20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS

Detalhes bibliográficos
Autor(a) principal: Massário, Marcelo Schaedler
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional Universidade Franciscana
Texto Completo: http://www.tede.universidadefranciscana.edu.br:8080/handle/UFN-BDTD/1172
Resumo: The aim of this dissertation is to investigate the educational and sociocultural contributions of the Pandorga da Lua project to the popularization of art, particularly music, from the perspective of its authors and participants. Specifically, the study sought to understand music as a language based on historical-cultural theory; describe the concept and history of the Pandorga da Lua project, highlighting its cultural participation and activities in schools in Santa Maria/RS; identify the project's scope of activity and future prospects. The methodological design, emphasizing the critical dialectical epistemological paradigm, is qualitative and descriptive in nature. Nine participants were interviewed (the two authors of the Pandorga da Lua project, five musicians and actors, the cultural producer of the project, and a music specialist) who responded to questions developed by the researcher. Thematic narrative was used for the authors, semi-structured interviews for the cultural producer, and online questionnaires via email or WhatsApp for the other participants. Data analysis is based on Bardin's (2015) content analysis technique. The theoretical review, which comprises the first chapter, covers Vygotsky's historical-cultural theory as the epistemological basis for this study. It also addresses art education, particularly music, in the concept of the National Common Curricular Base (BNCC). The second chapter describes the research methodology and its developments; the third chapter describes the Pandorga da Lua project; and in the fourth chapter, the research results and study discussion are presented based on a timeline developed from the main events related to Pandorga da Lua. The analysis conducted revealed that the Pandorga's work proposal meets the BNCC guidelines, as the produced show covers the curricular component "Art and its languages" in the precept of Integrated Arts, combining visual arts, music, dance, and theater. Regarding historical-cultural theory, it is considered that Pandorga da Lua establishes an important connection with Vygotsky's postulations, as this theory presupposes a social nature of learning. Therefore, it is concluded that the Pandorga da Lua project contributes to the popularization of art by reaching varied audiences in different locations, combining spectacle, music, and art in an educational and sociocultural perspective.
id UFN-1_025cd34dd766f830700bff8864bcac33
oai_identifier_str oai:tede.universidadefranciscana.edu.br:UFN-BDTD/1172
network_acronym_str UFN-1
network_name_str Repositório Institucional Universidade Franciscana
repository_id_str http://www.tede.universidadefranciscana.edu.br:8080/oai/request
spelling Boer, NoemiMorgenstern , Juliane MarschallBellochio, Claudia RibeiroMassário, Marcelo Schaedler2023-05-30T13:38:03Z2023-03-22Massário, Marcelo Schaedler. 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS. 2023. 124f. Dissertação( Mestrado Acadêmico em Ensino de Humanidades e Linguagens) - Universidade Franciscana, Santa Maria - RS.http://www.tede.universidadefranciscana.edu.br:8080/handle/UFN-BDTD/1172The aim of this dissertation is to investigate the educational and sociocultural contributions of the Pandorga da Lua project to the popularization of art, particularly music, from the perspective of its authors and participants. Specifically, the study sought to understand music as a language based on historical-cultural theory; describe the concept and history of the Pandorga da Lua project, highlighting its cultural participation and activities in schools in Santa Maria/RS; identify the project's scope of activity and future prospects. The methodological design, emphasizing the critical dialectical epistemological paradigm, is qualitative and descriptive in nature. Nine participants were interviewed (the two authors of the Pandorga da Lua project, five musicians and actors, the cultural producer of the project, and a music specialist) who responded to questions developed by the researcher. Thematic