Detalhes bibliográficos
Título da fonte: Repositório Institucional da UFMG
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network_name_str Repositório Institucional da UFMG
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reponame_str Repositório Institucional da UFMG
instacron_str UFMG
institution Universidade Federal de Minas Gerais (UFMG)
instname_str Universidade Federal de Minas Gerais (UFMG)
spelling Reinaldo Martiniano Marqueshttp://lattes.cnpq.br/4168957754548160Eneida Maria de SouzaVera Lúcia de Carvalho Casa NovaKelen Benfenatti PaivaAdriana Rodrigues Machadohttp://lattes.cnpq.br/2079764144201313Túlio César Vieira Alves2020-03-17T13:13:46Z2020-03-17T13:13:46Z2019-10-14http://hdl.handle.net/1843/32946A tese propõe analisar a produção crítica de Henriqueta Lisboa à luz do pensamento contemporâneo. Os volumes de ensaios Convívio poético (1955), Vigília poética (1968) e Vivência poética (1979) formam a produção crítica e teórica de Henriqueta Lisboa. Neles estão contidos os princípios norteadores de seu pensamento em cotejamento com a produção poética própria e o seu olhar sobre as obras literárias de outros autores. A reflexão sobre a imagem poética em comparação com o conceito contemporâneo de imagem, assim como seu desdobramento em conceitos como sobrevivência, montagem e remontagem formam o principal eixo de articulação da pesquisa.The thesis proposes to analyze Henriqueta Lisboa's critical production in the light of contemporary thinking. The volumes of essays Convívio poético (1955), Vigília poética (1968) and Vivência poética (1979) form Henriqueta Lisboa's critical and theoretical production. They contain the guiding principles of her thinking in comparison with her own poetic production and her gaze on the literary works of other authors. Reflection on the poetic image in comparison with the contemporary concept of image, as well as its unfolding in concepts such as survival, montage and remontage form the main axis of research articulation.porUniversidade Federal de Minas GeraisPrograma de Pós-Graduação em Estudos LiteráriosUFMGBrasilFALE - FACULDADE DE LETRASlisboa, Henriqueta, 1904-1985. – Crítica e interpretaçãoPoesia brasileira – História e críticaCríticaImagemImagem poesia história da arte memória montagemReverberações, o diálogo entre a poesia e o pensamento crítico de Henriqueta Lisboa: um olhar contemporâneoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGTEXTReverberações, o diálogo entre a poesia e o pensamento crítico de Henriqueta Lisboa, um olhar contemporâneo (1).pdf.txtReverberações, o diálogo entre a poesia e o pensamento crítico de Henriqueta Lisboa, um olhar contemporâneo (1).pdf.txtExtracted texttext/plain604717https://repositorio.ufmg.br/bitstream/1843/32946/3/Reverbera%c3%a7%c3%b5es%2c%20o%20di%c3%a1logo%20entre%20a%20poesia%20e%20o%20pensamento%20cr%c3%adtico%20de%20Henriqueta%20Lisboa%2c%20um%20olhar%20contempor%c3%a2neo%20%281%29.pdf.txt8df937aa01a9a3d2ec9ac1878974624aMD53ORIGINALReverberações, o diálogo entre a poesia e o pensamento crítico de Henriqueta Lisboa, um olhar contemporâneo (1).pdfReverberações, o diálogo entre a poesia e o pensamento crítico de Henriqueta Lisboa, um olhar contemporâneo (1).pdfapplication/pdf1486961https://repositorio.ufmg.br/bitstream/1843/32946/1/Reverbera%c3%a7%c3%b5es%2c%20o%20di%c3%a1logo%20entre%20a%20poesia%20e%20o%20pensamento%20cr%c3%adtico%20de%20Henriqueta%20Lisboa%2c%20um%20olhar%20contempor%c3%a2neo%20%281%29.pdfbf9de444d2aa4459963924554350f270MD51LICENSElicense.txtlicense.txttext/plain; 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