Criticism and permanence in the work of art

Detalhes bibliográficos
Autor(a) principal: Unes, Wolney
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/753
Resumo: This article deals with the complexity of the criticism towards contemporary art. The departing point is the argument between Sainte-Beuve and Proust, in late 19th century Paris, concerning the appropriate method to criticise art. Whereas the fi rst defended an alleged scientifi c method, based on Positivism, the latter condemned the confusion between author and art.
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spelling Criticism and permanence in the work of artCrítica e perenidade da obra de arteCriticismSainte-BeuveProustArt and scienceCríticaSainte-BeuveProustArteCiênciaThis article deals with the complexity of the criticism towards contemporary art. The departing point is the argument between Sainte-Beuve and Proust, in late 19th century Paris, concerning the appropriate method to criticise art. Whereas the fi rst defended an alleged scientifi c method, based on Positivism, the latter condemned the confusion between author and art.Este texto trata das complexidades da crítica à produção artística contemporânea. Como pano de fundo, expõe-se a querela entre Sainte-Beuve e Proust, na Paris do fi nal do século XIX, acerca do método apropriado para a análise crítica da obra de arte. Enquanto o primeiro defendia um método supostamente científi co, a reboque do positivismo, o último condenava a confusão entre autor e obra. Desse embate emergiu o entendimento da necessidade de separar a obra da fi gura de seu criador.Universidade Federal de Ouro Preto2017-04-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/753Artefilosofia; v. 2 n. 3 (2007); 45-56Artefilosofia; Vol. 2 No. 3 (2007); 45-562526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/753/709Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessUnes, Wolney2022-03-25T11:13:20Zoai:pp.www.periodicos.ufop.br:article/753Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:13:20Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Criticism and permanence in the work of art
Crítica e perenidade da obra de arte
title Criticism and permanence in the work of art
spellingShingle Criticism and permanence in the work of art
Unes, Wolney
Criticism
Sainte-Beuve
Proust
Art and science
Crítica
Sainte-Beuve
Proust
Arte
Ciência
title_short Criticism and permanence in the work of art
title_full Criticism and permanence in the work of art
title_fullStr Criticism and permanence in the work of art
title_full_unstemmed Criticism and permanence in the work of art
title_sort Criticism and permanence in the work of art
author Unes, Wolney
author_facet Unes, Wolney
author_role author
dc.contributor.author.fl_str_mv Unes, Wolney
dc.subject.por.fl_str_mv Criticism
Sainte-Beuve
Proust
Art and science
Crítica
Sainte-Beuve
Proust
Arte
Ciência
topic Criticism
Sainte-Beuve
Proust
Art and science
Crítica
Sainte-Beuve
Proust
Arte
Ciência
description This article deals with the complexity of the criticism towards contemporary art. The departing point is the argument between Sainte-Beuve and Proust, in late 19th century Paris, concerning the appropriate method to criticise art. Whereas the fi rst defended an alleged scientifi c method, based on Positivism, the latter condemned the confusion between author and art.
publishDate 2017
dc.date.none.fl_str_mv 2017-04-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/753
url https://periodicos.ufop.br/raf/article/view/753
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/753/709
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 2 n. 3 (2007); 45-56
Artefilosofia; Vol. 2 No. 3 (2007); 45-56
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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