O lambadão em Cuiabá e Várzea Grande

Detalhes bibliográficos
Autor(a) principal: Rosa, Sandra Maria Souza
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFMT
Texto Completo: http://ri.ufmt.br/handle/1/1996
Resumo: This paper investigates the arise and functionality of the cultural circuit of lambadão, popular urban music genre produced in the Baixada Cuiabana’s region, and the transformations which it has suffered in the last decades. It is about a circuit that involves the specialized nightclubs focused in the promotion of events of this genre in Cuiabá and Varzea Grande. The research shows initially, the history of the first bands and keeps on listing e registering the ones that continued expanding the genre until the latest generations. Partial data show that some bands are active, in higher or lower intensity, at the Baixada Cuiabana. What we see as the cultural circuit of lambadão includes, beyond the religious feasts, events and the activity of the nightclubs that are specifically focused on this genre. At the communication dimension, it is noted some few media practices by means like CDs and DVDs, the use of technological tools like social networks or internet sites that allow the disclosure of the music in a geographic space beyond the Great Cuiabá and the repercussion of the genre over time. The leaders of these studies are the musician that created “hibridações culturais”, Nestor García Canclini, and the creater of “folkcommunication”, Luiz Beltrão. Musicians whom are specially driven by the comprehension of the urban public attitudes, which create their own cultural manifestations and reinvent their rites of social linking. The approaching method used was the qualitative research with semi-structured interviews, also the bibliographic studies, photographic records and non-involving observation. With the research’s progress was noted that the Circuit is expanding in the most diverse ways, whether in the opening of new spaces in the Cuiabá capital or even in Varzea Grande, where the Circuit was already consolidated. These new spaces include even restaurants, which at weekends become show houses. While some new appreciator’s groups of this genre emerged from facebook and whatsapp some others came up from some specific band’s fan club, and others chose to organize themselves to make special shirts like uniforms which identify themselves in events. When you observe this you can notice the strength that this genre has been reaching over the time in the whole Baixada Cuiabana.
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spelling O lambadão em Cuiabá e Várzea GrandeLambadãoCircuito culturalFolkcomunicaçãoCNPQ::LINGUISTICA, LETRAS E ARTESLambadãoCultural circuitFolkcommunicationThis paper investigates the arise and functionality of the cultural circuit of lambadão, popular urban music genre produced in the Baixada Cuiabana’s region, and the transformations which it has suffered in the last decades. It is about a circuit that involves the specialized nightclubs focused in the promotion of events of this genre in Cuiabá and Varzea Grande. The research shows initially, the history of the first bands and keeps on listing e registering the ones that continued expanding the genre until the latest generations. Partial data show that some bands are active, in higher or lower intensity, at the Baixada Cuiabana. What we see as the cultural circuit of lambadão includes, beyond the religious feasts, events and the activity of the nightclubs that are specifically focused on this genre. At the communication dimension, it is noted some few media practices by means like CDs and DVDs, the use of technological tools like social networks or internet sites that allow the disclosure of the music in a geographic space beyond the Great Cuiabá and the repercussion of the genre over time. The leaders of these studies are the musician that created “hibridações culturais”, Nestor García Canclini, and the creater of “folkcommunication”, Luiz Beltrão. Musicians whom are specially driven by the comprehension of the urban public attitudes, which create their own cultural manifestations and reinvent their rites of social linking. The approaching method used was the qualitative research with semi-structured interviews, also the bibliographic studies, photographic records and non-involving observation. With the research’s progress was noted that the Circuit is expanding in the most diverse ways, whether in the opening of new spaces in the Cuiabá