Bild and Abbild: : some remarks on technique and image in Walter Benjamin
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/1952 |
Resumo: | The present article aims to revisit the relations that Walter Benjamin establishes between image and technique from the re-reading of the text "The work of art at the time of its technical reproducibility". From the analysis of the second German version of the essay, it is intended to suggest that, despite the massive reception of it, some fundamental elements of his materialist theory of the work of art remain little explored. As regards the materialistic reinterpretation of the History of Aesthetics, the concept of technique has a central role. However, it is in the notion or “second technique” that Benjamin supports his arguments, to the extent that it differentiates two forms of technical image production: Bildand Abbild. |
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Bild and Abbild: : some remarks on technique and image in Walter BenjaminBild a Abbild: : algumas considerações sobre técnica e imagem em Walter BenjaminBildAbbildSecond techniquePlayMimeseFilsofiaÉstéticaimagemjogomímesesegunda técnicaThe present article aims to revisit the relations that Walter Benjamin establishes between image and technique from the re-reading of the text "The work of art at the time of its technical reproducibility". From the analysis of the second German version of the essay, it is intended to suggest that, despite the massive reception of it, some fundamental elements of his materialist theory of the work of art remain little explored. As regards the materialistic reinterpretation of the History of Aesthetics, the concept of technique has a central role. However, it is in the notion or “second technique” that Benjamin supports his arguments, to the extent that it differentiates two forms of technical image production: Bildand Abbild. O presente artigo pretende retomar as relações que Walter Benjamin estabelece entre imagem e técnica a partir da releitura do texto “A obra de arte na época de sua reprodutibilidade técnica”. Pretende-se mostrar que, apesar da recepção massiva que esse ensaio teve, alguns elementos fundamentais de sua teoria materialista da obra de arte permanecem pouco explorados. E isso sobretudo no que diz respeito a reinterpretação que o autor faz da história da estética a partir do conceito de segunda técnica. Universidade Federal de Ouro Preto2019-10-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/1952Artefilosofia; v. 14 n. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 256-267Artefilosofia; Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 256-2672526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/1952/3033Copyright (c) 2019 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPalhares, Taisa Helena Pascale2020-11-02T01:22:44Zoai:pp.www.periodicos.ufop.br:article/1952Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2020-11-02T01:22:44Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin Bild a Abbild: : algumas considerações sobre técnica e imagem em Walter Benjamin |
title |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin |
spellingShingle |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin Palhares, Taisa Helena Pascale Bild Abbild Second technique Play Mimese Filsofia Éstética imagem jogo mímese segunda técnica |
title_short |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin |
title_full |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin |
title_fullStr |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin |
title_full_unstemmed |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin |
title_sort |
Bild and Abbild: : some remarks on technique and image in Walter Benjamin |
author |
Palhares, Taisa Helena Pascale |
author_facet |
Palhares, Taisa Helena Pascale |
author_role |
author |
dc.contributor.author.fl_str_mv |
Palhares, Taisa Helena Pascale |
dc.subject.por.fl_str_mv |
Bild Abbild Second technique Play Mimese Filsofia Éstética imagem jogo mímese segunda técnica |
topic |
Bild Abbild Second technique Play Mimese Filsofia Éstética imagem jogo mímese segunda técnica |
description |
The present article aims to revisit the relations that Walter Benjamin establishes between image and technique from the re-reading of the text "The work of art at the time of its technical reproducibility". From the analysis of the second German version of the essay, it is intended to suggest that, despite the massive reception of it, some fundamental elements of his materialist theory of the work of art remain little explored. As regards the materialistic reinterpretation of the History of Aesthetics, the concept of technique has a central role. However, it is in the notion or “second technique” that Benjamin supports his arguments, to the extent that it differentiates two forms of technical image production: Bildand Abbild. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-10-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/1952 |
url |
https://periodicos.ufop.br/raf/article/view/1952 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/1952/3033 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 14 n. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 256-267 Artefilosofia; Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 256-267 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
_version_ |
1798313558575939584 |