Indexação de xilogravuras em versos: a representação entre o real e o imaginário coletivo

• Autor(a) principal: Santos, Raimunda Fernanda dos
• Data de Publicação: 2019
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/123456789/18960
• topic: Indexação de imagens; Xilogravuras de cordel; Semântica discursiva; Folksonomia; Informação imagética; Indexing of images; Woodcut of rope; Discursive semantics; Folksonomy; Imaging information; CNPQ::CIENCIAS SOCIAIS APLICADAS::CIENCIA DA INFORMACAO

Studies the indexing of woodcuts whose expressive images represent narratives of memory and popular culture, evoking in their readers perceptions and plural sensations. Has as general objective to present a proposal of methodology for the indexation of images, especially woodcuts, considering the theoretical-methodological framework of Discursive Semantics and the potentialities of Folksonomy. In view of the general objective, its specific objectives are: to analyze the approaches of studies of Information Science on collaborative indexing of images; evaluate the aspects related to the analysis and representation of the image information; present proposals for guidelines that will guide the activity of identification and selection of terms to represent these resources based on the theoretical-methodological framework of Discursive Semantics and on the potentialities of Folksonomy. Uses a descriptive and exploratory methodology based on the qualitative approach, with a universe that includes the cordel leaflets whose woodcuts and verses were produced by the poet and xylographer Marcelo Soares. Seeks theoretical and methodological support in the semantic discursivization and in the potentialities of Folksonomy, favoring the processes of figurativization and thematization, in order to contribute to the significant production of semantic metadata in the indexing of images. Emphasizes that the woodcuts are configured as images that portray the real and the popular imaginary and have singular elements that differ from those presented in the proposals of indexation of images hitherto presented, thus the thematic representation of these imaginary resources must predict their nuances, which are based on the premisses of culture and ethics. Identifies the richness and thematic diversity of the analyzed woodcuts whose carved elements represent historical, real, fantastic, traditional or contemporary aspects - given the heterogeneity of cultures, narratives, causes, situations, myths and facts. Certifies that the complementarity and convergence between Discursive Semantics and Folksonomy become opportune so that the indexing professionals can be sure that they are much closer to the subjects portrayed in the woodcuts. Considers that the analysis of images such as woodcuts should be based primarily on the visual narrative and its semantic articulation with the contents of the additional sources related to these resources (such as the title, subtitles, leaflet verses and tags attributed by users in a given system), contemplating the procedures of figurativization and thematization of Discursive Semantics. Presents themes and adapted thematic classes that aim to help the professional indexer in identifying the subjects portrayed in these imagery resources for the purpose of their organization and recovery in physical or digital collections. Concludes that Folksonomy and indexing constitute distinct elements that have their own roles, but should be seen as complementary to the representation, organization, retrieval, access and use of complex and highly subjective resources such as images, in order to mitigate the gap semantic between the terms assigned by the indexer and the vocabulary of the users of a system.