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Marli de Oliveira Fantini Scarpellihttp://lattes.cnpq.br/1443989482484875Marcia Angelita TiburiMárcia Regina Jaschke MachadoAparecida Maria NunesNádia Battella GotlibRoberto Charles Feitosa de Oliveirahttp://lattes.cnpq.br/4081678197152982Pablo Vinícius Dias Siqueira2019-11-13T14:51:20Z2019-11-13T14:51:20Z2019-06-27http://hdl.handle.net/1843/309670000-0002-8568-731XFilosofia selvagem é uma aventura filosófica com o pensamento reflexivo de Clarice Lispector. Mais do que qualquer outra coisa, o presente texto é um ensaio errante que entra em contato, amorosamente, com a vida filosófica e a vida literária de Lispector. O termo selvagem, aqui, diz respeito, principalmente, a duas coisas. Ao modo com que o pensamento de Lispector se configura e também à forma com que este ensaio se apresenta: ambos são insubordinados, abertos e provocantes. Justo por ser selvagem, por ser uma aventura e por ser filosófico, este ensaio não se submete a normas, amarras e metodologias convencionais – a não ser que lhe convenha. Na verdade, brincar-de-pensar é o grande método de pesquisa eleito para filosofar com o pensamento de Clarice Lispector, no encontro genuíno que ela estabelece entre literatura e filosofia. Considerei os aspectos reflexivos dos textos A descoberta do mundo, A hora da estrela, O mistério do coelho pensante, Para não esquecer e Quase de verdade que flertam com Água viva e Um sopro de vida. Ao longo do ensaio pensei os momentos em que Lispector, em parceria com a vida, e com as linguagens da vida, dedica-se a questões éticas e estéticas e aos aspectos políticos de tais questões, intrínsecas ao cotidiano, mas jamais refém dele. Também investiguei certos problemas que ela mesma cria e que tenta resolver pensando, posicionando-se filosoficamente frente à própria subjetividade reflexiva. Pensei ainda o estilo, as formas e certas expressões de pensamento como “íntima”, “amadora”, “bobo”, “brincar” e mesmo “selvagem” que Lispector aciona como conceitos próprios. Por fim, Filosofia selvagem é um ensaio fragmentado, aforismático, ficcional, polêmico, poético, que reúne várias filosofias, minhas e de Lispector, sem hierarquias de conteúdo, sem explicações rígidas. Tudo isso me permitiu realçar o traço literário, lúdico e atrevido que há nos pensamentos filosóficos mais desafiantes – como é o caso do pensamento de Clarice Lispector.Wild philosophy is a philosophical adventure with the reflective thinking of Clarice Lispector. More than anything else, this paper is a wandering essay that comes into loving contact with the philosophical and the literary life of Lispector. The term wild here refers mainly to two things. The way in which Lispector's thinking is shaped and also the way this essay presents itself: both are insubordinate, open and provocative. Just because it is wild, because it is an adventure and because it is philosophical, this essay does not submit to conventional norms, moorings and methodologies - unless it suits itself. In fact, play-of-think is the great method of research chosen to philosophize with the thinking of Clarice Lispector, in the genuine enconter that she set up between literature and philosophy. I am considering the reflective aspects of her work Discovering the world, The hour of the star, O mistério do coelho pensante, Para não esquecer e Quase de verdade (respectively, in wild english translation, The mystery of the thinking rabbit, Not to forget and Almost real), really flirting with The stream of life and A breath of life. Throughout the essay I thought about the moments in which Lispector, in partnership with life and the languages of life, dedicates himself to ethical and aesthetic issues and the political aspects of such issues, intrinsic to everyday life, but never hostage to it. I also investigated certain problems that Lispector herself creates and tries to solve by thinking, positioning herself philosophically before her own reflexive subjectivity. I also thought of the style, forms and certain expressions of thought as "intimate", "amateur", "fool", "play" and even "wild" that Lispector triggers as concepts of her own. Finally, Wild Philosophy is a fragmented, aforismatic, fictional, polemical, poetic essay that brings together so many philosophies from me and from Lispector, without hierarchies of content, without rigid explanations. All this allowed me to emphasize the literary, playful and daring trait that there are in the most challenging philosophical thoughts – as is the case of the thinking of Clarice Lispector.porUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em LetrasUFMGBrasilFALE - FACULDADE DE LETRAShttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessLispector, Clarice, 1920-1977 – Crítica e interpretaçãoLiteratura – FilosofiaPolítica e literaturaFicção brasileira – História e críticaEscrita na literaturaClarice LispectorPortuguêsEnsaioPortuguêsFilosofia selvagemPortuguêsFilosofia popPortuguêsEscrita de siPortuguêsPolíticas do contemporâneoPortuguêsFilosofia selvagem: ensaio com o pensamento de Clarice LispectorWild philosophy: essay with the reflective thinking of Clarice Lispector.info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINALtese_pablo_diassi.pdftese_pablo_diassi.pdfapplication/pdf1509776https://repositorio.ufmg.br/bitstream/1843/30967/1/tese_pablo_diassi.pdf15e45375db3559788064ad7beb30663fMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8811https://repositorio.ufmg.br/bitstream/1843/30967/2/license_rdfcfd6801dba008cb6adbd9838b81582abMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82119https://repositorio.ufmg.br/bitstream/1843/30967/3/license.txt34badce4be7e31e3adb4575ae96af679MD53TEXTtese_pablo_diassi.pdf.txttese_pablo_diassi.pdf.txtExtracted texttext/plain370972https://repositorio.ufmg.br/bitstream/1843/30967/4/tese_pablo_diassi.pdf.txt3362f23d9c636775872c0a6aad69afffMD541843/309672019-11-14 13:18:17.433oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2019-11-14T16:18:17Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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