Between the words and the technical images: : Vilém Flusser and Walter Benjamin
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/1902 |
Resumo: | From the premise of Siegfried Kracauer, according to which the aesthetic pleasure experienced by the mass at surface spectacles is legitimate and that it is possible to understand an epoch through its despised and despicable manifestations, this essay aims to analyze the understandings of Walter Benjamin and Vilém Flusser about the relationship between technical images and forms of knowledge. The reflection starts from the assumption that both authors glimpse, despite their vigilant pessimism, a critical form of thought through technique. The superficial character of the synthetic images would also not depart from the projective and fragmented aspect of an imaginative and non-Cartesian structure of thought. In any case, the possibility of a political and poetic use of images depends, for the two thinkers, on the interposition of the word. In Flusser’s terms, the task is to respond to post-history with the weapons of history. |
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Between the words and the technical images: : Vilém Flusser and Walter BenjaminEntre as palavras e as imagens técnicas:: Vilém Flusser e Walter BenjaminTechniqueSurfaceKnowledgeWalter BenjaminVilém Flusser.técnicasuperfícieconhecimentoepistemologiaFlusserBenjaminFrom the premise of Siegfried Kracauer, according to which the aesthetic pleasure experienced by the mass at surface spectacles is legitimate and that it is possible to understand an epoch through its despised and despicable manifestations, this essay aims to analyze the understandings of Walter Benjamin and Vilém Flusser about the relationship between technical images and forms of knowledge. The reflection starts from the assumption that both authors glimpse, despite their vigilant pessimism, a critical form of thought through technique. The superficial character of the synthetic images would also not depart from the projective and fragmented aspect of an imaginative and non-Cartesian structure of thought. In any case, the possibility of a political and poetic use of images depends, for the two thinkers, on the interposition of the word. In Flusser’s terms, the task is to respond to post-history with the weapons of history.A partir da premissa de Siegfried Kracauer de que o prazer estético experimentado pela massa nos espetáculos de superfície é legítimo e de que é possível compreender uma época a partir das suas manifestações desprezadas e desprezíveis, o objetivo deste ensaio é o de analisar os entendimentos de Walter Benjamin e Vilém Flusser a respeito da relação entre as imagens técnicas e as formas de conhecimento. A reflexão parte do pressuposto de que ambos vislumbram, apesar de um vigilante pessimismo, uma forma crítica de pensamento, via técnica. O caráter superficial das imagens sintéticas também não se afastaria do aspecto projetivo e fragmentado de uma estrutura de pensamento imaginativa e não cartesiana. De todo modo, a possibilidade de um uso político e poético das imagens depende, nos dois pensadores, da interposição da palavra. Nos termos de Flusser, a tarefa é responder à pós-história com as armas da história.Universidade Federal de Ouro Preto2019-10-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/1902Artefilosofia; v. 14 n. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 217-237Artefilosofia; Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 217-2372526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/1902/3031Copyright (c) 2019 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessAlonso, Rafael Miguel2021-06-22T13:21:48Zoai:pp.www.periodicos.ufop.br:article/1902Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:21:48Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin Entre as palavras e as imagens técnicas:: Vilém Flusser e Walter Benjamin |
title |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin |
spellingShingle |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin Alonso, Rafael Miguel Technique Surface Knowledge Walter Benjamin Vilém Flusser. técnica superfície conhecimento epistemologia Flusser Benjamin |
title_short |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin |
title_full |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin |
title_fullStr |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin |
title_full_unstemmed |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin |
title_sort |
Between the words and the technical images: : Vilém Flusser and Walter Benjamin |
author |
Alonso, Rafael Miguel |
author_facet |
Alonso, Rafael Miguel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Alonso, Rafael Miguel |
dc.subject.por.fl_str_mv |
Technique Surface Knowledge Walter Benjamin Vilém Flusser. técnica superfície conhecimento epistemologia Flusser Benjamin |
topic |
Technique Surface Knowledge Walter Benjamin Vilém Flusser. técnica superfície conhecimento epistemologia Flusser Benjamin |
description |
From the premise of Siegfried Kracauer, according to which the aesthetic pleasure experienced by the mass at surface spectacles is legitimate and that it is possible to understand an epoch through its despised and despicable manifestations, this essay aims to analyze the understandings of Walter Benjamin and Vilém Flusser about the relationship between technical images and forms of knowledge. The reflection starts from the assumption that both authors glimpse, despite their vigilant pessimism, a critical form of thought through technique. The superficial character of the synthetic images would also not depart from the projective and fragmented aspect of an imaginative and non-Cartesian structure of thought. In any case, the possibility of a political and poetic use of images depends, for the two thinkers, on the interposition of the word. In Flusser’s terms, the task is to respond to post-history with the weapons of history. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-10-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/1902 |
url |
https://periodicos.ufop.br/raf/article/view/1902 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/1902/3031 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 14 n. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 217-237 Artefilosofia; Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 217-237 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
_version_ |
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