Beckett’s performative writing by Gerd Bornheim

Detalhes bibliográficos
Autor(a) principal: Paz, Gaspar
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/4313
Resumo: In this essay we address Beckttian performative writing based on Gerd Bornheim’s interpretations. The author of Waiting for Godot, looking for a new gesture for his language, re-placesimportant aesthetic-political questions, such as: the perception of space and time’s intuitions, body (i)mobility and (in)communicability in the arts. In this way, we seek to understand the cultural reverberations of this dramaturgical experience, by analyzing a Bornheim’s unpublished typescript entitled “Beckett and the meanings of gerund”. This reading will be complemented by highlights present in Bornheim's publications on Theater and on Philosophy of Art, as well as by some writings by Ruggero Jaccobi,Luiz Carlos Maciel, Paulo Leminski, Fábio Souza Andrade, among others.
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spelling Beckett’s performative writing by Gerd BornheimA escrita performativa de Beckett segundo Gerd BornheimPerformativitylanguagegestureSamuel BeckettGerd BornheimPerformatividadelinguagemgestualidadeSamuel BeckettGerd BornheimIn this essay we address Beckttian performative writing based on Gerd Bornheim’s interpretations. The author of Waiting for Godot, looking for a new gesture for his language, re-placesimportant aesthetic-political questions, such as: the perception of space and time’s intuitions, body (i)mobility and (in)communicability in the arts. In this way, we seek to understand the cultural reverberations of this dramaturgical experience, by analyzing a Bornheim’s unpublished typescript entitled “Beckett and the meanings of gerund”. This reading will be complemented by highlights present in Bornheim's publications on Theater and on Philosophy of Art, as well as by some writings by Ruggero Jaccobi,Luiz Carlos Maciel, Paulo Leminski, Fábio Souza Andrade, among others.Neste ensaio, abordaremos aspectos da performatividade da escrita beckttiana a partir de interpretações de Gerd Bornheim. O autor de Esperando Godot ao procurar uma nova gesticulação para sua linguagem, recoloca questões estéticas importantes, tais como: a percepção das intuições de espaço e tempo, a (i)mobilidade corporal e a (in)comunicabilidade nas artes. Dessa forma, buscamos compreender as reverberações culturais dessa experiência dramatúrgica, mediante análise de um datiloscrito original de Bornheim intitulado “Beckett e os significados do gerúndio”. Essa leitura será complementada por enfoques presentes nas publicações de Bornheim sobre o Teatro e a Filosofia da Arte, bem como por alguns escritos de Ruggero Jaccobi, Luiz Carlos Maciel, Paulo Leminski, Fábio Souza Andrade entre outros.  Universidade Federal de Ouro Preto2020-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionChamada restrita. Artigos convidados e avaliados pelos pares.Invited items and peer prices.Artículos invitados y precios similares.Articles invités et prix des pairs.application/pdfhttps://periodicos.ufop.br/raf/article/view/4313Artefilosofia; v. 15 (2020): Edição Especial ; 362-373Artefilosofia; Vol. 15 (2020): Edição Especial ; 362-3732526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/4313/3589Copyright (c) 2020 Gaspar Pazhttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPaz, Gaspar2022-01-07T19:36:40Zoai:pp.www.periodicos.ufop.br:article/4313Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-01-07T19:36:40Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv Beckett’s performative writing by Gerd Bornheim
A escrita performativa de Beckett segundo Gerd Bornheim
title Beckett’s performative writing by Gerd Bornheim
spellingShingle Beckett’s performative writing by Gerd Bornheim
Paz, Gaspar
Performativity
language
gesture
Samuel Beckett
Gerd Bornheim
Performatividade
linguagem
gestualidade
Samuel Beckett
Gerd Bornheim
title_short Beckett’s performative writing by Gerd Bornheim
title_full Beckett’s performative writing by Gerd Bornheim
title_fullStr Beckett’s performative writing by Gerd Bornheim
title_full_unstemmed Beckett’s performative writing by Gerd Bornheim
title_sort Beckett’s performative writing by Gerd Bornheim
author Paz, Gaspar
author_facet Paz, Gaspar
author_role author
dc.contributor.author.fl_str_mv Paz, Gaspar
dc.subject.por.fl_str_mv Performativity
language
gesture
Samuel Beckett
Gerd Bornheim
Performatividade
linguagem
gestualidade
Samuel Beckett
Gerd Bornheim
topic Performativity
language
gesture
Samuel Beckett
Gerd Bornheim
Performatividade
linguagem
gestualidade
Samuel Beckett
Gerd Bornheim
description In this essay we address Beckttian performative writing based on Gerd Bornheim’s interpretations. The author of Waiting for Godot, looking for a new gesture for his language, re-placesimportant aesthetic-political questions, such as: the perception of space and time’s intuitions, body (i)mobility and (in)communicability in the arts. In this way, we seek to understand the cultural reverberations of this dramaturgical experience, by analyzing a Bornheim’s unpublished typescript entitled “Beckett and the meanings of gerund”. This reading will be complemented by highlights present in Bornheim's publications on Theater and on Philosophy of Art, as well as by some writings by Ruggero Jaccobi,Luiz Carlos Maciel, Paulo Leminski, Fábio Souza Andrade, among others.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Chamada restrita. Artigos convidados e avaliados pelos pares.
Invited items and peer prices.
Artículos invitados y precios similares.
Articles invités et prix des pairs.
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/4313
url https://periodicos.ufop.br/raf/article/view/4313
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/4313/3589
dc.rights.driver.fl_str_mv Copyright (c) 2020 Gaspar Paz
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Gaspar Paz
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 15 (2020): Edição Especial ; 362-373
Artefilosofia; Vol. 15 (2020): Edição Especial ; 362-373
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
_version_ 1798313558968107008

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