A escrita feminina na lírica de Maria Teresa Horta
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFMT |
Texto Completo: | http://ri.ufmt.br/handle/1/202 |
Resumo: | In the search for writings by women that talked about the female body I found Maria Teresa Horta’s lyric. In her poems, the eu-lírica gives voice to a body as a way to untie it from the patriarchal domain. Thus, there is a woman’s voice and a woman’s writing that derive from an immanence. They are analyzed, at first, from an internal movement that will answer some essential questions, such as: what makes this writing truly feminine? In what aspects is it different from a masculine one? Is it a biological manifestation or is this concept not founded in such perspective? According to the ideas of Hélène Cixous and Luce Irigaray, theoreticians of the difference feminism, there is a ‘woman being’ that has constantly been erased by the “father”’s and the logos’s laws, therefore women’s writing and speech need to subvert phallogocentrism and let themselves flow through female body. It would be the return of the semiotic language of Kristeva, essentially feminine and circular, which is not tied to the denomination and immobility of the name. In a poetic and erotic language, we find this speech of the body that surpasses an imposed social order, thus leading us to a second movement – an external one. The implications of a recovery of the female body by women outside the patriarchal sovereign would lead to a complete change in society, in which men and women would not occupy vertical spaces; on the contrary, their social positions would be established in a horizontal axis with no hierarchy, so women would not be subordinated to men and vice-versa. There would be mutual respect inside the difference. Politically, gender difference would not be a reason for discrimination and subordination. Hence, poetry represents the possibility of subversion of the patriarchal order from the phallus, as long as, when produced by women, it is the writing of a female body, a woman’s writing that voices the eu-lírica. From the becoming of a woman, women’s lyrics is born. Similarly, there comes gynocritics– a literary theory that marks a women’s tradition in the literary studies that rejects traditional criticism. |
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A escrita feminina na lírica de Maria Teresa HortaMaria Teresa HortaEscrita femininaGinocríticaCNPQ::LINGUISTICA, LETRAS E ARTESMaria Teresa HortaWomen’s writingGynocriticsIn the search for writings by women that talked about the female body I found Maria Teresa Horta’s lyric. In her poems, the eu-lírica gives voice to a body as a way to untie it from the patriarchal domain. Thus, there is a woman’s voice and a woman’s writing that derive from an immanence. They are analyzed, at first, from an internal movement that will answer some essential questions, such as: what makes this writing truly feminine? In what aspects is it different from a masculine one? Is it a biological manifestation or is this concept not founded in such perspective? According to the ideas of Hélène Cixous and Luce Irigaray, theoreticians of the difference feminism, there is a ‘woman being’ that has constantly been erased by the “father”’s and the logos’s laws, therefore women’s writing and speech need to subvert phallogocentrism and let themselves flow through female body. It would be the return of the semiotic language of Kristeva, essentially feminine and circular, which is not tied to the denomination and immobility of the name. In a poetic and erotic language, we find this speech of the body that surpasses an imposed social order, thus leading us to a second movement – an external one. The implications of a recovery of the female body by women outside the patriarchal sovereign would lead to a complete change in society, in which men and women would not occupy vertical spaces; on the contrary, their social positions would be established in a horizontal axis with no hierarchy, so women would not be subordinated to men and vice-versa. There would be mutual respect inside the difference. Politically, gender difference would not be a reason for discrimination and subordination. Hence, poetry represents the possibility of subversion of the patriarchal order from the phallus, as long as, when produced by women, it is the