A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante

Detalhes bibliográficos
Autor(a) principal: Costa, Gilson Moraes da
Data de Publicação: 2019
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFMT
Texto Completo: http://ri.ufmt.br/handle/1/2246
Resumo: Popularization and access to new communicability mechanisms added to the pressure of sectors of civil society by democratic models of communication enabled a growing number of individuals and collectives to produce exchange and disseminate content making use of different technologies. In this scenario, audiovisual productions that, until the mid-1970s, were mostly carried out by large agents and institutions (state and private broadcasters, film studios and large producers) began to gain space in sectors alternative and popular. In a context of articulation of Indigenous Peoples in Brazil, the appropriation of the media, especially those of audiovisual production, establishes expressive channels for self-determination and selfrepresentation affirming itself as a relevant resource in the landscape of political disputes and objecting to a regime of visibility imposed by a colonialist logic. In this research, we seek to evidence how Xavante groups have adopted different resistance practices in different historical periods, signaling an analytical panorama from the process of contact with the surrounding society to contemporary times. We argue that, if at first, isolation and embattled posture were strategies of ethnicity as a form of direct struggle against the expropriation of their territories, after contact, occurred around 1947, the articulations in the sphere of culture are configured as important subterfuge in the continuous process of resistance and struggle for the acquisition and guarantee of rights. Starting from an interdisciplinary analytical proposal, as well as the ethnographic experiences experienced in the research, we demonstrated that audiovisual, produced by people and collectives xavante in the context of different partnerships, has occupied a relevant role in the field of "identity politics" (GRAHAM, 2005) of ethnicity. The corpus of this research consists, in part, by documentaries produced by filmmakers from the indigenous lands São Marcos, Sangradouro and Pimentel Barbosa, all inserted in the state of Mato Grosso. We identify in these initiatives a cinema that overflows the very constitution of the image, whose symbolic, cultural and political representation are beyond the limits of the film framework. Considering the analyses undertaken here, it is possible to consider that the look built with the camera by the xavante filmmakers assumes uniqueness capable of producing narratives that escape the standardization of the modern documentary truth regime, providing vigorous means for cultural affirmation, community sociability, for the valorization of ethnic identity and as an instrument that expands the possibilities of the different struggles and challenges faced by Xavante groups in the relationship with society Surrounding.
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spelling A’uwẽ höimanadzé : práticas de resistência na produção audiovisual XavanteAudiovisualCinema indígenaColonialismoIdentidade étnicaPovo XavanteCNPQ::LINGUISTICA, LETRAS E ARTESAudiovisualIndian cinemaColonialismEthnic identityPeople XavantePopularization and access to new communicability mechanisms added to the pressure of sectors of civil society by democratic models of communication enabled a growing number of individuals and collectives to produce exchange and disseminate content making use of different technologies. In this scenario, audiovisual productions that, until the mid-1970s, were mostly carried out by large agents and institutions (state and private broadcasters, film studios and large producers) began to gain space in sectors alternative and popular. In a context of articulation of Indigenous Peoples in Brazil, the appropriation of the media, especially those of audiovisual production, establishes expressive channels for self-determination and selfrepresentation affirming itself as a relevant resource in the landscape of political disputes and objecting to a regime of visibility imposed by a colonialist logic. In this research, we seek to evidence how Xavante groups have adopted different resistance practices in different historical periods, signaling an analytical panorama from the process of contact with the surrounding society to contemporary times. We argue that, if at first, isolation and embattled posture were strategies of ethnicity as a form of direct struggle against the expropriation of their territories, after contact, occurred around 1947, the articulations in the sphere of culture are configured as important subterfuge in the continuous process of resistance and struggle for the acquisition and guarantee of rights. Starting from an interdisciplinary analytical proposal, as well as the ethnographic experiences experienced in the research, we demonstrated that audiovisual, produced by people and collectives xavante in the context of different partnerships, has occupied a relevant role in the field of "identity politics" (GRAHAM, 2005) of ethnicity. The corpus of this research consists, in part, by documentaries produced by filmmakers from the indigenous lands São Marcos, Sangradouro and Pimentel Barbosa, all inserted in the state of Mato Grosso. We identify in these