capital or even in Varzea Grande, where the Circuit was already consolidated. These new spaces include even restaurants, which at weekends become show houses. While some new appreciator’s groups of this genre emerged from facebook and whatsapp some others came up from some specific band’s fan club, and others chose to organize themselves to make special shirts like uniforms which identify themselves in events. When you observe this you can notice the strength that this genre has been reaching over the time in the whole Baixada Cuiabana.CAPESEste trabalho investiga o surgimento e funcionamento do circuito cultural do lambadão, gênero musical popular urbano produzido na região da Baixada Cuiabana, e as transformações pelas quais o gênero vem passando nas últimas décadas. Trata-se de um circuito que envolve casas noturnas especializadas na promoção de eventos do gênero em Cuiabá e Várzea Grande. A pesquisa apresenta, inicialmente, a história das primeiras bandas e segue listando e registrando as que continuaram na propagação do gênero até as mais novas gerações. Dados parciais indicam que algumas bandas atuam, em maior ou menor intensidade, na Baixada Cuiabana. O que identificamos como circuito cultural do lambadão inclui, além das festas de santo, eventos e o funcionamento de casas noturnas específicas do gênero. Na dimensão comunicacional, notam-se práticas midiáticas por meio da gravação de CDs e DVDs, uso de ferramentas tecnológicas como redes sociais ou sites da internet, que possibilitam a divulgação da música num espaço geográfico além da Grande Cuiabá e a reprodução do gênero ao longo do tempo. Norteiam tais estudos os instrumentais das “hibridações culturais”, de Nestor García Canclini, e da “folkcomunicação”, de Luiz Beltrão. Instrumentais mobilizados especialmente para a compreensão das atitudes dos públicos urbanos, que criam suas próprias manifestações culturais e reinventam seus ritos de vinculação social. O método de aproximação empregado foi de pesquisa de campo com entrevistas semiestruturadas, além de estudos bibliográficos, registros fotográficos e observação não participante. Com o andamento da pesquisa, foi observado que o Circuito está se ampliando nas mais diversas formas, tanto com a abertura de novos espaços na capital Cuiabá, ou mesmo em Várzea Grande, onde o Circuito já estava consolidado. Estes novos espaços incluem até mesmo restaurantes, que aos finais de semana se transformam em casas de shows. Nesse sentido, destaca-se o surgimento de diferentes grupos de apreciadores do gênero, seja via facebook, whatsapp ou aqueles que formam fã-clubes de determinadas bandas, além dos que se organizam e fazem camisetas personalizadas que os identificam nos eventos. Desta forma, se percebe a força que o gênero vem alcançando com o passar do tempo em toda a Baixada Cuiabana.Universidade Federal de Mato GrossoBrasilFaculdade de Comunicação e Artes (FCA)UFMT CUC - CuiabáPrograma de Pós-Graduação em Estudos de Cultura ContemporâneaGushiken, Yujihttp://lattes.cnpq.br/4697447223916653Gushiken, Yuji667.836.741-34http://lattes.cnpq.br/4697447223916653Possari, Lúcia Helena Vendrúsculo747.762.588-20http://lattes.cnpq.br/6385055872621365667.836.741-34Azevedo, Maria Thereza de Oliveira546.410.717-72http://lattes.cnpq.br/8345268053922687Rosa, Sandra Maria Souza2020-03-12T13:44:16Z2016-06-092020-03-12T13:44:16Z2016-03-17info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisROSA, Sandra Maria Souza. O lambadão em Cuiabá e Várzea Grande. 2016. 96 f. Dissertação (Mestrado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2016.http://ri.ufmt.br/handle/1/1996porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMTinstname:Universidade Federal de Mato Grosso (UFMT)instacron:UFMT2020-03-13T07:03:34Zoai:localhost:1/1996Repositório InstitucionalPUBhttp://ri.ufmt.br/oai/requestjordanbiblio@gmail.comopendoar:2020-03-13T07:03:34Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)false
dc.title.none.fl_str_mv O lambadão em Cuiabá e Várzea Grande
title O lambadão em Cuiabá e Várzea Grande
spellingShingle O lambadão em Cuiabá e Várzea Grande
Rosa, Sandra Maria Souza
Lambadão
Circuito cultural
Folkcomunicação
CNPQ::LINGUISTICA, LETRAS E ARTES
Lambadão
Cultural circuit
Folkcommunication
title_short O lambadão em Cuiabá e Várzea Grande
title_full O lambadão em Cuiabá e Várzea Grande
title_fullStr O lambadão em Cuiabá e Várzea Grande
title_full_unstemmed O lambadão em Cuiabá e Várzea Grande
title_sort O lambadão em Cuiabá e Várzea Grande