writing of a female body, a woman’s writing that voices the eu-lírica. From the becoming of a woman, women’s lyrics is born. Similarly, there comes gynocritics– a literary theory that marks a women’s tradition in the literary studies that rejects traditional criticism.CAPESNa busca de uma escrita que falasse do corpo feminino pela própria mulher, encontrei a lírica de Maria Teresa Horta. Em seus poemas, a eu-lírica dá voz a um corpo, de forma a desamarrá-lo de um jugo patriarcal. Há, portanto, uma voz e uma escrita feminina que partem de uma imanência, analisadas, a princípio, a partir de um movimento interior que nos responderá perguntas essenciais, tais como: o que torna esta escrita verdadeiramente feminina? Em quais aspectos ela diverge de uma escrita masculina? Esta escrita é uma manifestação biológica ou seu conceito não se funda nesta perspectiva? Na concepção de Hélène Cixous e Luce Irigaray, teóricas do feminismo da diferença, há um ser mulher que foi constantemente apagado pela lei do pai e do logos, portanto a escrita e a fala feminina precisariam subverter o falogocentrismo e deixarem-se fluir através do próprio corpo feminino. Seria a retomada da linguagem semiótica de Kristeva, essencialmente feminina e circular, que não se prende na denominação e estaticidade do nome. Numa linguagem poética e erótica, encontramos esta fala do corpo que em si ultrapassa uma ordem imposta à sociedade, e isto nos leva ao segundo movimento – um movimento exterior. As implicações de uma retomada do corpo feminino pelas mulheres fora da soberania patriarcal levariam a uma mudança completa da sociedade, em que homens e mulheres não ocupariam espaços verticais; antes disso, suas posições sociais dar-se-iam num eixo horizontal em que não haveria hierarquia, logo as mulheres não seriam subalternas aos homens e vice-versa. Haveria respeito mútuo dentro da diferença e politicamente a diferença de gênero não seria motivo de discriminação e subalternidade. A poesia representa, portanto, a possibilidade de subversão da ordem patriarcal, da ordem do falo, desde que, quando produzida por mulheres, seja uma escrita do corpo feminino, uma escrita feminina que se diz a partir da voz de uma eu-lírica. Da mesma forma que do devir mulher surge uma lírica feminina, emerge também a ginocrítica – teoria literária que marca uma tradição feminina nos estudos da literatura que rejeita a crítica tradicional.Universidade Federal de Mato GrossoBrasilInstituto de Linguagens (IL)UFMT CUC - CuiabáPrograma de Pós-Graduação em Estudos de LinguagemPereira, Vinícius Carvalhohttp://lattes.cnpq.br/5304593788129950Pereira, Vinícius Carvalho109.873.267-75http://lattes.cnpq.br/5304593788129950Benfatti, Flávia Andréa Rodrigues102.787.048-16http://lattes.cnpq.br/6412107397671158109.873.267-75Ramos, Tania Regina Oliveira032.265.229-49http://lattes.cnpq.br/1347288334988743Souza, Natália Salomé de2017-02-13T15:59:45Z2016-01-062017-02-13T15:59:45Z2015-12-07info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisSOUZA, Natália Salomé de. A escrita feminina na lírica de Maria Teresa Horta. 2015. 121 f. Dissertação (Mestrado em Estudos de Linguagem) - Universidade Federal de Mato Grosso, Instituto de Linguagens, Cuiabá, 2015.http://ri.ufmt.br/handle/1/202porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMTinstname:Universidade Federal de Mato Grosso (UFMT)instacron:UFMT2017-02-15T06:00:19Zoai:localhost:1/202Repositório InstitucionalPUBhttp://ri.ufmt.br/oai/requestjordanbiblio@gmail.comopendoar:2017-02-15T06:00:19Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT)false |
dc.title.none.fl_str_mv |
A escrita feminina na lírica de Maria Teresa Horta |
title |
A escrita feminina na lírica de Maria Teresa Horta |
spellingShingle |
A escrita feminina na lírica de Maria Teresa Horta Souza, Natália Salomé de Maria Teresa Horta Escrita feminina Ginocrítica CNPQ::LINGUISTICA, LETRAS E ARTES Maria Teresa Horta Women’s writing Gynocritics |
title_short |
A escrita feminina na lírica de Maria Teresa Horta |
title_full |
A escrita feminina na lírica de Maria Teresa Horta |
title_fullStr |
A escrita feminina na lírica de Maria Teresa Horta |
title_full_unstemmed |
A escrita feminina na lírica de Maria Teresa Horta |
title_sort |
A escrita feminina na lírica de Maria Teresa Horta |
author |
Souza, Natália Salomé de |
author_facet |
Souza, Natália Salomé de |
