A verbo-visualidade na obra de Deivid Pereira
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFPB |
Texto Completo: | https://repositorio.ufpb.br/jspui/handle/123456789/29488 |
Resumo: | This dissertation discusses a verb-visual analysis in the artistic work produced and adapted by the Deaf artist Deivid Pereira. This production was created and adapted for Deaf culture because it includes the presence of visual resources of written texts in Libras through the SignWriting system - SW for the writing of Sign Languages. His productions are illustrations that carry verbal and non-verbal language in their design, promoting visual communication. Our theoretical framework is based on Bakhtin and his Circle in dealing with theoretical categories: the notion of authorship, the audience, meaning, ideology, signs, aesthetics, style, polyphony, and particularly the verb-visuality of Brait (2009; 2013). Our general objective is to describe, based on meaning, the structural and "content" issues of the verb-visuality contained in Deivid Pereira's work. And our specific objectives are: to discuss the relationship between Deaf culture, identity, and verb-visuality; to analyze the existing dialogical relationships in the illustrations; to investigate the relationship of verb-visual meaning in Deivid Pereira's work and identify how verbal text is presented in the text that constitutes itself as verb-visual text. To do this, we intend to find an answer to the following question: What are the effects of meaning in the verb-visual text of Deivid Pereira's work? To answer this question, we propose to analyze three works that address relevant social issues such as violence against women, sugarcane cutting work, and racism. We adopt a qualitative methodology of a documentary nature and technique to analyze the production of meaning in the verb-visual text of the aforementioned works. The data confirm that the analyzed works are texts belonging to the verb-visual category and highlight the ideologies and values of Deaf culture. In the results of the analysis, we emphasize the category of meaning, as well as other analytical categories derived from Bakhtin's thought. Due to the circulation of artistic productions in different spaces, whether physical or digital, in the signed or written mode of Libras, as is the case with the works analyzed here, we emphasize that the artistic creations of Deaf individuals highlight their Deaf culture through visual experiences in sign language, which encourages the emergence of new forms of artistic beauty. |
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A verbo-visualidade na obra de Deivid PereiraLetras - Sistema de escrita SignWritingProdução de sentidoDialogismoProdução artística - IlustraçõesMeaningDialogismIllustrationsCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASThis dissertation discusses a verb-visual analysis in the artistic work produced and adapted by the Deaf artist Deivid Pereira. This production was created and adapted for Deaf culture because it includes the presence of visual resources of written texts in Libras through the SignWriting system - SW for the writing of Sign Languages. His productions are illustrations that carry verbal and non-verbal language in their design, promoting visual communication. Our theoretical framework is based on Bakhtin and his Circle in dealing with theoretical categories: the notion of authorship, the audience, meaning, ideology, signs, aesthetics, style, polyphony, and particularly the verb-visuality of Brait (2009; 2013). Our general objective is to describe, based on meaning, the structural and "content" issues of the verb-visuality contained in Deivid Pereira's work. And our specific objectives are: to discuss the relationship between Deaf culture, identity, and verb-visuality; to analyze the existing dialogical relationships in the illustrations; to investigate the relationship of verb-visual meaning in Deivid Pereira's work and identify how verbal text is presented in the text that constitutes itself as verb-visual text. To do this, we intend to find an answer to the following question: What are the effects of meaning in the verb-visual text of Deivid Pereira's work? To answer this question, we propose to analyze three works that address relevant social issues such as violence against women, sugarcane cutting work, and racism. We adopt a qualitative methodology of a documentary nature and technique to analyze the production of meaning in the verb-visual text of the aforementioned works. The data confirm that the analyzed works are texts belonging to the verb-visual category and highlight the ideologies and values of Deaf culture. In the results of the analysis, we emphasize the category of meaning, as well as other analytical categories derived from Bakhtin's thought. Due to the circulation of artistic productions in different spaces, whether physical or digital, in the signed or written mode of Libras, as is the case with the works analyzed here, we emphasize that the artistic creations of Deaf individuals highlight their Deaf culture through visual experiences in sign language, which encourages the emergence of new forms of artistic beauty.Pró-Reitoria de Pós-graduação da UFPB (PRPG/UFPB)Nesta dissertação, discorremos sobre uma análise verbo-visual na obra artística, produzida e adaptada pelo artista Surdo Deivid Pereira. Essa produção foi criada e adaptada para a cultura surda, por apresentar recursos imagéticos do texto escrito em Libras, por intermédio do sistema SignWriting - SW para a escrita das línguas de Sinais. Suas produções são ilustrações que carregam linguagem verbal e não-verbal em seu plano, promovendo comunicação visual. Para nosso embasamento teórico, partimos de Bakhtin e do seu Círculo, na tratativa das categorias teóricas: a noção de autoria, o auditório, o sentido, a ideologia, os signos, a estética, o estilo, a polifonia e, particularmente, a verbo-visualidade de Brait (2009; 2013). Vale dizer que apresentamos como objetivo geral descrever, a partir dos sentidos, as questões de estrutura e “conteúdo” da verbo-visualidade, contida na obra de Deivid Pereira. E, como objetivos específicos, discutir a relação entre cultura surda, identidade e verbo visualidade; analisar as relações dialógicas existentes nas ilustrações; investigar a relação de sentidos verbo visual na obra de Deivid Pereira e identificar a forma como o texto verbal se apresenta na produção composta como texto verbo-visual. Para isso, faz-se necessário a seguinte indagação: quais os efeitos de sentido do texto verbo-visual na obra de Deivid Pereira? Para responder a essa questão, analisamos três obras que abordam