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2023-12-22T13:34:49Z2023-12-22T13:34:49Z2022323365710.35699/2317-2096.2022.369112317-2096http://hdl.handle.net/1843/62133https://orcid.org/0000-0002-8985-8315https://orcid.org/0000-0003-3349-0643Com o objetivo de revisitar a recepção do primeiro livro do então jovem filólogo Friedrich Nietzsche, O nascimento da tragédia a partir do espírito da música, publicado em 1872, partimos de algumas das principais questões em jogo para o campo da chamada Altertumswissenschaft (Ciência da Antiguidade) na segunda metade do século XIX. Após explicitar referências importantes para a fundação moderna desse campo (principalmente Friedrich August Wolf), abordamos os principais documentos publicados na época da polêmica em torno ao livro de estreia de Nietzsche e explicitamos alguns desdobramentos desse violento debate: a nosso ver, as críticas de Wilamowitz à abordagem filológica de Nietzsche, pejorativamente batizada de Zukunftsphilologie (filologia do futuro), bem como as que Rohde faz a Wilamowitz, referindo-se a uma Afterphilologie (filologia retrógrada), junto com as reflexões de Wagner e as do próprio Nietzsche, ainda podem dar a pensar sobre o potencial desse campo para uma ação crítica e criativa no presente.In order to revisit the reception of the first book by the young philologist Friedrich Nietzsche, The Birth of Tragedy from the Spirit of Music, published in 1872, we depart from some of the main issues at stake for the field of Altertumswissenschaft (Science of Antiquity) in the second half of the 19th century. After exploring important references for the modern foundation of this field (mainly Friedrich August Wolf), we approach the main documents published at the time of the controversy surrounding Nietzsche’s debut book and explain some developments from this violent debate: in our view, Wilamowitz’s criticisms to Nietzsche’s philological approach, pejoratively named Zukunftsphilologie (philology of the future), as well as Rohde’s to Wilamowitz, referring to an Afterphilologie (retrograde philology), together also with Wagner’s and Nietzsche’s own reflections, can still give rise to thinking about the potential of this field for a critical and creative action in the present.porUniversidade Federal de Minas GeraisUFMGBrasilFALE - FACULDADE DE LETRASAletria: revista de estudos de literaturaNietzsche, Friedrich Wilhelm,1844-1900 - Crítica e interpretaçãoWilamowitz-Mollendorff, Ulrich von. - Crítica e interpretaçãoHistória da educaçãoHistória dos Estudos ClássicosFilologiaNietzscheWilamowitzPor uma filologia do futuro: O que resta da polêmica entre Wilamowitz e o círculo de Nietzsche para os Estudos Clássicos hoje?For a Philology of the Future : What Does Remain of the Controversy Between Wilamowitz and Nietzsche’s Circle for Classical Studies Today?info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://periodicos.ufmg.br/index.php/aletria/article/view/36911Rafael Guimarães Tavares SilvaTeodoro Rennó Assunçãoapplication/pdfinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGLICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/62133/1/License.txtfa505098d172de0bc8864fc1287ffe22MD51ORIGINALPor uma filologia do futuro O que resta da polêmica entre Wilamowitz e o círculo de Nietzsche para os Estudos Clássicos hoje.pdfPor uma filologia do futuro O que resta da polêmica entre Wilamowitz e o círculo de Nietzsche para os Estudos Clássicos hoje.pdfapplication/pdf364822https://repositorio.ufmg.br/bitstream/1843/62133/2/Por%20uma%20filologia%20do%20futuro%20O%20que%20resta%20da%20pol%c3%aamica%20entre%20Wilamowitz%20e%20o%20c%c3%adrculo%20de%20Nietzsche%20para%20os%20Estudos%20Cl%c3%a1ssicos%20hoje.pdfacbcdb576c5eb2c9388c5796edc9fd51MD521843/621332023-12-22 10:34:50.379oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2023-12-22T13:34:50Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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