A Perfomance dos congos de Pombal (PB)

Detalhes bibliográficos
Autor(a) principal: Silva, Renan Mendes da
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
Texto Completo: https://repositorio.ufpb.br/jspui/handle/123456789/11363
Resumo: The present dissertation focuses on the performance – integrated by music, dance and representation of a dramatic plot – of the group Congos, from Pombal (PB). It marks the highlight points of the Festivity of Our Lady of the Rosary, organized by the Fraternity of Nossa Senhora do Rosário, which is attracting thousands of devotees to the Pombal city each earlier October, constituting one of the most representative manifestations of popular Catholicism in the sertão (backland) of the Paraíba state. After reviewing the literature with the goal of situating the historical and sociocultural construction of the group (BENJAMIN, 1976; ARAÚJO, 2014), the research revisited the field, updating the data on initiation of the performance of the Congos, its motivations, needs and expectations, approached previously (SILVA, 2011). Through the context and these performance data, this study dialogues with theoretical and methodological foundations of ethnomusicology (BLACKING, 1973; NETTL, 2006; LUCAS, 1981), of cultural (GEERTZ, 2008; WILLIAMS, 1992), and anthropological (BRANDÃO, 1986) studies. The analysis with focus on performance concludes that the elements of permanence prevail, due its intrinsic connection to the religious universe of popular Catholicism. Therefore, the Congos presents few adaptations, re-creations or modernizations in their performance, being music one of the main instruments of oral memory of this context, that is, a factor of stability, identity and cultural resistance of the group.
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spelling A Perfomance dos congos de Pombal (PB)CongosFesta do RosárioOralidadePermanência e adaptações musicaisIdentidadeCongosFestivity of the RosaryOralityMusical continuity and adaptationsIdentityCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICAThe present dissertation focuses on the performance – integrated by music, dance and representation of a dramatic plot – of the group Congos, from Pombal (PB). It marks the highlight points of the Festivity of Our Lady of the Rosary, organized by the Fraternity of Nossa Senhora do Rosário, which is attracting thousands of devotees to the Pombal city each earlier October, constituting one of the most representative manifestations of popular Catholicism in the sertão (backland) of the Paraíba state. After reviewing the literature with the goal of situating the historical and sociocultural construction of the group (BENJAMIN, 1976; ARAÚJO, 2014), the research revisited the field, updating the data on initiation of the performance of the Congos, its motivations, needs and expectations, approached previously (SILVA, 2011). Through the context and these performance data, this study dialogues with theoretical and methodological foundations of ethnomusicology (BLACKING, 1973; NETTL, 2006; LUCAS, 1981), of cultural (GEERTZ, 2008; WILLIAMS, 1992), and anthropological (BRANDÃO, 1986) studies. The analysis with focus on performance concludes that the elements of permanence prevail, due its intrinsic connection to the religious universe of popular Catholicism. Therefore, the Congos presents few adaptations, re-creations or modernizations in their performance, being music one of the main instruments of oral memory of this context, that is, a factor of stability, identity and cultural resistance of the group.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESA presente dissertação trata sobre a performance, integrada por música, dança e representação de entrecho dramático do grupo Congos de Pombal (PB). Este marca os pontos altos da Festa de Nossa Senhora do Rosário, organizada pela Irmandade de mesmo nome, que atraem milhares de devotos para a cidade de Pombal – PB, no início de outubro, constituindo uma das mais representativas manifestações do catolicismo popular do alto sertão da Paraíba. Após visitar a literatura para situar a construção histórica e sociocultural do grupo (BENJAMIN, 1976; ARAÚJO, 2014 ), a pesquisa revisitou o campo, atualizando a recolha de dados sobre a iniciação da performance dos Congos, suas motivações, necessidades e expectativas, abordadas anteriormente (SILVA, 2011). Através desses dados da performance e do contexto, o estudo dialoga com as bases teóricas e metodológicas da etnomusicologia (BLACKING, 1973; NETLL, 2006; LUCAS, 1981), dos estudos culturais, ou antropológicos (GEERTZ, 2008; WILLIAMS,1992, BRANDÃO, 1985;1986). A