Atlas da poiésis da arte visual de rua em Cuiabá : ensaio em grafitinaridade

• Autor(a) principal: Barrozo, Maria Regiane da Silva Lopes
• Data de Publicação: 2022
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da UFMT
• Texto Completo: http://ri.ufmt.br/handle/1/3760
• topic: Atlas; Cuiabá; Grafite; Grafitinaridade; Imagem; CNPQ::LINGUISTICA, LETRAS E ARTES; Atlas; Cuiabá; Graffiti; Graffitinarity; Image

ABSTRACT: Since the 1990s, the territory of the image has been revisited by recent theories within Social and Human Sciences, establishing a new field of study and analysis of the effects suffered by complex visualized identifications. The reality of daily life, impacted by an intermediated dynamic through visual habits, introduced to the aim of the research through the graffiti art, brings about a term for the thesis: graffitinarity, a way of thinking about an aspect of the image through graffiti as a cultural contemporary phenomenon through socio-cultural and artistic phenomenon correspondence. As an art of the image par excellence, and involved in reinventions which alter even its Legal position, graffiti is reflected as a place to understand the contemporaneity through its lens. If, according to Didi-Huberman, there is no image free of consequence, our hypothesis suggests that graffiti reinvents itself in accordance to adaptations of a society of image, launching a new phase in its historical process. In the footsteps of Gilbert Durand, Michel Maffesoli and Aby Warburg (where the latter views images as one reading archeological texts), living the real and the imaginary in this subjective and objective experience, where the visual is taken as a starting point of current reflections of society, this thesis also produces an emotional geography, resuming Giuliana Bruno, as an exercise of interacting with art and not only thinking about it. An Atlas of visual street art in Cuiabá (a cut out between 2019 and 2021), is a product that complements the thesis. It is, however, independent, due to its organic autonomy. The Atlas presents life histories from many works by many artists in the capital of Mato Grosso, added by visualizations in maps of these productions at physical addresses, in the city of Cuiabá. Thus, it is a production of meaning and content stemming from graffiti as an image of the contemporary. Essay and Atlas bring structure to the present thesis, born from the present observations of imagery provocations of the moment, and justified both by the global reach of graffiti art and the recent and interdisciplinary bibliography that points to an inflated moment, as Baitello Junior reminds us, and visually automated, of which graffiti is not only a witness but also expresses, to the extent of its manifestation, presented here as poiesis of the present time.