On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2020 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Artefilosofia |
| Texto Completo: | https://periodicos.ufop.br/raf/article/view/4302 |
Resumo: | In this work, we aim to discuss the idea of deconstructing the traditional conception of the human being, which considers him as a composite of body (responsible for everything that refers to the senses) and soul (or reason, responsible for the intellect), in order to bring implications of this issue for the philosophical reading of art. For this, we start from the perspective opened by the philosopher Martin Heidegger, for whom the way of considering man as this compound, needs to be rethought. It is not that this interpretation is wrong, however, it crystallized in such a way that it is no longer discussed what the human is as such, one always starts from these assumptions, without questioning the basis of these fundamentals. Which culminated, in the modernity, with the trivialization of the validity of a notion of reason/ intellect and body / senses, which are unable to deal more broadly with the singularity of this being in its being, and imply a way of treating art from that horizon as an object pleasant to the senses. In this sense, the idea of “overcoming” the distinction between body and soul in Heidegger does not mean to say that it is about overcoming in the sense of overcoming or overcoming this way of understanding the human. The "overcoming" here refers to the sense of a crossing of these notions, in order to resume a discussion of the human being's way from its foundations to enable another look at the human as such, trying to see it from what is shown not based on previous concepts, which is the very meaning of Heidegger's hermeneutic phenomenology. |
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On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspectivesobre la superación de la distinción cuerpo y alma y sus implicaciones para el arte desde una perspectiva heideggerianaSurmonter la distinction corps-âme et ses implications pour l'art dans une perspective heideggerienneSobre a "superação" da distinção corpo e alma e suas implicações para a arte - uma perspectiva heideggerianabodysoulovercomingartexistencecuerpoalmavencerarteexistenciacorpsâmesurmonterartexistencecorpoalmasuperaçãoarteexistênciaIn this work, we aim to discuss the idea of deconstructing the traditional conception of the human being, which considers him as a composite of body (responsible for everything that refers to the senses) and soul (or reason, responsible for the intellect), in order to bring implications of this issue for the philosophical reading of art. For this, we start from the perspective opened by the philosopher Martin Heidegger, for whom the way of considering man as this compound, needs to be rethought. It is not that this interpretation is wrong, however, it crystallized in such a way that it is no longer discussed what the human is as such, one always starts from these assumptions, without questioning the basis of these fundamentals. Which culminated, in the modernity, with the trivialization of the validity of a notion of reason/ intellect and body / senses, which are unable to deal more broadly with the singularity of this being in its being, and imply a way of treating art from that horizon as an object pleasant to the senses. In this sense, the idea of “overcoming” the distinction between body and soul in Heidegger does not mean to say that it is about overcoming in the sense of overcoming or overcoming this way of understanding the human. The "overcoming" here refers to the sense of a crossing of these notions, in order to resume a discussion of the human being's way from its foundations to enable another look at the human as such, trying to see it from what is shown not based on previous concepts, which is the very meaning of Heidegger's hermeneutic phenomenology.En este trabajo, nuestro objetivo es discutir la idea de deconstruir la concepción tradicional del ser humano, que lo considera como un compuesto de cuerpo (responsable de todo lo que se refiere a los sentidos) y alma (o razón, responsable del intelecto), con el fin de traer implicaciones de este tema en la lectura filosófica del arte. Para esto, comenzamos desde la perspectiva abierta por el filósofo Martin Heidegger, para quien la forma de considerar al hombre como este compuesto, debe ser repensada. No es que esta interpretación sea incorrecta, sin embargo, cristalizó de tal manera que ya no se discute qué es el humano como tal, siempre se parte de estos supuestos, sin cuestionar la base de estos fundamentos, que culminaron, en el modernidad, con la trivialización de la validez de una noción de razón / intelecto y cuerpo / sentidos, que son incapaces de abordar de manera más amplia la singularidad de este ser en su ser, y tienen una implicación directa en la forma de tratar el arte, visto desde ese horizonte como un objeto agradable para los sentidos