initiatives a cinema that overflows the very constitution of the image, whose symbolic, cultural and political representation are beyond the limits of the film framework. Considering the analyses undertaken here, it is possible to consider that the look built with the camera by the xavante filmmakers assumes uniqueness capable of producing narratives that escape the standardization of the modern documentary truth regime, providing vigorous means for cultural affirmation, community sociability, for the valorization of ethnic identity and as an instrument that expands the possibilities of the different struggles and challenges faced by Xavante groups in the relationship with society Surrounding.A popularização e o acesso a novos mecanismos de comunicabilidade, somados às reivindicações de setores da sociedade civil por modelos democráticos de comunicação, possibilitaram que um crescente número de indivíduos e coletivos pudessem produzir, trocar e disseminar conteúdos fazendo uso de diferentes tecnologias. Neste cenário, as produções audiovisuais que, até meados da década de 1970, eram majoritariamente realizadas por grandes agentes e instituições (emissoras estatais e privadas, estúdios de cinema e grandes produtoras) passam a ganhar espaço em setores alternativos e populares. Em um contexto de articulação dos Povos indígenas no Brasil, a apropriação dos meios de comunicação, sobretudo os de produção audiovisual, estabelece canais expressivos para a autodeterminação e autorrepresentação se afirmando como recurso relevante na paisagem das disputas políticas, objetando um regime de visibilidade imposto por uma lógica colonialista. Nesta pesquisa, buscamos evidenciar como grupos Xavante têm adotado diferentes práticas de resistência em distintos períodos históricos, assinalando um panorama analítico desde o processo de aproximação com a sociedade envolvente até os tempos contemporâneos. Argumentamos que, se em um primeiro momento, o isolamento e a postura aguerrida foram estratégias da etnia enquanto forma de luta direta contra a expropriação dos seus territórios, após o contato, ocorrido por volta do ano de 1947, as articulações na esfera da cultura se configuram como subterfúgios importantes no processo contínuo de resistência e luta pela aquisição e garantia de direitos. Partindo de uma proposta analítica interdisciplinar, bem como das experiências etnográficas vivenciadas na pesquisa, demonstramos que o audiovisual, produzido por pessoas e coletivos xavante no âmbito de diferentes parcerias, tem ocupado papel relevante no campo da “política de identidade” (GRAHAM, 2005) da etnia. O corpus desta pesquisa é constituído, em parte, por documentários produzidos por realizadores das terras indígenas São Marcos, Sangradouro e Pimentel Barbosa, todas inseridas no estado de Mato Grosso. Identificamos nestas iniciativas um cinema que transborda a constituição mesma da imagem, cuja representação simbólica, cultural e política estão além dos limites do quadro fílmico. Considerando as análises aqui empreendidas, é possível ponderar que o olhar construído com a câmera pelos cineastas xavante assume singularidade capaz de produzir narrativas que escapam à normatização do regime de verdade documental moderno, proporcionando vigoroso meio para a afirmação cultural, para a sociabilidade comunitária, para a valorização da identidade étnica e como instrumento que expande as possibilidades das diferentes lutas e desafios enfrentados por grupos Xavante na relação com a sociedade envolvente.Universidade Federal de Mato GrossoBrasilFaculdade de Comunicação e Artes (FCA)UFMT CUC - CuiabáPrograma de Pós-Graduação em Estudos de Cultura ContemporâneaGalindo, Dolores Cristina Gomeshttp://lattes.cnpq.br/6781116835399339Galindo, Dolores Cristina Gomes024.439.794-58http://lattes.cnpq.br/6781116835399339Barros, Moacir Francisco de Sant'Ana395.492.081-68http://lattes.cnpq.br/0555767806744471024.439.794-58Delgado, Paulo Sergio442.425.301-53http://lattes.cnpq.br/1208294494424221Jesus, Naine Terena de941.492.081-15http://lattes.cnpq.br/9166774663920965Graham, Laura ReaEsteves, Leonardo Gomes087.020.457-29http://lattes.cnpq.br/5298571704590077Costa, Gilson Moraes da2021-01-11T13:19:13Z2020-02-072021-01-11T13:19:13Z2019-12-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisCOSTA, Gilson Moraes da. A’uwẽ höimanadzé: práticas de resistência na produção audiovisual Xavante. 2019. 258 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2019.http://ri.ufmt.br/handle/1/2246porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMTinstname:Universidade Federal de Mato Grosso (UFMT)instacron:UFMT2021-01-13T06:03:08Zoai:localhost:1/2246Repositório InstitucionalPUBhttp://ri.ufmt.br/oai/requestjordanbiblio@gmail.comopendoar:2021-01-13T06:03:08Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)false
dc.title.none.fl_str_mv A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
title A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
spellingShingle A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
Costa, Gilson Moraes da
Audiovisual
Cinema indígena
Colonialismo
Identidade étnica
Povo Xavante
CNPQ::LINGUISTICA, LETRAS E ARTES
Audiovisual
Indian cinema
Colonialism
Ethnic identity
People Xavante
title_short A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
title_full A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
title_fullStr A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