análise conclui que, ao longo do tempo, prevalecem os elementos de permanência, por estarem intrinsicamente ligados ao universo religioso do catolicismo popular. Portanto, os Congos apresentam poucas adaptações, recriações ou modernizações da tradição, sendo a música um dos principais instrumentos da memória oral desse contexto, ou seja, um fator de estabilidade, identidade e resistência cultural do grupo em questão.Universidade Federal da ParaíbaBrasilMúsicaPrograma de Pós-Graduação em MúsicaUFPBSatomi, Alice Lumihttp://lattes.cnpq.br/2073986486219986Silva, Renan Mendes da2018-08-22T20:21:21Z2018-08-222018-08-22T20:21:21Z2016-07-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/11363porinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2018-09-05T22:40:50Zoai:repositorio.ufpb.br:123456789/11363Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2018-09-05T22:40:50Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv A Perfomance dos congos de Pombal (PB)
title A Perfomance dos congos de Pombal (PB)
spellingShingle A Perfomance dos congos de Pombal (PB)
Silva, Renan Mendes da
Congos
Festa do Rosário
Oralidade
Permanência e adaptações musicais
Identidade
Congos
Festivity of the Rosary
Orality
Musical continuity and adaptations
Identity
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
title_short A Perfomance dos congos de Pombal (PB)
title_full A Perfomance dos congos de Pombal (PB)
title_fullStr A Perfomance dos congos de Pombal (PB)
title_full_unstemmed A Perfomance dos congos de Pombal (PB)
title_sort A Perfomance dos congos de Pombal (PB)
author Silva, Renan Mendes da
author_facet Silva, Renan Mendes da
author_role author
dc.contributor.none.fl_str_mv Satomi, Alice Lumi
http://lattes.cnpq.br/2073986486219986
dc.contributor.author.fl_str_mv Silva, Renan Mendes da
dc.subject.por.fl_str_mv Congos
Festa do Rosário
Oralidade
Permanência e adaptações musicais
Identidade
Congos
Festivity of the Rosary
Orality
Musical continuity and adaptations
Identity
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
topic Congos
Festa do Rosário
Oralidade
Permanência e adaptações musicais
Identidade
Congos
Festivity of the Rosary
Orality
Musical continuity and adaptations
Identity
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
description The present dissertation focuses on the performance – integrated by music, dance and representation of a dramatic plot – of the group Congos, from Pombal (PB). It marks the highlight points of the Festivity of Our Lady of the Rosary, organized by the Fraternity of Nossa Senhora do Rosário, which is attracting thousands of devotees to the Pombal city each earlier October, constituting one of the most representative manifestations of popular Catholicism in the sertão (backland) of the Paraíba state. After reviewing the literature with the goal of situating the historical and sociocultural construction of the group (BENJAMIN, 1976; ARAÚJO, 2014), the research revisited the field, updating the data on initiation of the performance of the Congos, its motivations, needs and expectations, approached previously (SILVA, 2011). Through the context and these performance data, this study dialogues with theoretical and methodological foundations of ethnomusicology (BLACKING, 1973; NETTL, 2006; LUCAS, 1981), of cultural (GEERTZ, 2008; WILLIAMS, 1992), and anthropological (BRANDÃO, 1986) studies. The analysis with focus on performance concludes that the elements of permanence prevail, due its intrinsic connection to the religious universe of popular Catholicism. Therefore, the Congos presents few adaptations, re-creations or modernizations in their performance, being music one of the main instruments of oral memory of this context, that is, a factor of stability, identity and cultural resistance of the group.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-31
2018-08-22T20:21:21Z
2018-08-22
2018-08-22T20:21:21Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://repositorio.ufpb.br/jspui/handle/123456789/11363
url https://repositorio.ufpb.br/jspui/handle/123456789/11363
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Música
Programa de Pós-Graduação em Música
UFPB
publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Música
Programa de Pós-Graduação em Música
UFPB
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFPB
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Biblioteca Digital de Teses e Dissertações da UFPB
collection Biblioteca Digital de Teses e Dissertações da UFPB
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv diretoria@ufpb.br|| diretoria@ufpb.br
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