Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought

Detalhes bibliográficos
Autor(a) principal: Pazetto, Debora
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/1972
Resumo: This paper presents how the concept of art was approached ontologically in Vilém Flusser's early books, particularly in “Language and Reality” and “The History of the Devil”, to subsequently follow the political approach of some of his texts of the seventies and eighties. In his early philosophy, Flusser's allegory of the web and the language globe diagram both show that artistic (or poetic) activity creates language, which is the totality of civilization, culture, mind, nature, in short, of reality. In later texts, specially those that concern the notion of post-history, art appears as a way of emancipation from the technocratic discourse – in which the human being is established as an operator, a piece within the apparatus – and as redemption of knowledge and practices of strictly technical, commercial and programmed use. Continuities and differences between these perspectives point to the urgency of thinking about art, at the present time, as a reconstruction of politics.
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spelling Presumption, Poetry, Deviation: : The Art Concept in the Flusserian ThoughtSoberba, poesia, desvio: : O conceito de arte no pensamento flusserianoPoliticsPost-historyArtLanguageApparatus.políticapós-históriaartelínguaaparelhoThis paper presents how the concept of art was approached ontologically in Vilém Flusser's early books, particularly in “Language and Reality” and “The History of the Devil”, to subsequently follow the political approach of some of his texts of the seventies and eighties. In his early philosophy, Flusser's allegory of the web and the language globe diagram both show that artistic (or poetic) activity creates language, which is the totality of civilization, culture, mind, nature, in short, of reality. In later texts, specially those that concern the notion of post-history, art appears as a way of emancipation from the technocratic discourse – in which the human being is established as an operator, a piece within the apparatus – and as redemption of knowledge and practices of strictly technical, commercial and programmed use. Continuities and differences between these perspectives point to the urgency of thinking about art, at the present time, as a reconstruction of politics.Este artigo apresenta o modo como o conceito de arte foi trabalhado ontologicamente nos primeiros livros de Vilém Flusser, particularmente em Língua e Realidade e A História do Diabo, para, em seguida, apresentar como foi trabalhado politicamente em alguns textos das décadas de setenta e oitenta. Na fase inicial de seu pensamento, a alegoria flusseriana da teia e o diagrama do globo da língua mostram que a atividade artística (ou poética) cria língua, a qual constitui a totalidade da civilização, da cultura, da mente, da natureza, enfim, da realidade. Em textos posteriores, sobretudo os que são articulados em torno da noção de pós-história, a arte aparece como modo de emancipação em relação ao discurso tecnocrático – no qual o ser humano é estabelecido como funcionário, peça no interior de aparelho – e resgate de conhecimentos e práticas de um uso estritamente técnico, comercial e programado. As continuidades e diferenças entre essas perspectivas apontam para a urgência de se pensar a arte, atualmente, como reconstrução da política.Universidade Federal de Ouro Preto2019-10-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/1972Artefilosofia; v. 14 n. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 86-99Artefilosofia; Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 86-992526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/1972/3035Copyright (c) 2019 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPazetto, Debora2021-06-22T13:21:52Zoai:pp.www.periodicos.ufop.br:article/1972Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:21:52Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
Soberba, poesia, desvio: : O conceito de arte no pensamento flusseriano
title Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
spellingShingle Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
Pazetto, Debora
Politics
Post-history
Art
Language
Apparatus.
política
pós-história
arte
língua
aparelho
title_short Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
title_full Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
title_fullStr Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
title_full_unstemmed Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
title_sort Presumption, Poetry, Deviation: : The Art Concept in the Flusserian Thought
author Pazetto, Debora
author_facet Pazetto, Debora
author_role author
dc.contributor.author.fl_str_mv Pazetto, Debora
dc.subject.por.fl_str_mv Politics
Post-history
Art
Language
Apparatus.
política
pós-história
arte
língua
aparelho
topic Politics
Post-history
Art
Language
Apparatus.
política
pós-história
arte
língua
aparelho
description This paper presents how the concept of art was approached ontologically in Vilém Flusser's early books, particularly in “Language and Reality” and “The History of the Devil”, to subsequently follow the political approach of some of his texts of the seventies and eighties. In his early philosophy, Flusser's allegory of the web and the language globe diagram both show that artistic (or poetic) activity creates language, which is the totality of civilization, culture, mind, nature, in short, of reality. In later texts, specially those that concern the notion of post-history, art appears as a way of emancipation from the technocratic discourse – in which the human being is established as an operator, a piece within the apparatus – and as redemption of knowledge and practices of strictly technical, commercial and programmed use. Continuities and differences between these perspectives point to the urgency of thinking about art, at the present time, as a reconstruction of politics.
publishDate 2019
dc.date.none.fl_str_mv 2019-10-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/1972
url https://periodicos.ufop.br/raf/article/view/1972
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/1972/3035
dc.rights.driver.fl_str_mv Copyright (c) 2019 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Artefilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 14 n. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 86-99
Artefilosofia; Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin; 86-99
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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