narrative was used for the authors, semi-structured interviews for the cultural producer, and online questionnaires via email or WhatsApp for the other participants. Data analysis is based on Bardin's (2015) content analysis technique. The theoretical review, which comprises the first chapter, covers Vygotsky's historical-cultural theory as the epistemological basis for this study. It also addresses art education, particularly music, in the concept of the National Common Curricular Base (BNCC). The second chapter describes the research methodology and its developments; the third chapter describes the Pandorga da Lua project; and in the fourth chapter, the research results and study discussion are presented based on a timeline developed from the main events related to Pandorga da Lua. The analysis conducted revealed that the Pandorga's work proposal meets the BNCC guidelines, as the produced show covers the curricular component "Art and its languages" in the precept of Integrated Arts, combining visual arts, music, dance, and theater. Regarding historical-cultural theory, it is considered that Pandorga da Lua establishes an important connection with Vygotsky's postulations, as this theory presupposes a social nature of learning. Therefore, it is concluded that the Pandorga da Lua project contributes to the popularization of art by reaching varied audiences in different locations, combining spectacle, music, and art in an educational and sociocultural perspective.Na presente dissertação, tem-se por objetivo geral investigar as contribuições educacionais e socioculturais do projeto Pandorga da Lua na popularização da arte, em particular a música, na visão de seus autores e participantes. Especificamente, procurou-se entender a música como linguagem a partir da teoria histórico-cultural; descrever a concepção e o histórico do projeto Pandorga da Lua, destacando a participação cultural e a atuação em escolas de Santa Maria/RS; identificar o espectro de atuação e as perspectivas futuras do projeto Pandorga da Lua. O delineamento metodológico, com ênfase no paradigma epistemológico crítico-dialético, é de natureza qualitativa e de caráter descritivo. Para a coleta de dados empíricos, foram entrevistados nove participantes (os dois autores do projeto Pandorga da Lua, cinco músicos e atores, a produtora cultural do projeto e uma especialista em música) que responderam a questões elaboradas pelo pesquisador. Para os autores, foi utilizada a narrativa temática; para a produtora cultural, a entrevista semiestruturada; e para os demais participantes, o questionário on-line via e-mail ou WhatsApp. A análise dos dados está fundamentada na técnica de análise de conteúdo de Bardin (2015). A revisão teórica, que compõe o primeiro capítulo, abarca a teoria histórico-cultural de Vygotsky como base epistemológica deste estudo. Aborda-se também o ensino de arte, em especial a música, na concepção da Base Nacional Comum Curricular (BNCC). No segundo capítulo, descreve-se o delineamento metodológico da pesquisa e seus desdobramentos; no terceiro capítulo se descreve o projeto Pandorga da Lua; e, no quarto capítulo, são apresentados os resultados da pesquisa e a discussão do estudo a partir de uma linha do tempo, elaborada com base nos principais eventos relativos ao Pandorga da Lua. A análise realizada permitiu constatar que a proposta de trabalho do Pandorga atende às orientações da BNCC, pois o espetáculo produzido contempla o componente curricular “Arte e suas linguagens”, no preceito das Artes Integradas, combinando as artes visuais, a música, a dança e o teatro. No que se refere à teoria histórico-cultural, considera-se que o Pandorga da Lua estabelece uma importante conexão com as postulações de Vygotsky, pois essa teoria pressupõe uma natureza social de aprendizagem. Portanto, conclui-se que o projeto Pandorga da Lua contribui para a popularização da arte ao contemplar variado público em diversas localidades, unindo espetáculo, música e arte numa perspectiva educacional e sociocultural.Submitted by Clarice Rosa Machado (clarice.machado@ufn.edu.br) on 2023-05-30T13:38:03Z No. of bitstreams: 2 Dissertacao_MarceloSchaedlerMassario_Tede.pdf: 1785168 bytes, checksum: 77e399f3706c9397624e1db1d8b816bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2023-05-30T13:38:03Z (GMT). No. of bitstreams: 2 Dissertacao_MarceloSchaedlerMassario_Tede.pdf: 1785168 bytes, checksum: 77e399f3706c9397624e1db1d8b816bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2023-03-22CAPESapplication/pdfhttp://www.tede.universidadefranciscana.edu.br:8080/retrieve/10577/Dissertacao_MarceloSchaedlerMassario_Tede.pdf.jpgporUniversidade FranciscanaMestrado Acadêmico em Ensino de Humanidades e LinguagensUFNBrasilEnsino de Humanidades e Linguagenshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMusical infantil. Ensino de música. Artes integradas. Popularização da Arte. Teoria histórico-cultural.Children's musical. Music teaching. Integrated arts. Popularization of Art. Historical-cultural theory..Humanidades e Linguagens20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAISinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional Universidade Franciscanainstname:Universidade Franciscana (UFN)instacron:UFNTHUMBNAILDissertacao_MarceloSchaedlerMassario_Tede.pdf.jpgDissertacao_MarceloSchaedlerMassario_Tede.pdf.jpgimage/jpeg3574http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/6/Dissertacao_MarceloSchaedlerMassario_Tede.pdf.jpg4c4cf17c473958643d6e83c0238742e4MD56TEXTDissertacao_MarceloSchaedlerMassario_Tede.pdf.txtDissertacao_MarceloSchaedlerMassario_Tede.pdf.txttext/plain226612http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/7/Dissertacao_MarceloSchaedlerMassario_Tede.pdf.txt2ae77c286f434a2c24f60b4534b02ce0MD57ORIGINALDissertacao_MarceloSchaedlerMassario_Tede.pdfDissertacao_MarceloSchaedlerMassario_Tede.pdfapplication/pdf1785168http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/5/Dissertacao_MarceloSchaedlerMassario_Tede.pdf77e399f3706c9397624e1db1d8b816bdMD55CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-8310http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/1/license.txt7dc66ddb96829ff34b56b1a92c851bcdMD51UFN-BDTD/11722023-06-01 01:00:16.375oai:tede.universidadefranciscana.edu.br:UFN-BDTD/1172RXN0ZSB0cmFiYWxobyBzZXLDoSBsaWNlbmNpYWRvIHNvYiBhIExpY2Vuw6dhIEF0cmlidWnDp8Ojby1Ow6NvQ29tZXJjaWFsLVNlbURlcml2YcOnw7VlcyA0LjAgSW50ZXJuYWNpb25hbCBDcmVhdGl2ZSBDb21tb25zLiBQYXJhIHZpc3VhbGl6YXIgdW1hIGPDs3BpYSBkZXN0YSBsaWNlbsOnYSwgdmlzaXRlIGh0dHA6Ly9jcmVhdGl2ZWNvbW1vbnMub3JnL2xpY2Vuc2VzL2J5LW5jLW5kLzQuMC8gb3UgbWFuZGUgdW1hIGNhcnRhIHBhcmEgQ3JlYXRpdmUgQ29tbW9ucywgUE8gQm94IDE4NjYsIE1vdW50YWluIFZpZXcsIENBIDk0MDQyLCBVU0EuCg==Biblioteca Digital de Monografiahttp://www.tede.universidadefranciscana.edu.br:8080/PRIhttp://www.tede.universidadefranciscana.edu.br:8080/oai/requestbiblioteca@ufn.edu.bropendoar:http://www.tede.universidadefranciscana.edu.br:8080/oai/request2023-06-01T04:00:16Repositório Institucional Universidade Franciscana - Universidade Franciscana (UFN)false
dc.title.por.fl_str_mv 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
title 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
spellingShingle 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
Massário, Marcelo Schaedler
Musical infantil. Ensino de música. Artes integradas. Popularização da Arte. Teoria histórico-cultural.
Children's musical. Music teaching. Integrated arts. Popularization of Art. Historical-cultural theory..
Humanidades e Linguagens
title_short 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
title_full 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
title_fullStr 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
title_full_unstemmed 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
title_sort 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS
author Massário, Marcelo Schaedler
author_facet Massário, Marcelo Schaedler
author_role author
dc.contributor.advisor1.fl_str_mv Boer, Noemi
dc.contributor.referee1.fl_str_mv Morgenstern , Juliane Marschall
dc.contributor.referee2.fl_str_mv Bellochio, Claudia Ribeiro
dc.contributor.author.fl_str_mv Massário, Marcelo Schaedler
contributor_str_mv Boer, Noemi
Morgenstern , Juliane Marschall
Bellochio, Claudia Ribeiro
dc.subject.por.fl_str_mv Musical infantil. Ensino de música. Artes integradas. Popularização da Arte. Teoria histórico-cultural.
topic Musical infantil. Ensino de música. Artes integradas. Popularização da Arte. Teoria histórico-cultural.
Children's musical. Music teaching. Integrated arts. Popularization of Art. Historical-cultural theory..
