THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples

Detalhes bibliográficos
Autor(a) principal: Mota, Thiago
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
fra
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/4704
Resumo: This paper analyzes the conception of a third cinema (cinéma tiers), which can be found, for example, in Gilles Deleuze and Glauber Rocha. Its goal is to reconstruct the aesthetic of this Brazilian filmmaker, in light of the thought of the mentioned French philosopher. Our problem is first of all the overcoming the nihilism that marks modernity. Yet, during our development, this problem assumes the form of the question: how to invent a people? It can be said that with films like Deus e o diabo na terra do sol (1964) and Terra em transe (1967), Glauber showed that the shock, the trance and even the violence can be effective means in the production of minor peoples. Did the third cinema of Glauber and Deleuze manage to definitely surpass nihilism and change this world? Now, if they did not do it, at least, with their essays, they left behind several instruments and means that may be very useful for the resistance nowadays.
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spelling THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the PeoplesLE Cinéma tiers chez Gilles Deleuze et Glauber Rocha : Vers une "Eztetyka" de la fabulation des peuplesO Cinema terceiro em Gilles Deleuze e Glauber Rocha: Por uma "Eztetyka" da fabulação dos povosChristianityModernityPoliticsResistanceViolenceChristianismeModernitéPolitiqueRésistanceViolenceCristianismoModernidadePolíticaResistênciaViolênciaThis paper analyzes the conception of a third cinema (cinéma tiers), which can be found, for example, in Gilles Deleuze and Glauber Rocha. Its goal is to reconstruct the aesthetic of this Brazilian filmmaker, in light of the thought of the mentioned French philosopher. Our problem is first of all the overcoming the nihilism that marks modernity. Yet, during our development, this problem assumes the form of the question: how to invent a people? It can be said that with films like Deus e o diabo na terra do sol (1964) and Terra em transe (1967), Glauber showed that the shock, the trance and even the violence can be effective means in the production of minor peoples. Did the third cinema of Glauber and Deleuze manage to definitely surpass nihilism and change this world? Now, if they did not do it, at least, with their essays, they left behind several instruments and means that may be very useful for the resistance nowadays.Cet article analyse la conception d’un cinéma tiers qui se trouve, par exemple, chez Gilles Deleuze et Glauber Rocha. Son objectif est de reconstruire l’esthétique de ce cinéaste brésilien, à la lumière de la pensée du philosophe français mentionné. Notre problème est d’abord celui du dépassement du nihilisme qui marque la modernité. Pourtant, au cours de notre développement, ce problème assume la forme de la question : comment inventer un peuple ? On peut dire qu’avec des films comme Deus e o diabo na terra do sol (1964) e Terra em transe (1967), Glauber a montré que le choc, la transe, et même la violence peuvent être des moyens efficaces en ce que concerne à la production des peuples mineurs. Est-ce que le cinéma tiers de Glauber et Deleuze est parvenu à surpasser définitivement le nihilisme et à changer ce monde ? Or, s’ils ne l’ont pas fait, au moins, avec leurs essais, ils ont laissé derrière plusieurs instruments et moyens qui peuvent être beaucoup utiles pour la résistance actuelle.Este artigo analisa a concepção de um cinema terceiro (cinéma tiers), que pode ser encontrada, por exemplo, em Gilles Deleuze e Glauber Rocha. Seu objetivo é reconstruir a estética desse cineasta brasileiro, à luz do pensamento do filósofo francês mencionado. Nosso problema é antes de tudo o da superação do niilismo que marca a modernidade. No entanto, durante o nosso desenvolvimento, esse problema assume a forma da pergunta: como inventar um povo? Pode-se dizer que com filmes como Deus e o diabo na terra do sol (1964) e Terra em transe (1967), Glauber mostrou que o choque, o transe e até a violência podem ser meios eficazes na produção de povos menores. O cinema terceiro de Glauber e Deleuze conseguiu superar definitivamente o niilismo e mudar este mundo? Ora, se não o fizeram, pelo menos, com suas tentativas, eles deixaram para trás vários instrumentos e métodos que podem ser muito úteis para a resistência hoje.Universidade Federal de Ouro Preto2023-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/4704Artefilosofia; v. 19 n. 34 (2024): Fluxo contínuo; 23Artefilosofia; Vol. 19 No. 34 (2024): Fluxo contínuo; 232526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporfrahttps://periodicos.ufop.br/raf/article/view/4704/5397https://periodicos.ufop.br/raf/article/view/4704/5426Copyright (c) 2023 Thiago Motahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessMota, Thiago2024-02-26T13:47:18Zoai:pp.www.periodicos.ufop.br:article/4704Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2024-02-26T13:47:18Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
LE Cinéma tiers chez Gilles Deleuze et Glauber Rocha : Vers une "Eztetyka" de la fabulation des peuples
O Cinema terceiro em Gilles Deleuze e Glauber Rocha: Por uma "Eztetyka" da fabulação dos povos
title THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
spellingShingle THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
Mota, Thiago
Christianity
Modernity
Politics
Resistance
Violence
Christianisme
Modernité
Politique
Résistance
Violence
Cristianismo
Modernidade
Política
Resistência
Violência
title_short THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
title_full THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
title_fullStr THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
title_full_unstemmed THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
title_sort THE Third Cinema in Gilles Deleuze and Glauber Rocha: Towards an"Eztetyka" of the Fabulation of the Peoples
author Mota, Thiago
author_facet Mota, Thiago
author_role author
dc.contributor.author.fl_str_mv Mota, Thiago
dc.subject.por.fl_str_mv Christianity
Modernity
Politics
Resistance
Violence
Christianisme
Modernité
Politique
Résistance
Violence
Cristianismo
Modernidade
Política
Resistência
Violência
topic Christianity
Modernity
Politics
Resistance
Violence
Christianisme
Modernité
Politique
Résistance
Violence
Cristianismo
Modernidade
Política
Resistência
Violência
description This paper analyzes the conception of a third cinema (cinéma tiers), which can be found, for example, in Gilles Deleuze and Glauber Rocha. Its goal is to reconstruct the aesthetic of this Brazilian filmmaker, in light of the thought of the mentioned French philosopher. Our problem is first of all the overcoming the nihilism that marks modernity. Yet, during our development, this problem assumes the form of the question: how to invent a people? It can be said that with films like Deus e o diabo na terra do sol (1964) and Terra em transe (1967), Glauber showed that the shock, the trance and even the violence can be effective means in the production of minor peoples. Did the third cinema of Glauber and Deleuze manage to definitely surpass nihilism and change this world? Now, if they did not do it, at least, with their essays, they left behind several instruments and means that may be very useful for the resistance nowadays.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/4704
url https://periodicos.ufop.br/raf/article/view/4704
dc.language.iso.fl_str_mv por
fra
language por
fra
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/4704/5397
https://periodicos.ufop.br/raf/article/view/4704/5426
dc.rights.driver.fl_str_mv Copyright (c) 2023 Thiago Mota
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Thiago Mota
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 19 n. 34 (2024): Fluxo contínuo; 23
Artefilosofia; Vol. 19 No. 34 (2024): Fluxo contínuo; 23
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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