author Rosa, Sandra Maria Souza
author_facet Rosa, Sandra Maria Souza
author_role author
dc.contributor.none.fl_str_mv Gushiken, Yuji
http://lattes.cnpq.br/4697447223916653
Gushiken, Yuji
667.836.741-34
http://lattes.cnpq.br/4697447223916653
Possari, Lúcia Helena Vendrúsculo
747.762.588-20
http://lattes.cnpq.br/6385055872621365
667.836.741-34
Azevedo, Maria Thereza de Oliveira
546.410.717-72
http://lattes.cnpq.br/8345268053922687
dc.contributor.author.fl_str_mv Rosa, Sandra Maria Souza
dc.subject.por.fl_str_mv Lambadão
Circuito cultural
Folkcomunicação
CNPQ::LINGUISTICA, LETRAS E ARTES
Lambadão
Cultural circuit
Folkcommunication
topic Lambadão
Circuito cultural
Folkcomunicação
CNPQ::LINGUISTICA, LETRAS E ARTES
Lambadão
Cultural circuit
Folkcommunication
description This paper investigates the arise and functionality of the cultural circuit of lambadão, popular urban music genre produced in the Baixada Cuiabana’s region, and the transformations which it has suffered in the last decades. It is about a circuit that involves the specialized nightclubs focused in the promotion of events of this genre in Cuiabá and Varzea Grande. The research shows initially, the history of the first bands and keeps on listing e registering the ones that continued expanding the genre until the latest generations. Partial data show that some bands are active, in higher or lower intensity, at the Baixada Cuiabana. What we see as the cultural circuit of lambadão includes, beyond the religious feasts, events and the activity of the nightclubs that are specifically focused on this genre. At the communication dimension, it is noted some few media practices by means like CDs and DVDs, the use of technological tools like social networks or internet sites that allow the disclosure of the music in a geographic space beyond the Great Cuiabá and the repercussion of the genre over time. The leaders of these studies are the musician that created “hibridações culturais”, Nestor García Canclini, and the creater of “folkcommunication”, Luiz Beltrão. Musicians whom are specially driven by the comprehension of the urban public attitudes, which create their own cultural manifestations and reinvent their rites of social linking. The approaching method used was the qualitative research with semi-structured interviews, also the bibliographic studies, photographic records and non-involving observation. With the research’s progress was noted that the Circuit is expanding in the most diverse ways, whether in the opening of new spaces in the Cuiabá capital or even in Varzea Grande, where the Circuit was already consolidated. These new spaces include even restaurants, which at weekends become show houses. While some new appreciator’s groups of this genre emerged from facebook and whatsapp some others came up from some specific band’s fan club, and others chose to organize themselves to make special shirts like uniforms which identify themselves in events. When you observe this you can notice the strength that this genre has been reaching over the time in the whole Baixada Cuiabana.
publishDate 2016
dc.date.none.fl_str_mv 2016-06-09
2016-03-17
2020-03-12T13:44:16Z
2020-03-12T13:44:16Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv ROSA, Sandra Maria Souza. O lambadão em Cuiabá e Várzea Grande. 2016. 96 f. Dissertação (Mestrado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2016.
http://ri.ufmt.br/handle/1/1996
identifier_str_mv ROSA, Sandra Maria Souza. O lambadão em Cuiabá e Várzea Grande. 2016. 96 f. Dissertação (Mestrado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2016.
url http://ri.ufmt.br/handle/1/1996
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Mato Grosso
Brasil
Faculdade de Comunicação e Artes (FCA)
UFMT CUC - Cuiabá
Programa de Pós-Graduação em Estudos de Cultura Contemporânea
publisher.none.fl_str_mv Universidade Federal de Mato Grosso
Brasil
Faculdade de Comunicação e Artes (FCA)
UFMT CUC - Cuiabá
Programa de Pós-Graduação em Estudos de Cultura Contemporânea
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMT
instname:Universidade Federal de Mato Grosso (UFMT)
instacron:UFMT
instname_str Universidade Federal de Mato Grosso (UFMT)
instacron_str UFMT
institution UFMT
reponame_str Repositório Institucional da UFMT
collection Repositório Institucional da UFMT
repository.name.fl_str_mv Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)
repository.mail.fl_str_mv jordanbiblio@gmail.com
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