Humanidades e Linguagens
dc.subject.eng.fl_str_mv Children's musical. Music teaching. Integrated arts. Popularization of Art. Historical-cultural theory..
dc.subject.cnpq.fl_str_mv Humanidades e Linguagens
description The aim of this dissertation is to investigate the educational and sociocultural contributions of the Pandorga da Lua project to the popularization of art, particularly music, from the perspective of its authors and participants. Specifically, the study sought to understand music as a language based on historical-cultural theory; describe the concept and history of the Pandorga da Lua project, highlighting its cultural participation and activities in schools in Santa Maria/RS; identify the project's scope of activity and future prospects. The methodological design, emphasizing the critical dialectical epistemological paradigm, is qualitative and descriptive in nature. Nine participants were interviewed (the two authors of the Pandorga da Lua project, five musicians and actors, the cultural producer of the project, and a music specialist) who responded to questions developed by the researcher. Thematic narrative was used for the authors, semi-structured interviews for the cultural producer, and online questionnaires via email or WhatsApp for the other participants. Data analysis is based on Bardin's (2015) content analysis technique. The theoretical review, which comprises the first chapter, covers Vygotsky's historical-cultural theory as the epistemological basis for this study. It also addresses art education, particularly music, in the concept of the National Common Curricular Base (BNCC). The second chapter describes the research methodology and its developments; the third chapter describes the Pandorga da Lua project; and in the fourth chapter, the research results and study discussion are presented based on a timeline developed from the main events related to Pandorga da Lua. The analysis conducted revealed that the Pandorga's work proposal meets the BNCC guidelines, as the produced show covers the curricular component "Art and its languages" in the precept of Integrated Arts, combining visual arts, music, dance, and theater. Regarding historical-cultural theory, it is considered that Pandorga da Lua establishes an important connection with Vygotsky's postulations, as this theory presupposes a social nature of learning. Therefore, it is concluded that the Pandorga da Lua project contributes to the popularization of art by reaching varied audiences in different locations, combining spectacle, music, and art in an educational and sociocultural perspective.
publishDate 2023
dc.date.accessioned.fl_str_mv 2023-05-30T13:38:03Z
dc.date.issued.fl_str_mv 2023-03-22
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Massário, Marcelo Schaedler. 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS. 2023. 124f. Dissertação( Mestrado Acadêmico em Ensino de Humanidades e Linguagens) - Universidade Franciscana, Santa Maria - RS.
dc.identifier.uri.fl_str_mv http://www.tede.universidadefranciscana.edu.br:8080/handle/UFN-BDTD/1172
identifier_str_mv Massário, Marcelo Schaedler. 20 ANOS DO PROJETO PANDORGA DA LUA: CONTRIBUIÇÕES EDUCACIONAIS E SOCIOCULTURAIS. 2023. 124f. Dissertação( Mestrado Acadêmico em Ensino de Humanidades e Linguagens) - Universidade Franciscana, Santa Maria - RS.
url http://www.tede.universidadefranciscana.edu.br:8080/handle/UFN-BDTD/1172
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Franciscana
dc.publisher.program.fl_str_mv Mestrado Acadêmico em Ensino de Humanidades e Linguagens
dc.publisher.initials.fl_str_mv UFN
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Ensino de Humanidades e Linguagens
publisher.none.fl_str_mv Universidade Franciscana
dc.source.none.fl_str_mv reponame:Repositório Institucional Universidade Franciscana
instname:Universidade Franciscana (UFN)
instacron:UFN
instname_str Universidade Franciscana (UFN)
instacron_str UFN
institution UFN
reponame_str Repositório Institucional Universidade Franciscana
collection Repositório Institucional Universidade Franciscana
bitstream.url.fl_str_mv http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/6/Dissertacao_MarceloSchaedlerMassario_Tede.pdf.jpg
http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/7/Dissertacao_MarceloSchaedlerMassario_Tede.pdf.txt
http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/5/Dissertacao_MarceloSchaedlerMassario_Tede.pdf
http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/2/license_url
http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/3/license_text
http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/4/license_rdf
http://tede.universidadefranciscana.edu.br:8080/bitstream/UFN-BDTD/1172/1/license.txt
bitstream.checksum.fl_str_mv 4c4cf17c473958643d6e83c0238742e4
2ae77c286f434a2c24f60b4534b02ce0
77e399f3706c9397624e1db1d8b816bd
4afdbb8c545fd630ea7db775da747b2f
d41d8cd98f00b204e9800998ecf8427e
d41d8cd98f00b204e9800998ecf8427e
7dc66ddb96829ff34b56b1a92c851bcd
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional Universidade Franciscana - Universidade Franciscana (UFN)
repository.mail.fl_str_mv biblioteca@ufn.edu.br
_version_ 1823243152088104960