“Câmera na canção”: projeções intersemióticas da canção popular em veja esta canção de Carlos Diegues

• Autor(a) principal: Lacerda, Rachelina Sinfrônio de
• Data de Publicação: 2016
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/9305
• topic: Semiótica da Cultura; Poesia da canção; Cinema; Modelização; Intersemiose; Semiotics of Culture; Poetry of the song; Cinema; Modeling; Intersemiosis; LINGUISTICA, LETRAS E ARTES::LETRAS

The following research investigates semiotically the songs dialogue (lyrics and melody) with the Carlos Diegues’ cinema, taking into account the productions that really had popular songs inserted in the filmic context. Among the existing productions we chose Veja Esta Canção (1994), whose theoretical foundations of cinema and literature that involves the study of poetry and popular song will be guided by studies on Semiotics of Culture, mainly the Russian ones, in order to understand the modeling of poetic system of song designed in cinematography of the film as a text of culture, thus contributing for a intersemiosis between rhythmic movements and the moving image.