Detalhes bibliográficos
Título da fonte: Repositório Institucional da UFMG
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oai_identifier_str oai:repositorio.ufmg.br:1843/52947
network_acronym_str UFMG
network_name_str Repositório Institucional da UFMG
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reponame_str Repositório Institucional da UFMG
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institution Universidade Federal de Minas Gerais (UFMG)
instname_str Universidade Federal de Minas Gerais (UFMG)
spelling 2023-05-08T20:39:01Z2023-05-08T20:39:01Z2018162314329116795520http://hdl.handle.net/1843/52947https://orcid.org/0000-0002-1100-4037This article examines the role of rituals in African-American communities as represented in Toni Morrison’s novel Beloved (1987), which provide stabilization, harmony, communal bonding and individual empowerment. As such, Morrison privileges what anthropologists call a socio-functionalist view of rituals, namely, the notion that they are connected to social practices and group harmony rather than to transcendental appeals. Morrison’s view of rituals is explored in three key moments: the community feast prior to Sethe´s killing of the “crawling-already” baby; Baby Suggs’s worship services in the Clearing; the exorcism of the ghost of Beloved. Definitions and insights on the social function of rituals are drawn from anthropologists Émile Durkeim, Victor Turner, and Max Gluckman; from religious studies scholar Catherine Bell, and from mythologist Joseph Campbell.Este artigo examina a função dos rituais em comunidades afro-americanas, como representadas no romance Beloved (1987), de Toni Morrison, que proveem estabilidade, harmonia, fortalecimento de laços comunitários e empoderamento de grupos e indivíduos. Desse modo, Morrison privilegia o que os antropólogos denominam visão sócio-funcionalista dos rituais, isto é, a noção de que estão ligados de preferência a práticas sociais e harmonia coletiva do que a apelos transcendentais. A visão de Morrison sobre rituais é explorada em três momentos-chave: o banquete comunitário que antecede o assassinato do bebê “que já engatinhava”; os cultos de Baby Suggs na Clareira; o exorcismo do fantasma de Amada. Como suporte teórico utilizam-se reflexões dos antropólogos Émile Durhheim, Victor Turner e Max Gluckman; da especialista em estudos da religião, Catherine Bell, e do mitologista Joseph Campbell.engUniversidade Federal de Minas GeraisUFMGBrasilFALE - FACULDADE DE LETRASScripta UniandradeLiteraturaRitos e cerimôniasNegros na literaturaMorrisonRitualsReligionHistoryRedemptionThe representation of rituals in toni morrison's beloved: community, resistance, empowermentA representação de rituais em Amada de Toni Morrison: comunidade, resistência, empoderamentoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://revista.uniandrade.br/index.php/ScriptaUniandrade/article/view/1049José de Paiva Dos Santosapplication/pdfinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGORIGINALThe Representation of Rituals in Toni Morrison's Beloved Community, Resistance, Empowerment.pdfThe Representation of Rituals in Toni Morrison's Beloved Community, Resistance, Empowerment.pdfapplication/pdf219152https://repositorio.ufmg.br/bitstream/1843/52947/2/The%20Representation%20of%20Rituals%20in%20Toni%20Morrison%27s%20Beloved%20Community%2c%20Resistance%2c%20Empowerment.pdf2b5d50376bcc306fc51bad35beed396fMD52LICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/52947/1/License.txtfa505098d172de0bc8864fc1287ffe22MD511843/529472023-05-08 20:40:11.428oai:repositorio.ufmg.br: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Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oaiopendoar:2023-05-08T23:40:11Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
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