As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira

Detalhes bibliográficos
Autor(a) principal: Manoela Fernanda Silva de Matos
Data de Publicação: 2023
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFMS
Texto Completo: https://repositorio.ufms.br/handle/123456789/8601
Resumo: This work aims to analyze the aesthetic-literary plurality of Edimilson de Almeida Pereira. This required going through literary historiography and the place occupied by black literature within Brazilian literature. Therefore, it was necessary to read several researchers who deal with black writing, such as Eduardo de Assis Duarte, Benedita Damasceno, Nazareth Fonseca, and others. The plurality of Almeida Pereira's writing can be seen when we portray his two faces: researcher on the one side and writer on the other, seeking congruence between the two personas. He is, therefore, one of the great names in contemporary literature. As a researcher, he devoted himself to studying popular manifestations, especially those of African origin, and during one of these field studies, he met the Black Community of Arturos, located in Minas Gerais. Based on this contact, Almeida Pereira, in partnership with Núbia Gomes Pereira, wrote the book Negras raízes mineiras: os Arturos (Black roots of Minas Gerais: the Arturos), published in 1988 and republished in 2000. Concomitantly with this publication, Edimilson de Almeida Pereira published the poetic work A Árvore dos Arturos & outros poemas ("The Arturos Tree & Other Poems," 1988). This collection includes the poem A Árvore dos Arturos ("The Arturos Tree"), which will be analyzed in this paper to prove the importance of the Congadas in maintaining the Black Community of Arturos, thus becoming the expression of a people as a way of being and living that reaffirms the identity of the Arturos, both individually and collectively. Understanding this organizational system of the Arturos required us to read studies of researchers dealing with Congadas, such as Glaura Lucas, Leda Martins, Edimilson de Almeida Pereira, Núbia Gomes Pereira, and others, who will serve as a theoretical contribution to this research. In this way, it became evident that the perpetuation of the Arturos in the figure of Arthur Camilo, in which his memory reverberates in his descendants, in the experiences and experiments of the Community, and, above all, in the rites and precepts of the Congada that transcend the tenuous line between heaven and earth, myth and reality, is how the Black Community of the Arturos was formed; this is how the Arturos are. Keywords: Edimilson de Almeida Pereira; Congadas; Black literature; Popular traditions.
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spelling 2024-03-26T14:52:47Z2024-03-26T14:52:47Z2023https://repositorio.ufms.br/handle/123456789/8601This work aims to analyze the aesthetic-literary plurality of Edimilson de Almeida Pereira. This required going through literary historiography and the place occupied by black literature within Brazilian literature. Therefore, it was necessary to read several researchers who deal with black writing, such as Eduardo de Assis Duarte, Benedita Damasceno, Nazareth Fonseca, and others. The plurality of Almeida Pereira's writing can be seen when we portray his two faces: researcher on the one side and writer on the other, seeking congruence between the two personas. He is, therefore, one of the great names in contemporary literature. As a researcher, he devoted himself to studying popular manifestations, especially those of African origin, and during one of these field studies, he met the Black Community of Arturos, located in Minas Gerais. Based on this contact, Almeida Pereira, in partnership with Núbia Gomes Pereira, wrote the book Negras raízes mineiras: os Arturos (Black roots of Minas Gerais: the Arturos), published in 1988 and republished in 2000. Concomitantly with this publication, Edimilson de Almeida Pereira published the poetic work A Árvore dos Arturos & outros poemas ("The Arturos Tree & Other Poems," 1988). This collection includes the poem A Árvore dos Arturos ("The Arturos Tree"), which will be analyzed in this paper to prove the importance of the Congadas in maintaining the Black Community of Arturos, thus becoming the expression of a people as a way of being and living that reaffirms the identity of the Arturos, both individually and collectively. Understanding this organizational system of the Arturos required us to read studies of researchers dealing with Congadas, such as Glaura Lucas, Leda Martins, Edimilson de Almeida Pereira, Núbia Gomes Pereira, and others, who will serve as a theoretical contribution to this research. In this way, it became evident that the perpetuation of the Arturos in the figure of Arthur Camilo, in which his memory reverberates in his descendants, in the experiences and experiments of the Community, and, above all, in the rites and precepts of the Congada that transcend the tenuous line between heaven and earth, myth and reality, is how the Black Community of the Arturos was formed; this is how the Arturos are. Keywords: Edimilson de Almeida Pereira; Congadas; Black literature; Popular traditions.O presente trabalho tem como objetivo analisar a pluralidade estético-literária de Edimilson de Almeida Pereira, para tanto, foi necessário percorrer a historiografia literária e o lugar que a literatura de autoria negra ocupa dentro da Literatura Brasileira, para tal compreensão foi preciso fazer a leitura de diversos pesquisadores que tratam da escrita de autoria negra como Eduardo de Assis Duarte, Benedita Damasceno, Nazareth Fonseca, entre outros. Observa-se a pluralidade de escrita em Almeida Pereira, ao retratarmos as suas duas faces: de um lado a de pesquisador e de outro a de escritor, buscando a congruência entre as duas personas. É, pois, um dos grandes nomes da contemporaneidade literária. Como pesquisador debruçou a estudar as manifestações populares, em especial as de origem africana e foi numa dessas pesquisas de