humanos. La idea de "superar" la distinción entre cuerpo y alma en Heidegger no significa que se trata de superar en el sentido de superar o superar esta forma de entender al ser humano. La "superación" aquí se refiere al sentido de un cruce de estas nociones, con el fin de reanudar una discusión sobre el camino del ser humano desde sus cimientos, para permitir otra mirada al ser humano como tal, tratando de verlo desde lo que es muestra, sin guiarse por conceptos anteriores, ese es el significado de la fenomenología hermenéutica de Heidegger. . Dans ce travail, nous visons à discuter de l'idée de déconstruire la conception traditionnelle de l'être humain, qui le considère comme un corps composé (responsable de tout ce qui se réfère aux sens) et l'âme (ou la raison, responsable de l'intellect), afin d'apporter implications de cette question dans la lecture philosophique de l'art. Pour cela, nous partons de la perspective ouverte par le philosophe Martin Heidegger, pour qui la manière de considérer l'homme comme ce composé doit être repensée. Ce n'est pas que cette interprétation soit fausse, cependant, elle s'est cristallisée de telle manière qu'on ne discute plus de ce qu'est l'humain en tant que tel, on part toujours de ces hypothèses, sans remettre en cause la base de ces fondements, qui ont abouti, dans le la modernité, avec la banalisation de l'existence d'une notion de raison / intellect et de corps / sens, incapables de traiter plus largement la singularité de cet être dans son être, et ayant une implication directe dans la manière de traiter l'art, vu de cet horizon comme un objet agréable aux sens humains. L'idée de «surmonter» la distinction Heidegger corps et âme ne signifie pas qu'il s'agit de surmonter dans le sens de surmonter ou de surmonter cette façon de comprendre l'humain. Le «dépassement» renvoie ici au sentiment d'un croisement de ces notions, afin de reprendre une discussion sur le chemin de l'être humain à partir de ses fondements, pour permettre un autre regard sur l'humain en tant que tel, en essayant de le voir de ce qui est montre, sans être guidé par des concepts antérieurs, tel est le sens de la phénoménologie herméneutique de Heidegger.Neste trabalho objetivamos discutir a ideia de desconstrução da concepção tradicional do ser humano, esta que o considera como um composto de corpo (responsável por tudo que se refere aos sentidos) e alma (ou razão, responsável pelo intelecto), de modo a trazer as implicações desta questão na leitura filosófica da arte. Para tal, partimos da perspectiva aberta pelo filósofo Martin Heidegger, para quem o modo de considerar o homem como este composto, precisa ser repensado. Não é que esta interpretação esteja errada, porém, ela cristalizou-se de tal modo que não mais se discute o que é o humano enquanto tal, parte-se sempre desses pressupostos, não se questionando a base desses fundamentos, o que culminou, na modernidade, com a banalização da vigência de uma noção de razão/intelecto e de corpo/sentidos, que não dão conta de abordar de modo mais amplo a singularidade desse ente em seu ser, e tem uma implicação direta no modo de tratar a arte, vista desde esse horizonte como um objeto agradável aos sentidos humanos. A ideia de uma “superação” da distinção corpo e alma em Heidegger não significa dizer que se trata de superar no sentido de sobrepujar ou passar por cima deste modo de entender o humano. A “superação” aqui remete ao sentido de um perpassamento dessas noções, de modo a retomar uma discussão do modo de ser do humano desde seus fundamentos, para possibilitar um outro olhar para o humano enquanto tal, tentar vê-lo a partir do que se mostra, não se pautando por conceitos prévios, que é o sentido mesmo da fenomenologia hermenêutica de Heidegger.Universidade Federal de Ouro Preto2020-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionChamada restrita. Artigos convidados e avaliados pelos pares.Invited items and peer prices.Artículos invitados y precios similares.Articles invités et prix des pairs.application/pdfhttps://periodicos.ufop.br/raf/article/view/4302Artefilosofia; v. 15 (2020): Edição Especial ; 243-269Artefilosofia; Vol. 15 (2020): Edição Especial ; 243-2692526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/4302/3582Copyright (c) 2020 Eliana Henriques Moreirahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessHenriques Moreira, Eliana2022-01-07T18:38:37Zoai:pp.www.periodicos.ufop.br:article/4302Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-01-07T18:38:37Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
| dc.title.none.fl_str_mv |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective sobre la superación de la distinción cuerpo y alma y sus implicaciones para el arte desde una perspectiva heideggeriana Surmonter la distinction corps-âme et ses implications pour l'art dans une perspective heideggerienne Sobre a "superação" da distinção corpo e alma e suas implicações para a arte - uma perspectiva heideggeriana |
