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2021-10-04T19:58:51Z2021-10-04T19:58:51Z2016-121033602237-8553http://hdl.handle.net/1843/38262https://orcid.org/ 0000-0003-3694-9771O presente ensaio traz ao texto diversas manifestações culturais que expressam temas caros à tradição humanista: literatura, teatro, artes plásticas, dança, música que se desenvolve em torno de duas mulheres, Olympe des Gouges e Marietta Baderna. Ambas através das Artes sinalizaram contradições no ideário do que se compreendia como “humano”, “tolerável” além do seu tempo, a partir dos antecedentes da Revolução Francesa. Através das suas ações no espaço público destinado aos homens, as suas ligações com as artes sinalizam tensões presentes ao acolhimento dos Direitos Humanos (só dos homens?) no ambiente da cultura e na vida social. Este é o fio condutor desenrolado a partir da Europa para seguir até as Américas, onde dialoga com a herança africana, trazendo a lume mulheres extraordinárias que ousaram denunciar as falácias entre o discurso pela igualdade, liberdade e fraternidade e as ações no seio de uma sociedade desigual marcada pelo silêncio e pela invisibilização, ao mesmo tempo em que aponta a complexidade da questão expressa no próprio termo “humano” que designa os direitos fundamentais.This essay brings to the text various cultural actions that express themes dear to the humanist tradition: literature, theater, fine arts, dance, music that develops around two women, Olympe des Gouges and Marietta Baderna. Both through the Arts signaled contradictions in the ideology of what was understood as “human”, “tolerable” beyond its time, from the antecedents of French Revolution. Through their actions in the public space destined for men, their links with the arts show tensions present to the reception of Human Rights (only of men?) in the environment of culture and social life. This is the guiding thread unfurled from Europe to follow to the Americas, where it dialogues with the African heritage, bringing to light extraordinary women who dared to denounce the fallacies between the discourse for equality, freedom and fraternity and actions within a unequal society, marked by silence and invisibility, while at the same time point out the complexity of the issue expressed in the term “human” that designates fundamental rights.porUniversidade Federal de Minas GeraisUFMGBrasilDIR - DEPARTAMENTO DE DIREITO DO TRABALHO E INTRODUÇÃO AO ESTUDO DO DIREITORevista Estudos LegislativosMulheres artistasDireitos humanosDireitos fundamentaisGouges, Olympe de, 1748-1793Baderna, Marietta, 1828-1874Direitos fundamentaisMulheres artistasOlympe de GougesMarietta BadernaMulheres substantivas - Olympe de Gouges e Marietta Baderna: o papel subversivo das artes no contexto dos direitos humanos em movimentoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://submissoes.al.rs.gov.br/index.php/estudos_legislativos/article/view/215Fabiana de Menezes Soaresapplication/pdfinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGLICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/38262/1/License.txtfa505098d172de0bc8864fc1287ffe22MD51ORIGINALMulheres substantivas - Olympe de Gouges e Marietta Baderna - o papel subversivo das artes no contexto dos Direitos Humanos em movimento.pdfMulheres substantivas - Olympe de Gouges e Marietta Baderna - o papel subversivo das artes no contexto dos Direitos Humanos em movimento.pdfapplication/pdf788513https://repositorio.ufmg.br/bitstream/1843/38262/2/Mulheres%20substantivas%20-%20Olympe%20de%20Gouges%20e%20Marietta%20Baderna%20-%20o%20papel%20subversivo%20das%20artes%20no%20contexto%20dos%20Direitos%20Humanos%20em%20movimento.pdf19d11172f6f2f037fce56b781c5ee15aMD521843/382622021-10-04 16:58:51.653oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2021-10-04T19:58:51Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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