Reason and nostalgia -: the place of music in modern thinking

Detalhes bibliográficos
Autor(a) principal: Menezes, Enrique
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/778
Resumo: It can be said that music has had a certain autonomous development in relation with the aesthetical problems of the art philosophy. Its semantic affinity with the other arts was always delicate and problematic, making that music, in the history of aesthetic, floated between the extremes of “hierarchy” of arts. Such a particularity occurs because music has always carried a particular status which is a consequence of two problems: the high complexity of its technical means and its impossibility of expressing rational facts of daily language. The discussion about the superiority or lack of expressivity of the music as an artistic expression can also be taken in a broader sense through the dichotomy rationality/irrationality: valorized because of its non-semantic and non-conceptual character, music would be placed in the top of arts, but in the rational understanding, it falls to the last place. Independently of the opinion of different authors concerning the expressivity of music as an artistic language, this discussion allows us to think about its place in the history of rational thought, as well as interpreter this rationality through an “object” that is, at the same time, highly rational (technical complexity) and non-conceptual (non-semantic).
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spelling Reason and nostalgia -: the place of music in modern thinkingRazão e Nostalgia - : o lugar da música no pensamento modernoModern AgeRationalityNostalgiaCompositionModernidadeRacionalidadeNostalgiaComposiçãoIt can be said that music has had a certain autonomous development in relation with the aesthetical problems of the art philosophy. Its semantic affinity with the other arts was always delicate and problematic, making that music, in the history of aesthetic, floated between the extremes of “hierarchy” of arts. Such a particularity occurs because music has always carried a particular status which is a consequence of two problems: the high complexity of its technical means and its impossibility of expressing rational facts of daily language. The discussion about the superiority or lack of expressivity of the music as an artistic expression can also be taken in a broader sense through the dichotomy rationality/irrationality: valorized because of its non-semantic and non-conceptual character, music would be placed in the top of arts, but in the rational understanding, it falls to the last place. Independently of the opinion of different authors concerning the expressivity of music as an artistic language, this discussion allows us to think about its place in the history of rational thought, as well as interpreter this rationality through an “object” that is, at the same time, highly rational (technical complexity) and non-conceptual (non-semantic).Em relação aos problemas estéticos da fi losofi a da arte em geral, a música sempre se desenvolveu com certa autonomia. Sua afi nidade semântica com as outras artes sempre foi delicada e problemática, fazendo com que, na história da estética, ela oscilasse entre os extremos da “hierarquia” das artes. Tal particularidade ocorre porque a música sempre carregou um status próprio, conseqüência, principalmente, de dois problemas: a alta complexidade dos meios técnicos com os quais se realiza e a impossibilidade de expressar fatos racionais da linguagem cotidiana. A discussão acerca da superioridade ou inexpressividade da música como expressão artística pode ser colocada também em linhas gerais através da dicotomia racionalidade/irracionalidade: valorizada em seu caráter assemântico e não conceitual ela estaria no topo das artes, mas, no entendimento racional, ela cai para o último. Independente da opinião de tal ou qual autor no que diz respeito à expressividade da música como linguagem artística, essa discussão nos permite identifi car qual é o seu lugar na história do pensamento racional, bem como interpretar essa racionalidade partindo de um objeto que é tanto altamente racional (sua complexidade técnica) quanto nãoconceitual (sua assemanticidade).Universidade Federal de Ouro Preto2017-04-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/778Artefilosofia; v. 2 n. 2 (2007); 117-126Artefilosofia; Vol. 2 No. 2 (2007); 117-1262526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/778/734Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessMenezes, Enrique2022-03-25T11:12:53Zoai:pp.www.periodicos.ufop.br:article/778Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:12:53Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Reason and nostalgia -: the place of music in modern thinking
Razão e Nostalgia - : o lugar da música no pensamento moderno
title Reason and nostalgia -: the place of music in modern thinking
spellingShingle Reason and nostalgia -: the place of music in modern thinking
Menezes, Enrique
Modern Age
Rationality
Nostalgia
Composition
Modernidade
Racionalidade
Nostalgia
Composição
title_short Reason and nostalgia -: the place of music in modern thinking
title_full Reason and nostalgia -: the place of music in modern thinking
title_fullStr Reason and nostalgia -: the place of music in modern thinking
title_full_unstemmed Reason and nostalgia -: the place of music in modern thinking
title_sort Reason and nostalgia -: the place of music in modern thinking
author Menezes, Enrique
author_facet Menezes, Enrique
author_role author
dc.contributor.author.fl_str_mv Menezes, Enrique
dc.subject.por.fl_str_mv Modern Age
Rationality
Nostalgia
Composition
Modernidade
Racionalidade
Nostalgia
Composição
topic Modern Age
Rationality
Nostalgia
Composition
Modernidade
Racionalidade
Nostalgia
Composição
description It can be said that music has had a certain autonomous development in relation with the aesthetical problems of the art philosophy. Its semantic affinity with the other arts was always delicate and problematic, making that music, in the history of aesthetic, floated between the extremes of “hierarchy” of arts. Such a particularity occurs because music has always carried a particular status which is a consequence of two problems: the high complexity of its technical means and its impossibility of expressing rational facts of daily language. The discussion about the superiority or lack of expressivity of the music as an artistic expression can also be taken in a broader sense through the dichotomy rationality/irrationality: valorized because of its non-semantic and non-conceptual character, music would be placed in the top of arts, but in the rational understanding, it falls to the last place. Independently of the opinion of different authors concerning the expressivity of music as an artistic language, this discussion allows us to think about its place in the history of rational thought, as well as interpreter this rationality through an “object” that is, at the same time, highly rational (technical complexity) and non-conceptual (non-semantic).
publishDate 2017
dc.date.none.fl_str_mv 2017-04-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/778
url https://periodicos.ufop.br/raf/article/view/778
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/778/734
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 2 n. 2 (2007); 117-126
Artefilosofia; Vol. 2 No. 2 (2007); 117-126
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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