| title |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective |
| spellingShingle |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective Henriques Moreira, Eliana body soul overcoming art existence cuerpo alma vencer arte existencia corps âme surmonter art existence corpo alma superação arte existência |
| title_short |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective |
| title_full |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective |
| title_fullStr |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective |
| title_full_unstemmed |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective |
| title_sort |
On "overcoming" the body and soul distinction and its implications for arte from a Heideggerian perspective |
| author |
Henriques Moreira, Eliana |
| author_facet |
Henriques Moreira, Eliana |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Henriques Moreira, Eliana |
| dc.subject.por.fl_str_mv |
body soul overcoming art existence cuerpo alma vencer arte existencia corps âme surmonter art existence corpo alma superação arte existência |
| topic |
body soul overcoming art existence cuerpo alma vencer arte existencia corps âme surmonter art existence corpo alma superação arte existência |
| description |
In this work, we aim to discuss the idea of deconstructing the traditional conception of the human being, which considers him as a composite of body (responsible for everything that refers to the senses) and soul (or reason, responsible for the intellect), in order to bring implications of this issue for the philosophical reading of art. For this, we start from the perspective opened by the philosopher Martin Heidegger, for whom the way of considering man as this compound, needs to be rethought. It is not that this interpretation is wrong, however, it crystallized in such a way that it is no longer discussed what the human is as such, one always starts from these assumptions, without questioning the basis of these fundamentals. Which culminated, in the modernity, with the trivialization of the validity of a notion of reason/ intellect and body / senses, which are unable to deal more broadly with the singularity of this being in its being, and imply a way of treating art from that horizon as an object pleasant to the senses. In this sense, the idea of “overcoming” the distinction between body and soul in Heidegger does not mean to say that it is about overcoming in the sense of overcoming or overcoming this way of understanding the human. The "overcoming" here refers to the sense of a crossing of these notions, in order to resume a discussion of the human being's way from its foundations to enable another look at the human as such, trying to see it from what is shown not based on previous concepts, which is the very meaning of Heidegger's hermeneutic phenomenology. |
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2020 |
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2020-12-24 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Chamada restrita. Artigos convidados e avaliados pelos pares. Invited items and peer prices. Artículos invitados y precios similares. Articles invités et prix des pairs. |
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article |
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publishedVersion |
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https://periodicos.ufop.br/raf/article/view/4302 |
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https://periodicos.ufop.br/raf/article/view/4302 |
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por |
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por |
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https://periodicos.ufop.br/raf/article/view/4302/3582 |
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Copyright (c) 2020 Eliana Henriques Moreira http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2020 Eliana Henriques Moreira http://creativecommons.org/licenses/by-nc-sa/4.0 |
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openAccess |
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application/pdf |
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Universidade Federal de Ouro Preto |
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Universidade Federal de Ouro Preto |
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Artefilosofia; v. 15 (2020): Edição Especial ; 243-269 Artefilosofia; Vol. 15 (2020): Edição Especial ; 243-269 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
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Universidade Federal de Ouro Preto (UFOP) |
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UFOP |
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UFOP |
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Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
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artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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