Acervos virtuais e os modos de presença da arte

Detalhes bibliográficos
Autor(a) principal: Proença, Fernanda
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/5284
Resumo: Abstract: In dialogue with Rodrigo Duarte’s work, “Modes of Presence in the Contemporary Aesthetic Manifestation”, this paper aims at understanding how the virtualization of aesthetic phenomena disrupts the conditions for sensible apprehension. Resorting to the theme of Kant’s transcendental schema usurpation, as presented by Adorno and Horkheimer, to demonstrate how, when it comes to museum’s digital archives, the technology industry asserts itself as the dominant super-structure that determines the possibilities of object apprehension, allowing for us to characterize it as a contemporary outcome of the cultural industry. Taken as a new layer of mediation for the contemporary experience, to analyze the aesthetic and political impacts of virtual mediation on the modes of presence of digitalized art, which is determinant for the delimitation of possibilities for such presences.  
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spelling Acervos virtuais e os modos de presença da arte AestheticsTheodor W. AdornoModes of PresenceCultural IndustryVirtual CollectionsEstéticaTheodor W. AdornoModos de presençaIndústria culturalAcervos digitaisAbstract: In dialogue with Rodrigo Duarte’s work, “Modes of Presence in the Contemporary Aesthetic Manifestation”, this paper aims at understanding how the virtualization of aesthetic phenomena disrupts the conditions for sensible apprehension. Resorting to the theme of Kant’s transcendental schema usurpation, as presented by Adorno and Horkheimer, to demonstrate how, when it comes to museum’s digital archives, the technology industry asserts itself as the dominant super-structure that determines the possibilities of object apprehension, allowing for us to characterize it as a contemporary outcome of the cultural industry. Taken as a new layer of mediation for the contemporary experience, to analyze the aesthetic and political impacts of virtual mediation on the modes of presence of digitalized art, which is determinant for the delimitation of possibilities for such presences.  Resumo: Em interlocução com o texto de Rodrigo Duarte, intitulado “Modos de presença nas manifestações estéticas contemporâneas”, o artigo busca compreender como a virtualização dos fenômenos estéticos perturba as condições de apreensão do sensível. Recorrendo ao tema da usurpação do esquematismo kantiano, conforme exposto por Adorno e Horkheimer, demonstrar como, nos acervos museológicos digitalizados, a indústria tecnológica impõe-se como superestrutura determinante das possibilidades de apreensão do objeto, permitindo tomá-la como desdobramento contemporânea da indústria cultural. Assumida como uma nova camada de mediação da experiência contemporânea, avaliar o impacto estético e político da mediação do virtual nos modos de presença da arte digitalizada, determinante na delimitação das possibilidades mesmas dessas presenças. Universidade Federal de Ouro Preto2022-07-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/5284Artefilosofia; v. 17 n. 31 (2022): ; 97-110Artefilosofia; Vol. 17 No. 31 (2022): ; 97-1102526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/5284/4106Copyright (c) 2022 Fernanda Proençahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessProença, Fernanda2022-07-09T15:22:03Zoai:pp.www.periodicos.ufop.br:article/5284Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-07-09T15:22:03Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Acervos virtuais e os modos de presença da arte
title Acervos virtuais e os modos de presença da arte
spellingShingle Acervos virtuais e os modos de presença da arte
Proença, Fernanda
Aesthetics
Theodor W. Adorno
Modes of Presence
Cultural Industry
Virtual Collections
Estética
Theodor W. Adorno
Modos de presença
Indústria cultural
Acervos digitais
title_short Acervos virtuais e os modos de presença da arte
title_full Acervos virtuais e os modos de presença da arte
title_fullStr Acervos virtuais e os modos de presença da arte
title_full_unstemmed Acervos virtuais e os modos de presença da arte
title_sort Acervos virtuais e os modos de presença da arte
author Proença, Fernanda
author_facet Proença, Fernanda
author_role author
dc.contributor.author.fl_str_mv Proença, Fernanda
dc.subject.por.fl_str_mv Aesthetics
Theodor W. Adorno
Modes of Presence
Cultural Industry
Virtual Collections
Estética
Theodor W. Adorno
Modos de presença
Indústria cultural
Acervos digitais
topic Aesthetics
Theodor W. Adorno
Modes of Presence
Cultural Industry
Virtual Collections
Estética
Theodor W. Adorno
Modos de presença
Indústria cultural
Acervos digitais
description Abstract: In dialogue with Rodrigo Duarte’s work, “Modes of Presence in the Contemporary Aesthetic Manifestation”, this paper aims at understanding how the virtualization of aesthetic phenomena disrupts the conditions for sensible apprehension. Resorting to the theme of Kant’s transcendental schema usurpation, as presented by Adorno and Horkheimer, to demonstrate how, when it comes to museum’s digital archives, the technology industry asserts itself as the dominant super-structure that determines the possibilities of object apprehension, allowing for us to characterize it as a contemporary outcome of the cultural industry. Taken as a new layer of mediation for the contemporary experience, to analyze the aesthetic and political impacts of virtual mediation on the modes of presence of digitalized art, which is determinant for the delimitation of possibilities for such presences.  
publishDate 2022
dc.date.none.fl_str_mv 2022-07-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/5284
url https://periodicos.ufop.br/raf/article/view/5284
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/5284/4106
dc.rights.driver.fl_str_mv Copyright (c) 2022 Fernanda Proença
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Fernanda Proença
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 17 n. 31 (2022): ; 97-110
Artefilosofia; Vol. 17 No. 31 (2022): ; 97-110
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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