author_role |
author |
dc.contributor.none.fl_str_mv |
Pereira, Vinícius Carvalho http://lattes.cnpq.br/5304593788129950 Pereira, Vinícius Carvalho 109.873.267-75 http://lattes.cnpq.br/5304593788129950 Benfatti, Flávia Andréa Rodrigues 102.787.048-16 http://lattes.cnpq.br/6412107397671158 109.873.267-75 Ramos, Tania Regina Oliveira 032.265.229-49 http://lattes.cnpq.br/1347288334988743 |
dc.contributor.author.fl_str_mv |
Souza, Natália Salomé de |
dc.subject.por.fl_str_mv |
Maria Teresa Horta Escrita feminina Ginocrítica CNPQ::LINGUISTICA, LETRAS E ARTES Maria Teresa Horta Women’s writing Gynocritics |
topic |
Maria Teresa Horta Escrita feminina Ginocrítica CNPQ::LINGUISTICA, LETRAS E ARTES Maria Teresa Horta Women’s writing Gynocritics |
description |
In the search for writings by women that talked about the female body I found Maria Teresa Horta’s lyric. In her poems, the eu-lírica gives voice to a body as a way to untie it from the patriarchal domain. Thus, there is a woman’s voice and a woman’s writing that derive from an immanence. They are analyzed, at first, from an internal movement that will answer some essential questions, such as: what makes this writing truly feminine? In what aspects is it different from a masculine one? Is it a biological manifestation or is this concept not founded in such perspective? According to the ideas of Hélène Cixous and Luce Irigaray, theoreticians of the difference feminism, there is a ‘woman being’ that has constantly been erased by the “father”’s and the logos’s laws, therefore women’s writing and speech need to subvert phallogocentrism and let themselves flow through female body. It would be the return of the semiotic language of Kristeva, essentially feminine and circular, which is not tied to the denomination and immobility of the name. In a poetic and erotic language, we find this speech of the body that surpasses an imposed social order, thus leading us to a second movement – an external one. The implications of a recovery of the female body by women outside the patriarchal sovereign would lead to a complete change in society, in which men and women would not occupy vertical spaces; on the contrary, their social positions would be established in a horizontal axis with no hierarchy, so women would not be subordinated to men and vice-versa. There would be mutual respect inside the difference. Politically, gender difference would not be a reason for discrimination and subordination. Hence, poetry represents the possibility of subversion of the patriarchal order from the phallus, as long as, when produced by women, it is the writing of a female body, a woman’s writing that voices the eu-lírica. From the becoming of a woman, women’s lyrics is born. Similarly, there comes gynocritics– a literary theory that marks a women’s tradition in the literary studies that rejects traditional criticism. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-07 2016-01-06 2017-02-13T15:59:45Z 2017-02-13T15:59:45Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
SOUZA, Natália Salomé de. A escrita feminina na lírica de Maria Teresa Horta. 2015. 121 f. Dissertação (Mestrado em Estudos de Linguagem) - Universidade Federal de Mato Grosso, Instituto de Linguagens, Cuiabá, 2015. http://ri.ufmt.br/handle/1/202 |
identifier_str_mv |
SOUZA, Natália Salomé de. A escrita feminina na lírica de Maria Teresa Horta. 2015. 121 f. Dissertação (Mestrado em Estudos de Linguagem) - Universidade Federal de Mato Grosso, Instituto de Linguagens, Cuiabá, 2015. |
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http://ri.ufmt.br/handle/1/202 |
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Universidade Federal de Mato Grosso Brasil Instituto de Linguagens (IL) UFMT CUC - Cuiabá Programa de Pós-Graduação em Estudos de Linguagem |
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Universidade Federal de Mato Grosso Brasil Instituto de Linguagens (IL) UFMT CUC - Cuiabá Programa de Pós-Graduação em Estudos de Linguagem |
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reponame:Repositório Institucional da UFMT instname:Universidade Federal de Mato Grosso (UFMT) instacron:UFMT |
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Repositório Institucional da UFMT - Universidade Federal de Mato Grosso (UFMT) |
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