Metamorfoses do corpo em Kafka
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/5101 |
Resumo: | Franz Kafka's literature presents bodies in metamorphosis. The aim of this article is to analyze, in three works, the enigmatic transformation of bodies that are subjected to a greater force, regarding their degree of resistance and acceptance of an inevitable process. In the novel The Metamorphosis, the worker Gregor Samsa wakes up transformed into a monstrous insect, and much of the narrative shows us the discovery of a new body, with its limitations and improbable power. The novel The Trial brings bodies deformed by inhospitable life in attics that are notary offices and archives, starting with the physical arrest of Josef K. and ending with his annihilation. In short, In the Penal Colony, the accusation and sentence for a crime are recorded on the body of the accused at the same time as its execution is carried out, thanks to a technique of writing in the flesh. Here, more explicitly, the body suffers the effects of language. |
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Metamorfoses do corpo em KafkaKafka; Corpo; Metamorfose.Franz Kafka's literature presents bodies in metamorphosis. The aim of this article is to analyze, in three works, the enigmatic transformation of bodies that are subjected to a greater force, regarding their degree of resistance and acceptance of an inevitable process. In the novel The Metamorphosis, the worker Gregor Samsa wakes up transformed into a monstrous insect, and much of the narrative shows us the discovery of a new body, with its limitations and improbable power. The novel The Trial brings bodies deformed by inhospitable life in attics that are notary offices and archives, starting with the physical arrest of Josef K. and ending with his annihilation. In short, In the Penal Colony, the accusation and sentence for a crime are recorded on the body of the accused at the same time as its execution is carried out, thanks to a technique of writing in the flesh. Here, more explicitly, the body suffers the effects of language.A literatura de Franz Kafka apresenta corpos em metamorfose. O objetivo deste artigo é analisar, em três obras, a transformação enigmática de corpos que se encontram submetidos a uma força maior, tendo em vista seu grau de resistência e de aceitação de um processo inevitável. Na novela A metamorfose, o trabalhador Gregor Samsa acorda transformado em inseto monstruoso, e grande parte da narrativa nos mostra a descoberta de um novo corpo, com suas limitações e sua improvável potência. O romance O processo traz corpos deformados pela vida inóspita em sótãos que são cartórios e arquivos, além de iniciar com a detenção física de Josef K. e terminar com sua aniquilação. Enfim, em Na colônia penal, são gravadas no corpo do acusado a denúncia e a sentença por um crime no mesmo momento em que é cumprida sua execução, graças a uma técnica de escritura na própria carne. Aqui, mais explicitamente, o corpo sofre os efeitos da linguagem. Universidade Federal de Ouro Preto2022-06-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/5101Artefilosofia; v. 17 n. 31 (2022): ; 64-76Artefilosofia; Vol. 17 No. 31 (2022): ; 64-762526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/5101/4103Copyright (c) 2022 Marcela Oliveirahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessOliveira, Marcela2022-06-07T15:09:18Zoai:pp.www.periodicos.ufop.br:article/5101Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-06-07T15:09:18Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
Metamorfoses do corpo em Kafka |
title |
Metamorfoses do corpo em Kafka |
spellingShingle |
Metamorfoses do corpo em Kafka Oliveira, Marcela Kafka; Corpo; Metamorfose. |
title_short |
Metamorfoses do corpo em Kafka |
title_full |
Metamorfoses do corpo em Kafka |
title_fullStr |
Metamorfoses do corpo em Kafka |
title_full_unstemmed |
Metamorfoses do corpo em Kafka |
title_sort |
Metamorfoses do corpo em Kafka |
author |
Oliveira, Marcela |
author_facet |
Oliveira, Marcela |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Marcela |
dc.subject.por.fl_str_mv |
Kafka; Corpo; Metamorfose. |
topic |
Kafka; Corpo; Metamorfose. |
description |
Franz Kafka's literature presents bodies in metamorphosis. The aim of this article is to analyze, in three works, the enigmatic transformation of bodies that are subjected to a greater force, regarding their degree of resistance and acceptance of an inevitable process. In the novel The Metamorphosis, the worker Gregor Samsa wakes up transformed into a monstrous insect, and much of the narrative shows us the discovery of a new body, with its limitations and improbable power. The novel The Trial brings bodies deformed by inhospitable life in attics that are notary offices and archives, starting with the physical arrest of Josef K. and ending with his annihilation. In short, In the Penal Colony, the accusation and sentence for a crime are recorded on the body of the accused at the same time as its execution is carried out, thanks to a technique of writing in the flesh. Here, more explicitly, the body suffers the effects of language. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/5101 |
url |
https://periodicos.ufop.br/raf/article/view/5101 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/5101/4103 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Marcela Oliveira http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Marcela Oliveira http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 17 n. 31 (2022): ; 64-76 Artefilosofia; Vol. 17 No. 31 (2022): ; 64-76 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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