temáticas sociais relevantes, como: a violência contra a mulher, o trabalho do corte de cana-de-açúcar e o racismo. Adotamos a metodologia qualitativa de caráter e técnica documental para análise da produção de sentido no texto verbo-visual nas obras acima citadas. Os dados confirmam que as obras analisadas são textos pertencentes à categoria verbo-visual, evidenciando ideologias e valores da cultura Surda. Nos resultados da análise, destacamos a categoria sentido, além de outras categorias teóricas, advindas do pensamento de Bakhtin. Em virtude das produções artísticas circularem em diferentes espaços, sejam físicos ou digitais, na modalidade sinalizada ou escrita da Libras, como é o caso das obras aqui analisadas, enfatizamos que as criações artísticas de sujeitos Surdos ressaltam sua cultura surda por meio de experiências visuais na língua de sinais, o que incentiva o surgimento de novas formas de beleza artística.Universidade Federal da ParaíbaBrasilLetrasPrograma de Pós-Graduação em LetrasUFPBAlves, Edneia de Oliveirahttp://lattes.cnpq.br/1790450745732583Borges, Margarida Rodrigues de Andrade2024-02-09T12:43:36Z2023-07-282024-02-09T12:43:36Z2023-06-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/29488porAttribution-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2024-02-10T06:06:49Zoai:repositorio.ufpb.br:123456789/29488Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2024-02-10T06:06:49Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false |
dc.title.none.fl_str_mv |
A verbo-visualidade na obra de Deivid Pereira |
title |
A verbo-visualidade na obra de Deivid Pereira |
spellingShingle |
A verbo-visualidade na obra de Deivid Pereira Borges, Margarida Rodrigues de Andrade Letras - Sistema de escrita SignWriting Produção de sentido Dialogismo Produção artística - Ilustrações Meaning Dialogism Illustrations CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
A verbo-visualidade na obra de Deivid Pereira |
title_full |
A verbo-visualidade na obra de Deivid Pereira |
title_fullStr |
A verbo-visualidade na obra de Deivid Pereira |
title_full_unstemmed |
A verbo-visualidade na obra de Deivid Pereira |
title_sort |
A verbo-visualidade na obra de Deivid Pereira |
author |
Borges, Margarida Rodrigues de Andrade |
author_facet |
Borges, Margarida Rodrigues de Andrade |
author_role |
author |
dc.contributor.none.fl_str_mv |
Alves, Edneia de Oliveira http://lattes.cnpq.br/1790450745732583 |
dc.contributor.author.fl_str_mv |
Borges, Margarida Rodrigues de Andrade |
dc.subject.por.fl_str_mv |
Letras - Sistema de escrita SignWriting Produção de sentido Dialogismo Produção artística - Ilustrações Meaning Dialogism Illustrations CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
topic |
Letras - Sistema de escrita SignWriting Produção de sentido Dialogismo Produção artística - Ilustrações Meaning Dialogism Illustrations CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This dissertation discusses a verb-visual analysis in the artistic work produced and adapted by the Deaf artist Deivid Pereira. This production was created and adapted for Deaf culture because it includes the presence of visual resources of written texts in Libras through the SignWriting system - SW for the writing of Sign Languages. His productions are illustrations that carry verbal and non-verbal language in their design, promoting visual communication. Our theoretical framework is based on Bakhtin and his Circle in dealing with theoretical categories: the notion of authorship, the audience, meaning, ideology, signs, aesthetics, style, polyphony, and particularly the verb-visuality of Brait (2009; 2013). Our general objective is to describe, based on meaning, the structural and "content" issues of the verb-visuality contained in Deivid Pereira's work. And our specific objectives are: to discuss the relationship between Deaf culture, identity, and verb-visuality; to analyze the existing dialogical relationships in the illustrations; to investigate the relationship of verb-visual meaning in Deivid Pereira's work and identify how verbal text is presented in the text that constitutes itself as verb-visual text. To do this, we intend to find an answer to the following question: What are the effects of meaning in the verb-visual text of Deivid Pereira's work? To answer this question, we propose to analyze three works that address relevant social issues such as violence against women, sugarcane cutting work, and racism. We adopt a qualitative methodology of a documentary nature and technique to analyze the production of meaning in the verb-visual text of the aforementioned works. The data confirm that the analyzed works are texts belonging to the verb-visual category and highlight the ideologies and values of Deaf culture. In the results of the analysis, we emphasize the category of meaning, as well as other analytical categories derived from Bakhtin's thought. Due to the circulation of artistic productions in different spaces, whether physical or digital, in the signed or written mode of Libras, as is the case with the works analyzed here, we emphasize that the artistic creations of Deaf individuals highlight their Deaf culture through visual experiences in sign language, which encourages the emergence of new forms of artistic beauty. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-28 2023-06-28 2024-02-09T12:43:36Z 2024-02-09T12:43:36Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufpb.br/jspui/handle/123456789/29488 |
url |
https://repositorio.ufpb.br/jspui/handle/123456789/29488 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ info:eu-repo/semantics/openAccess |
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Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Letras Programa de Pós-Graduação em Letras UFPB |
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Universidade Federal da Paraíba Brasil Letras Programa de Pós-Graduação em Letras UFPB |
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reponame:Biblioteca Digital de Teses e Dissertações da UFPB instname:Universidade Federal da Paraíba (UFPB) instacron:UFPB |
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Universidade Federal da Paraíba (UFPB) |
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Biblioteca Digital de Teses e Dissertações da UFPB |
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Biblioteca Digital de Teses e Dissertações da UFPB |
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Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB) |
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diretoria@ufpb.br|| diretoria@ufpb.br |
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