The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times

Detalhes bibliográficos
Autor(a) principal: Carvalho, Eurico
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Aufklärung (João Pessoa. Online)
Texto Completo: https://periodicos.ufpb.br/index.php/arf/article/view/18343
Resumo: Satisfying the demand of questioning the contemporary condition implies, first of all, a criticism of present times. From this point of view, it becomes clear that art and revolution whilst practices of creative disruption are undoubtedly in crisis. Hence, it is imperative to re-read Guy Debord, who not only refused the aestheticization of politics (the hysterical attitude of fascists), but also the politicization of aesthetics (Stalinism’s totalitarian obsession). For the hermeneutics of contemporary, his work is, of course, essential. Proving it is, in short, the purpose of this paper.
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spelling The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our TimesO Fim Da Arte, O Tédio E A Miséria Da Vida QuotidianaartcapitalismGuy DebordmodernityrevolutionHistory of philosophyGuy DebordArteCríticaFilosofia Social e PolíticaEstéticaSatisfying the demand of questioning the contemporary condition implies, first of all, a criticism of present times. From this point of view, it becomes clear that art and revolution whilst practices of creative disruption are undoubtedly in crisis. Hence, it is imperative to re-read Guy Debord, who not only refused the aestheticization of politics (the hysterical attitude of fascists), but also the politicization of aesthetics (Stalinism’s totalitarian obsession). For the hermeneutics of contemporary, his work is, of course, essential. Proving it is, in short, the purpose of this paper.Satisfazer a exigência de interrogar a nossa condição de contemporâneos implica, desde logo, uma crítica do presente. Deste ponto de vista, torna‑se manifesto o facto iniludível de a Arte e a Revolução, enquanto práticas de ruptura criativa, estarem em crise. Daí que seja imperativo reler Guy Debord, que tanto recusou a estetização da política (a atitude histérica dos fascistas) como a politização da estética (a obsessão totalitária do estalinismo). Para uma hermenêutica da contemporaneidade, a sua obra é, por certo, um lugar incontornável. Prová‑lo, em suma, constitui o desígnio deste ensaio.Aufklärung: Journal of Philosophy2014-03-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufpb.br/index.php/arf/article/view/1834310.18012/arf.2016.18343Aufklärung; Vol. 1 No. 1 (2014): Revista Aufklärung. v. 1, n. 1 (2014), Janeiro-Junho; p.123-130Aufklärung: revista de filosofia; v. 1 n. 1 (2014): Revista Aufklärung. v. 1, n. 1 (2014), Janeiro-Junho; p.123-1302318-94282358-8470reponame:Aufklärung (João Pessoa. Online)instname:Universidade Federal da Paraíba (UFPB)instacron:UFPBporhttps://periodicos.ufpb.br/index.php/arf/article/view/18343/29594Copyright (c) 2014 Aufklärung: revista de filosofiainfo:eu-repo/semantics/openAccessCarvalho, Eurico2020-02-27T00:05:50Zoai:periodicos.ufpb.br:article/18343Revistahttp://periodicos.ufpb.br/ojs/index.php/arf/indexPUBhttp://periodicos.ufpb.br/ojs/index.php/arf/oairevistaaufklarung@hotmail.com || blsic@hotmail.com || hyoretsu@gmail.com2318-94282318-9428opendoar:2020-02-27T00:05:50Aufklärung (João Pessoa. Online) - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
O Fim Da Arte, O Tédio E A Miséria Da Vida Quotidiana
title The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
spellingShingle The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
Carvalho, Eurico
art
capitalism
Guy Debord
modernity
revolution
History of philosophy
Guy Debord
Arte
Crítica
Filosofia Social e Política
Estética
title_short The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
title_full The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
title_fullStr The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
title_full_unstemmed The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
title_sort The End Of The Art, The Tedium And Misery Of Everyday Life: Guy Debord’s Work: An Essential Place From The Critical Point Of View Of Our Times
author Carvalho, Eurico
author_facet Carvalho, Eurico
author_role author
dc.contributor.author.fl_str_mv Carvalho, Eurico
dc.subject.por.fl_str_mv art
capitalism
Guy Debord
modernity
revolution
History of philosophy
Guy Debord
Arte
Crítica
Filosofia Social e Política
Estética
topic art
capitalism
Guy Debord
modernity
revolution
History of philosophy
Guy Debord
Arte
Crítica
Filosofia Social e Política
Estética
description Satisfying the demand of questioning the contemporary condition implies, first of all, a criticism of present times. From this point of view, it becomes clear that art and revolution whilst practices of creative disruption are undoubtedly in crisis. Hence, it is imperative to re-read Guy Debord, who not only refused the aestheticization of politics (the hysterical attitude of fascists), but also the politicization of aesthetics (Stalinism’s totalitarian obsession). For the hermeneutics of contemporary, his work is, of course, essential. Proving it is, in short, the purpose of this paper.
publishDate 2014
dc.date.none.fl_str_mv 2014-03-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufpb.br/index.php/arf/article/view/18343
10.18012/arf.2016.18343
url https://periodicos.ufpb.br/index.php/arf/article/view/18343
identifier_str_mv 10.18012/arf.2016.18343
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufpb.br/index.php/arf/article/view/18343/29594
dc.rights.driver.fl_str_mv Copyright (c) 2014 Aufklärung: revista de filosofia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Aufklärung: revista de filosofia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Aufklärung: Journal of Philosophy
publisher.none.fl_str_mv Aufklärung: Journal of Philosophy
dc.source.none.fl_str_mv Aufklärung; Vol. 1 No. 1 (2014): Revista Aufklärung. v. 1, n. 1 (2014), Janeiro-Junho; p.123-130
Aufklärung: revista de filosofia; v. 1 n. 1 (2014): Revista Aufklärung. v. 1, n. 1 (2014), Janeiro-Junho; p.123-130
2318-9428
2358-8470
reponame:Aufklärung (João Pessoa. Online)
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Aufklärung (João Pessoa. Online)
collection Aufklärung (João Pessoa. Online)
repository.name.fl_str_mv Aufklärung (João Pessoa. Online) - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv revistaaufklarung@hotmail.com || blsic@hotmail.com || hyoretsu@gmail.com
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