The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/1056 |
Resumo: | The following article is about a decisive chapter in the German sociological and philosophical thinking about music in the context of the first three decades of twentieth-century modernism, the chapter regarding the pertinence of the incorporation of the notion of progress by the music aesthetic discourse. The positions of three fundamental authors are examined, those of Ernst Bloch, Max Weber and Theodor Adorno, the contribution of this last one being our focus. The main objective of the text is to show the central role of Adorno’s thinking around the question of the subjective freedom vis-à-visthe notion of the progress of the material, that it depends not only on his close contact with the compositional problems of the avant-garde, but emerges also from his dialogue with other important authors of his time, whose reflections aren’t always remembered by the commentaries of adornian philosophy of music. In the other hand, we would like to show how Adorno’s materialist stance resolves, dialectically, decisive theoretical questions about the aesthetic pertinence of the notion of progress that were pointed out earlier by Bloch and Weber. |
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The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth centuryA liberdade subjetiva diante da noção de progresso do material: : um capítulo da estética musical alemã do século XXMusical modernismProgressaesthetics of musicAdornoestética da músicaprogressomodernismo musicalAdornoThe following article is about a decisive chapter in the German sociological and philosophical thinking about music in the context of the first three decades of twentieth-century modernism, the chapter regarding the pertinence of the incorporation of the notion of progress by the music aesthetic discourse. The positions of three fundamental authors are examined, those of Ernst Bloch, Max Weber and Theodor Adorno, the contribution of this last one being our focus. The main objective of the text is to show the central role of Adorno’s thinking around the question of the subjective freedom vis-à-visthe notion of the progress of the material, that it depends not only on his close contact with the compositional problems of the avant-garde, but emerges also from his dialogue with other important authors of his time, whose reflections aren’t always remembered by the commentaries of adornian philosophy of music. In the other hand, we would like to show how Adorno’s materialist stance resolves, dialectically, decisive theoretical questions about the aesthetic pertinence of the notion of progress that were pointed out earlier by Bloch and Weber.O artigo a seguir trata de um capítulo decisivo da reflexão sociológica e filosófica sobre a música na Alemanha no contexto do modernismo das três primeiras décadas do século vinte, capítulo relativo a reflexões sobre a pertinência da incorporação da noção de progresso pelo discurso estético musical. As posições de três autores fundamentais são abordadas, as de Ernst Bloch, Max Weber e Theodor Adorno, sendo a contribuição deste último o foco de nossa atenção. O principal objetivo do texto é mostrar que as reflexões de Adorno em torno da questão da liberdade subjetiva diante da noção de progresso do material, além de depender do contato direto do filósofo com as questões composicionais das vanguardas, também se nutre do diálogo com outros autores importantes de sua época cujas reflexões costumam ser esquecidas pelos comentários da filosofia da música adorniana. Por outro lado, gostaríamos de mostrar como a posição materialista de Adorno resolve dialeticamente questões teóricas maiores levantadas anteriormente por Bloch e Weber sobre a pertinência estética da noção de progresso.Universidade Federal de Ouro Preto2018-08-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/1056Artefilosofia; v. 13 n. 24 (2018); 66-81Artefilosofia; Vol. 13 No. 24 (2018); 66-812526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/1056/1383Copyright (c) 2018 Artefilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessBaggio, Igor2021-06-22T13:22:13Zoai:pp.www.periodicos.ufop.br:article/1056Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2021-06-22T13:22:13Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century A liberdade subjetiva diante da noção de progresso do material: : um capítulo da estética musical alemã do século XX |
title |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century |
spellingShingle |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century Baggio, Igor Musical modernism Progress aesthetics of music Adorno estética da música progresso modernismo musical Adorno |
title_short |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century |
title_full |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century |
title_fullStr |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century |
title_full_unstemmed |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century |
title_sort |
The subjective liberty behind the notion of material progress: : a chapter of the German musical aesthetic of twentieth century |
author |
Baggio, Igor |
author_facet |
Baggio, Igor |
author_role |
author |
dc.contributor.author.fl_str_mv |
Baggio, Igor |
dc.subject.por.fl_str_mv |
Musical modernism Progress aesthetics of music Adorno estética da música progresso modernismo musical Adorno |
topic |
Musical modernism Progress aesthetics of music Adorno estética da música progresso modernismo musical Adorno |
description |
The following article is about a decisive chapter in the German sociological and philosophical thinking about music in the context of the first three decades of twentieth-century modernism, the chapter regarding the pertinence of the incorporation of the notion of progress by the music aesthetic discourse. The positions of three fundamental authors are examined, those of Ernst Bloch, Max Weber and Theodor Adorno, the contribution of this last one being our focus. The main objective of the text is to show the central role of Adorno’s thinking around the question of the subjective freedom vis-à-visthe notion of the progress of the material, that it depends not only on his close contact with the compositional problems of the avant-garde, but emerges also from his dialogue with other important authors of his time, whose reflections aren’t always remembered by the commentaries of adornian philosophy of music. In the other hand, we would like to show how Adorno’s materialist stance resolves, dialectically, decisive theoretical questions about the aesthetic pertinence of the notion of progress that were pointed out earlier by Bloch and Weber. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-08-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/1056 |
url |
https://periodicos.ufop.br/raf/article/view/1056 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/1056/1383 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Artefilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 13 n. 24 (2018); 66-81 Artefilosofia; Vol. 13 No. 24 (2018); 66-81 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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1798313558506733569 |