What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin

Detalhes bibliográficos
Autor(a) principal: Fuks, Ludmila
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
Título da fonte: História da Historiografia
Texto Completo: https://www.historiadahistoriografia.com.br/revista/article/view/1882
Resumo: The Benjaminian bet involves rethinking history in such a way that in recounting it nothing is lost. Hence the need for a new historical method that can critically capture from the present materials of the past in order to update them. In the present work, we decided to start from the Argentinian poetry book Deuda & literatura, by Omar Chauvié (2017), to reflect on montage as a technical and methodological principle of building historical knowledge. Secondly, we will take a tour through the concept of montage and certain figures—the technique, the quote, the authentic—to see how they operate in the different spheres of Walter Benjamin‘s thought. Finally, we will address the idea of the Benjaminian discontinuous history and the notion of anachronism. This tour will allow us to perceive that another construction of historical knowledge from the citation of materials and the structure of a montage that carries “the authentic” as its insignia and seal is possible.
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spelling What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin¿Qué tipo de conocimiento histórico podemos construir? Montaje, técnica y poética en la obra de Walter BenjaminWalter BenjaminHistoryMontageWalter BenjaminHistoriaMontajeThe Benjaminian bet involves rethinking history in such a way that in recounting it nothing is lost. Hence the need for a new historical method that can critically capture from the present materials of the past in order to update them. In the present work, we decided to start from the Argentinian poetry book Deuda & literatura, by Omar Chauvié (2017), to reflect on montage as a technical and methodological principle of building historical knowledge. Secondly, we will take a tour through the concept of montage and certain figures—the technique, the quote, the authentic—to see how they operate in the different spheres of Walter Benjamin‘s thought. Finally, we will address the idea of the Benjaminian discontinuous history and the notion of anachronism. This tour will allow us to perceive that another construction of historical knowledge from the citation of materials and the structure of a montage that carries “the authentic” as its insignia and seal is possible.La apuesta benjaminiana implica repensar la historia de forma tal que al contarla no se dé nada por perdido. De aquí la necesidad de un nuevo método histórico que capte críticamente desde el presente los materiales del pasado para, así, actualizarlos. En el presente artículo, partimos del poemario argentino Deuda & literatura, de Omar Chauvié (2017), para llevar a cabo una reflexión sobre el montaje como principio técnico y metodológico de construcción del conocimiento histórico. En segundo lugar, haremos un recorrido por el concepto de montaje y de ciertas figuras —la técnica, la cita, lo auténtico— para ver cómo operan en las diversas esferas de pensamiento de Walter Benjamin. Por último, abordaremos la idea de historia discontinua benjaminiana y la noción de anacronismo. Este recorrido nos permitirá vislumbrar que es posible otra construcción del conocimiento histórico a partir de la cita de materiales y de la estructura de un montaje que lleve como insignia y sello lo “auténtico”.Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro2022-08-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionartigo originalapplication/pdfhttps://www.historiadahistoriografia.com.br/revista/article/view/188210.15848/hh.v15i39.1882História da Historiografia: International Journal of Theory and History of Historiography; Vol. 15 No. 39 (2022); 155-178História da Historiografia: International Journal of Theory and History of Historiography; Vol. 15 Núm. 39 (2022); 155-178História da Historiografia: International Journal of Theory and History of Historiography; v. 15 n. 39 (2022); 155-1781983-9928reponame:História da Historiografiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPspahttps://www.historiadahistoriografia.com.br/revista/article/view/1882/1000Copyright (c) 2022 Ludmila Fukshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFuks, Ludmila2022-08-28T01:50:12Zoai:ojs.www.historiadahistoriografia.com.br:article/1882Revistahttps://www.historiadahistoriografia.com.br/revistaPUBhttps://www.historiadahistoriografia.com.br/revista/oaivaldei354@gmail.com || historiadahistoriografia@hotmail.com1983-99281983-9928opendoar:2022-08-28T01:50:12História da Historiografia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
¿Qué tipo de conocimiento histórico podemos construir? Montaje, técnica y poética en la obra de Walter Benjamin
title What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
spellingShingle What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
Fuks, Ludmila
Walter Benjamin
History
Montage
Walter Benjamin
Historia
Montaje
title_short What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
title_full What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
title_fullStr What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
title_full_unstemmed What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
title_sort What kind of historical knowledge can we build? Montage, poetics and technique in the work of Walter Benjamin
author Fuks, Ludmila
author_facet Fuks, Ludmila
author_role author
dc.contributor.author.fl_str_mv Fuks, Ludmila
dc.subject.por.fl_str_mv Walter Benjamin
History
Montage
Walter Benjamin
Historia
Montaje
topic Walter Benjamin
History
Montage
Walter Benjamin
Historia
Montaje
description The Benjaminian bet involves rethinking history in such a way that in recounting it nothing is lost. Hence the need for a new historical method that can critically capture from the present materials of the past in order to update them. In the present work, we decided to start from the Argentinian poetry book Deuda & literatura, by Omar Chauvié (2017), to reflect on montage as a technical and methodological principle of building historical knowledge. Secondly, we will take a tour through the concept of montage and certain figures—the technique, the quote, the authentic—to see how they operate in the different spheres of Walter Benjamin‘s thought. Finally, we will address the idea of the Benjaminian discontinuous history and the notion of anachronism. This tour will allow us to perceive that another construction of historical knowledge from the citation of materials and the structure of a montage that carries “the authentic” as its insignia and seal is possible.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
artigo original
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/1882
10.15848/hh.v15i39.1882
url https://www.historiadahistoriografia.com.br/revista/article/view/1882
identifier_str_mv 10.15848/hh.v15i39.1882
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.historiadahistoriografia.com.br/revista/article/view/1882/1000
dc.rights.driver.fl_str_mv Copyright (c) 2022 Ludmila Fuks
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Ludmila Fuks
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
publisher.none.fl_str_mv Sociedade Brasileira de Teoria e História da Historiografia, Universidade Federal de Ouro Preto, Universidade Federal do Estado do Rio de Janeiro
dc.source.none.fl_str_mv História da Historiografia: International Journal of Theory and History of Historiography; Vol. 15 No. 39 (2022); 155-178
História da Historiografia: International Journal of Theory and History of Historiography; Vol. 15 Núm. 39 (2022); 155-178
História da Historiografia: International Journal of Theory and History of Historiography; v. 15 n. 39 (2022); 155-178
1983-9928
reponame:História da Historiografia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str História da Historiografia
collection História da Historiografia
repository.name.fl_str_mv História da Historiografia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv valdei354@gmail.com || historiadahistoriografia@hotmail.com
_version_ 1797220360546942976

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