campo que conheceu a Comunidade Negra dos Arturos, situada em Minas Gerais; foi a partir deste contato que Almeida Pereira em parceria com Núbia Gomes Pereira escreveram o livro Negras raízes mineiras: os Arturos, publicado em 1988 e republicado em 2000. Concomitantemente a esta publicação Edimilson de Almeida Pereira publica a obra poética A Árvore dos Arturos & outros poemas (1988), e é nesta coletânea que está inserido o poema A árvore dos Arturos, que será analisado neste trabalho a fim de comprovar a importância das Congadas na manutenção da Comunidade Negra dos Arturos, que se tornam a expressão de um povo, como um modo de ser e de viver que reafirma a identidade dos Arturos, seja individual, seja coletivamente. Para entendermos este sistema organizacional dos Arturos, foi necessário lermos pesquisadores que tratam das Congadas como, Glaura Lucas, Leda Martins, Edimilson de Almeida Pereira, Núbia Gomes Pereira, entre outros; que servirão de aporte teórico para esta pesquisa. Deste modo, evidenciou-se que a perpetuação dos Arturos na figura de Arthur Camilo, na qual sua memória reverbera em seus descendentes, nas vivências e experimentações da Comunidade e, principalmente, dos ritos e preceitos da Congada que transcende a linha tênue entre céu e terra, mito e real, assim se fez a Comunidade Negra dos Arturos, assim são os Arturos.Fundação Universidade Federal de Mato Grosso do SulUFMSBrasilEdimilson de Almeida PereiraCongadasLiteratura de autoria negraTradições populares.As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereirainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisKelcilene Gracia RodriguesManoela Fernanda Silva de Matosinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMSinstname:Universidade Federal de Mato Grosso do Sul (UFMS)instacron:UFMSORIGINALTese - Manoela de Matos - Tese para defesa.pdfTese - Manoela de Matos - Tese para defesa.pdfapplication/pdf2197958https://repositorio.ufms.br/bitstream/123456789/8601/-1/Tese%20-%20Manoela%20de%20Matos%20-%20Tese%20para%20defesa.pdf8afeb5d01ce548547298f2627d6ccac3MD5-1123456789/86012024-03-26 10:52:48.267oai:repositorio.ufms.br:123456789/8601Repositório InstitucionalPUBhttps://repositorio.ufms.br/oai/requestri.prograd@ufms.bropendoar:21242024-03-26T14:52:48Repositório Institucional da UFMS - Universidade Federal de Mato Grosso do Sul (UFMS)false
dc.title.pt_BR.fl_str_mv As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
title As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
spellingShingle As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
Manoela Fernanda Silva de Matos
Edimilson de Almeida Pereira
Congadas
Literatura de autoria negra
Tradições populares.
title_short As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
title_full As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
title_fullStr As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
title_full_unstemmed As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
title_sort As tradições das Congadas da Comunidade Negra dos Arturos em A Árvore dos Arturos & outros poemas, de Edimilson de Almeida Pereira
author Manoela Fernanda Silva de Matos
author_facet Manoela Fernanda Silva de Matos
author_role author
dc.contributor.advisor1.fl_str_mv Kelcilene Gracia Rodrigues
dc.contributor.author.fl_str_mv Manoela Fernanda Silva de Matos
contributor_str_mv Kelcilene Gracia Rodrigues
dc.subject.por.fl_str_mv Edimilson de Almeida Pereira
Congadas
Literatura de autoria negra
Tradições populares.
topic Edimilson de Almeida Pereira
Congadas
Literatura de autoria negra
Tradições populares.
description This work aims to analyze the aesthetic-literary plurality of Edimilson de Almeida Pereira. This required going through literary historiography and the place occupied by black literature within Brazilian literature. Therefore, it was necessary to read several researchers who deal with black writing, such as Eduardo de Assis Duarte, Benedita Damasceno, Nazareth Fonseca, and others. The plurality of Almeida Pereira's writing can be seen when we portray his two faces: researcher on the one side and writer on the other, seeking congruence between the two personas. He is, therefore, one of the great names in contemporary literature. As a researcher, he devoted himself to studying popular manifestations, especially those of African origin, and during one of these field studies, he met the Black Community of Arturos, located in Minas Gerais. Based on this contact, Almeida Pereira, in partnership with Núbia Gomes Pereira, wrote the book Negras raízes mineiras: os Arturos (Black roots of Minas Gerais: the Arturos), published in 1988 and republished in 2000. Concomitantly with this publication, Edimilson de Almeida Pereira published the poetic work A Árvore dos Arturos & outros poemas ("The Arturos Tree & Other Poems," 1988). This collection includes the poem A Árvore dos Arturos ("The Arturos Tree"), which will be analyzed in this paper to prove the importance of the Congadas in maintaining the Black Community of Arturos, thus becoming the expression of a people as a way of being and living that reaffirms the identity of the Arturos, both individually and collectively. Understanding this organizational system of the Arturos required us to read studies of researchers dealing with Congadas, such as Glaura Lucas, Leda Martins, Edimilson de Almeida Pereira, Núbia Gomes Pereira, and others, who will serve as a theoretical contribution to this research. In this way, it became evident that the perpetuation of the Arturos in the figure of Arthur Camilo, in which his memory reverberates in his descendants, in the experiences and experiments of the Community, and, above all, in the rites and precepts of the Congada that transcend the tenuous line between heaven and earth, myth and reality, is how the Black Community of the Arturos was formed; this is how the Arturos are. Keywords: Edimilson de Almeida Pereira; Congadas; Black literature; Popular traditions.
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