins MiottiSandra Maria Gualberto Braga Bianchethttps://lattes.cnpq.br/8496566406029834Sarah Nilza Araújo da Silva Zinato2024-04-03T00:38:10Z2024-04-03T00:38:10Z2024-01-19http://hdl.handle.net/1843/66790O presente trabalho propõe a tradução e comentários sobre a Consolatio ad Marciam e sobre três Epistulae Morales de Sêneca (63, 93 e 99), realizando o estudo das obras. Nesse campo, os focos do estudo proposto são três. Em primeiro lugar, considerar temas filosóficos estoicos e observar a concepção de morte e de luto, pontos nevrálgicos de nossas análises em relação às obras selecionadas, principalmente na perspectiva do autor. Em segundo lugar, buscamos compreender a estrutura da consolatio dentro da tradição retórico-literária e os traços estilísticos de Sêneca, enquanto personalidade de imensurável importância literária e filosófica no panorama romano. Finalmente, empreender uma análise da estrutura da consolação senequiana diante da morte, e das estratégias retóricas que dão às obras selecionadas seu caráter distintivo, tanto em função de status de consolação, quanto em razão da linguagem e do estilo de Sêneca, reconhecendo as características que permitem observar e delinear o pensamento do autor. Nesse sentido, a tradução se mostra fundamental, buscando preservar os traços estilísticos da obra original.The present work proposes the translation and comments on the Consolatio ad Marciam and on three Epistulae Morales by Seneca (63, 93 and 99), carrying out a study of the works. In this field, the focuses of the proposed study are three. Firstly, to consider Stoic philosophical themes and observe the conception of death and mourning, key points in our analysis in relation to the selected works, mainly from the author's perspective. Secondly, we aim to understand the structure of consolatio within the rhetorical-literary tradition and the stylistic traits of Seneca, as a personality of immeasurable literary and philosophical importance in the Roman perspective. Finally, to undertake an analysis of the structure of Seneca's consolation and the rhetorical strategies that provide the selected works their distinctive character, both due to their consolation status and due to Seneca's language and style, recognizing the characteristics that allow us to observe and outline the author's thought. In this sense, translation is fundamental, seeking to preserve the stylistic features of the original work.CNPq - Conselho Nacional de Desenvolvimento Científico e TecnológicoporUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em Estudos LiteráriosUFMGBrasilFALE - FACULDADE DE LETRASSeneca – ca. 4 a.C.-ca. 65 d.C – Consolatio ad Marciam – Crítica e interpretaçãoSeneca – ca. 4 a.C.-ca. 65 d.C –Epistulae Morales – Crítica e interpretaçãoLiteratura latina – História e críticaRetórica (Filosofia)Morte na literaturaLuto na literaturaSênecaConsolaçãoEstoicismoRetóricaMorteRetórica do luto: temas filosóficos e oratória em Sênecainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINALSarah Nilza A. S. Zinato- Retórica do luto. Temas filosóficos e oratória em Seneca-2024..pdfSarah Nilza A. S. Zinato- Retórica do luto. Temas filosóficos e oratória em Seneca-2024..pdfapplication/pdf1411655https://repositorio.ufmg.br/bitstream/1843/66790/3/Sarah%20Nilza%20A.%20S.%20Zinato-%20Ret%c3%b3rica%20do%20luto.%20Temas%20filos%c3%b3ficos%20e%20orat%c3%b3ria%20em%20Seneca-2024..pdfa4de689c763829c622d8adb1ea033280MD53LICENSElicense.txtlicense.txttext/plain; charset=utf-82118https://repositorio.ufmg.br/bitstream/1843/66790/4/license.txtcda590c95a0b51b4d15f60c9642ca272MD541843/667902024-04-02 21:38:11.09oai:repositorio.ufmg.br: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ório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2024-04-03T00:38:11Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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