Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Moara (Online) |
Texto Completo: | https://periodicos.ufpa.br/index.php/moara/article/view/7975 |
Resumo: | This work is the acceptance of two challenges proposed by reading the novel O tetraneto del-rei (1982), by Haroldo Maranhão (1927-2004). First is understand it as a text of challenged, able to resume the original texts, detaching them from their context and giving them new meanings, beyond the issue of cultural dependency, occupying the "entrelugar" mentioned by Silviano Santiago (1971), through a text that deconstructs the tradition, surpassing the particular to the universal. The second challenge is to prove that this novel is a example that Roland Barthes (2002) called "fruition text", which it will be possible only if the first understand as a parody, and thus can realize the distance between the parody and the parodied text and mainly, understand irony and reflexivity that according Linda Hutcheon (1989) characterizes the parody. |
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Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo MaranhãoParódia, contestação e fruição em O tetraneto del-rei de Haroldo MaranhãoThis work is the acceptance of two challenges proposed by reading the novel O tetraneto del-rei (1982), by Haroldo Maranhão (1927-2004). First is understand it as a text of challenged, able to resume the original texts, detaching them from their context and giving them new meanings, beyond the issue of cultural dependency, occupying the "entrelugar" mentioned by Silviano Santiago (1971), through a text that deconstructs the tradition, surpassing the particular to the universal. The second challenge is to prove that this novel is a example that Roland Barthes (2002) called "fruition text", which it will be possible only if the first understand as a parody, and thus can realize the distance between the parody and the parodied text and mainly, understand irony and reflexivity that according Linda Hutcheon (1989) characterizes the parody.Este trabalho é a aceitação de dois desafios propostos pela leitura do romance O tetraneto del-rei (1982), do paraense Haroldo Maranhão (1927-2004). O primeiro é entendê-lo como um texto de contestação, capaz de retomar os textos originais, desprendendo-os de seu contexto e atribuindo-lhes novos significados, indo além da questão da dependência cultural, ocupando o “entrelugar” mencionado por Silviano Santiago (1971), por meio de um texto que desconstrói a tradição, ultrapassando o particular para o universal. O segundo desafio é comprovar que esse romance é um exemplo do que Roland Barthes (2002) chamou de “texto de fruição”, o que só será possível se primeiro for compreendido como uma paródia, e assim se possa perceber o distanciamento entre a paródia e o texto parodiado e, principalmente, compreender a ironia e a reflexividade que, conforme Linda Hutcheon (1989), caracterizam a paródia.Universidade Federal do ParáAlves da Silva, Jonatas2020-01-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufpa.br/index.php/moara/article/view/797510.18542/moara.v0i53.7975MOARA – Revista Eletrônica do Programa de Pós-Graduação em Letras ISSN: 0104-0944; n. 53 (2019): Estudos da obra de Haroldo Maranhão; 25 - 480104-0944reponame:Moara (Online)instname:Universidade Federal do Pará (UFPA)instacron:UFPAporhttps://periodicos.ufpa.br/index.php/moara/article/view/7975/5878Direitos autorais 2020 MOARA – Revista Eletrônica do Programa de Pós-Graduação em Letras ISSN: 0104-0944info:eu-repo/semantics/openAccess2020-11-30T01:23:50Zoai:ojs.periodicos.ufpa.br:article/7975Revistahttps://periodicos.ufpa.br/index.php/moaraPUBhttps://periodicos.ufpa.br/index.php/moara/oaiivanian@uol.com.br||moarappgl@gmail.com2358-06580104-0944opendoar:2020-11-30T01:23:50Moara (Online) - Universidade Federal do Pará (UFPA)false |
dc.title.none.fl_str_mv |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão Paródia, contestação e fruição em O tetraneto del-rei de Haroldo Maranhão |
title |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão |
spellingShingle |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão Alves da Silva, Jonatas |
title_short |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão |
title_full |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão |
title_fullStr |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão |
title_full_unstemmed |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão |
title_sort |
Parody, Contestation and Fruition in O tetraneto del-rei by Haroldo Maranhão |
author |
Alves da Silva, Jonatas |
author_facet |
Alves da Silva, Jonatas |
author_role |
author |
dc.contributor.none.fl_str_mv |
|
dc.contributor.author.fl_str_mv |
Alves da Silva, Jonatas |
description |
This work is the acceptance of two challenges proposed by reading the novel O tetraneto del-rei (1982), by Haroldo Maranhão (1927-2004). First is understand it as a text of challenged, able to resume the original texts, detaching them from their context and giving them new meanings, beyond the issue of cultural dependency, occupying the "entrelugar" mentioned by Silviano Santiago (1971), through a text that deconstructs the tradition, surpassing the particular to the universal. The second challenge is to prove that this novel is a example that Roland Barthes (2002) called "fruition text", which it will be possible only if the first understand as a parody, and thus can realize the distance between the parody and the parodied text and mainly, understand irony and reflexivity that according Linda Hutcheon (1989) characterizes the parody. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-03 |
dc.type.none.fl_str_mv |
|
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufpa.br/index.php/moara/article/view/7975 10.18542/moara.v0i53.7975 |
url |
https://periodicos.ufpa.br/index.php/moara/article/view/7975 |
identifier_str_mv |
10.18542/moara.v0i53.7975 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufpa.br/index.php/moara/article/view/7975/5878 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Pará |
publisher.none.fl_str_mv |
Universidade Federal do Pará |
dc.source.none.fl_str_mv |
MOARA – Revista Eletrônica do Programa de Pós-Graduação em Letras ISSN: 0104-0944; n. 53 (2019): Estudos da obra de Haroldo Maranhão; 25 - 48 0104-0944 reponame:Moara (Online) instname:Universidade Federal do Pará (UFPA) instacron:UFPA |
instname_str |
Universidade Federal do Pará (UFPA) |
instacron_str |
UFPA |
institution |
UFPA |
reponame_str |
Moara (Online) |
collection |
Moara (Online) |
repository.name.fl_str_mv |
Moara (Online) - Universidade Federal do Pará (UFPA) |
repository.mail.fl_str_mv |
ivanian@uol.com.br||moarappgl@gmail.com |
_version_ |
1798675320819154944 |