title_full_unstemmed A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
title_sort A’uwẽ höimanadzé : práticas de resistência na produção audiovisual Xavante
author Costa, Gilson Moraes da
author_facet Costa, Gilson Moraes da
author_role author
dc.contributor.none.fl_str_mv Galindo, Dolores Cristina Gomes
http://lattes.cnpq.br/6781116835399339
Galindo, Dolores Cristina Gomes
024.439.794-58
http://lattes.cnpq.br/6781116835399339
Barros, Moacir Francisco de Sant'Ana
395.492.081-68
http://lattes.cnpq.br/0555767806744471
024.439.794-58
Delgado, Paulo Sergio
442.425.301-53
http://lattes.cnpq.br/1208294494424221
Jesus, Naine Terena de
941.492.081-15
http://lattes.cnpq.br/9166774663920965
Graham, Laura Rea
Esteves, Leonardo Gomes
087.020.457-29
http://lattes.cnpq.br/5298571704590077
dc.contributor.author.fl_str_mv Costa, Gilson Moraes da
dc.subject.por.fl_str_mv Audiovisual
Cinema indígena
Colonialismo
Identidade étnica
Povo Xavante
CNPQ::LINGUISTICA, LETRAS E ARTES
Audiovisual
Indian cinema
Colonialism
Ethnic identity
People Xavante
topic Audiovisual
Cinema indígena
Colonialismo
Identidade étnica
Povo Xavante
CNPQ::LINGUISTICA, LETRAS E ARTES
Audiovisual
Indian cinema
Colonialism
Ethnic identity
People Xavante
description Popularization and access to new communicability mechanisms added to the pressure of sectors of civil society by democratic models of communication enabled a growing number of individuals and collectives to produce exchange and disseminate content making use of different technologies. In this scenario, audiovisual productions that, until the mid-1970s, were mostly carried out by large agents and institutions (state and private broadcasters, film studios and large producers) began to gain space in sectors alternative and popular. In a context of articulation of Indigenous Peoples in Brazil, the appropriation of the media, especially those of audiovisual production, establishes expressive channels for self-determination and selfrepresentation affirming itself as a relevant resource in the landscape of political disputes and objecting to a regime of visibility imposed by a colonialist logic. In this research, we seek to evidence how Xavante groups have adopted different resistance practices in different historical periods, signaling an analytical panorama from the process of contact with the surrounding society to contemporary times. We argue that, if at first, isolation and embattled posture were strategies of ethnicity as a form of direct struggle against the expropriation of their territories, after contact, occurred around 1947, the articulations in the sphere of culture are configured as important subterfuge in the continuous process of resistance and struggle for the acquisition and guarantee of rights. Starting from an interdisciplinary analytical proposal, as well as the ethnographic experiences experienced in the research, we demonstrated that audiovisual, produced by people and collectives xavante in the context of different partnerships, has occupied a relevant role in the field of "identity politics" (GRAHAM, 2005) of ethnicity. The corpus of this research consists, in part, by documentaries produced by filmmakers from the indigenous lands São Marcos, Sangradouro and Pimentel Barbosa, all inserted in the state of Mato Grosso. We identify in these initiatives a cinema that overflows the very constitution of the image, whose symbolic, cultural and political representation are beyond the limits of the film framework. Considering the analyses undertaken here, it is possible to consider that the look built with the camera by the xavante filmmakers assumes uniqueness capable of producing narratives that escape the standardization of the modern documentary truth regime, providing vigorous means for cultural affirmation, community sociability, for the valorization of ethnic identity and as an instrument that expands the possibilities of the different struggles and challenges faced by Xavante groups in the relationship with society Surrounding.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-20
2020-02-07
2021-01-11T13:19:13Z
2021-01-11T13:19:13Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv COSTA, Gilson Moraes da. A’uwẽ höimanadzé: práticas de resistência na produção audiovisual Xavante. 2019. 258 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2019.
http://ri.ufmt.br/handle/1/2246
identifier_str_mv COSTA, Gilson Moraes da. A’uwẽ höimanadzé: práticas de resistência na produção audiovisual Xavante. 2019. 258 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2019.
url http://ri.ufmt.br/handle/1/2246
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Mato Grosso
Brasil
Faculdade de Comunicação e Artes (FCA)
UFMT CUC - Cuiabá
Programa de Pós-Graduação em Estudos de Cultura Contemporânea
publisher.none.fl_str_mv Universidade Federal de Mato Grosso
Brasil
Faculdade de Comunicação e Artes (FCA)
UFMT CUC - Cuiabá
Programa de Pós-Graduação em Estudos de Cultura Contemporânea
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMT
instname:Universidade Federal de Mato Grosso (UFMT)
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institution UFMT
reponame_str Repositório Institucional da UFMT
collection Repositório Institucional da UFMT
repository.name.fl_str_mv Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)
repository.mail.fl_str_mv jordanbiblio@gmail.com
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