Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889)
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFPB |
Texto Completo: | https://repositorio.ufpb.br/jspui/handle/123456789/26119 |
Resumo: | Among the various conceptualizations around the idea of the city, its content is generally understood as a set of social and also physical qualities, represented here by the terms civitas and urbs respectively. Based on this understanding, this research has as object of study the neoclassical language and its influence on the urban landscape of the city of Parahyba (currently João Pessoa) during the imperial period. The investigation is based on a double meaning of the neoclassical project, which would include, firstly, its civic dimension (culture, civility), related to the civilizing ideals of the Empire of Brazil; and also its material aspects, related to the architectural language itself (shape, volumetry). In this sense, the Campo do Conselheiro Diogo, currently Praça Pedro Américo, is adopted as case study, as it constitutes the most emblematic street of neoclassicism in the capital, since it was delimited by three examples of the style - the Santa Roza theater, the Quartel de Linha and the Provincial Treasury – and for being located exactly in the central region of the city at the time, whose formation and relevance was directly linked to the presence of these buildings. In short, we sought to investigate the existence of a neoclassical project on the urban scale and how it contributed to forging the image of the capital in the 19th century, translating, through architecture, the civilizing and progressive discourse that shaped society at the time. For this, the study unfolded through documentary research, using primary sources such as the reports of the presidents of the province and the press publications, which revealed the influence of the national ideology on the culture of Parahyba during the 19th century. Considering the material dimension, the physical constitution of the city, the study was supported by iconographic and cartographic records, from which it was possible to analyze the general implantation of neoclassical buildings and their importance in the layout of the city, especially in the Campo do Conselheiro Diogo, as well as the physiognomic features of this architectural repertoire and its role in the 19th century urban landscape. Given the emphasis of the study, the recognition of this historical period in Parahyba contributes to the understanding of a national process, which was not restricted to the metropolises of the Empire, but encompassed several provinces of the Northeast that, even not corresponding to the economic and social standards of the Court, assimilated the imperial ideology through the construction of new urban scenarios. It is worth mentioning that the period in question precedes a phase marked by profound changes in the city's landscape, both in terms of its architecture, by the superposition of new modernizing languages, and in the remodeling of public spaces themselves. The irreversibility of these transformations and the lack of knowledge about the aforementioned architectural collection point to the need to recognize their importance for the city of Parahyba, seeing them not only as isolated monuments, but as component signs of the image and urban history of the capital in the 19th century. |
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Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889)Paisagem urbanaLinguagem arquitetônicaArquitetura neoclássicaClassicismo imperialParahyba - CidadeUrban landscapeArchitectural languageNeoclassical architectureImperial classicismParahyba - CityCNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMOAmong the various conceptualizations around the idea of the city, its content is generally understood as a set of social and also physical qualities, represented here by the terms civitas and urbs respectively. Based on this understanding, this research has as object of study the neoclassical language and its influence on the urban landscape of the city of Parahyba (currently João Pessoa) during the imperial period. The investigation is based on a double meaning of the neoclassical project, which would include, firstly, its civic dimension (culture, civility), related to the civilizing ideals of the Empire of Brazil; and also its material aspects, related to the architectural language itself (shape, volumetry). In this sense, the Campo do Conselheiro Diogo, currently Praça Pedro Américo, is adopted as case study, as it constitutes the most emblematic street of neoclassicism in the capital, since it was delimited by three examples of the style - the Santa Roza theater, the Quartel de Linha and the Provincial Treasury – and for being located exactly in the central region of the city at the time, whose formation and relevance was directly linked to the presence of these buildings. In short, we sought to investigate the existence of a neoclassical project on the urban scale and how it contributed to forging the image of the capital in the 19th century, translating, through architecture, the civilizing and progressive discourse that shaped society at the time. For this, the study unfolded through documentary research, using primary sources such as the reports of the presidents of the province and the press publications, which revealed the influence of the national ideology on the culture of Parahyba during the 19th century. Considering the material dimension, the physical constitution of the city, the study was supported by iconographic and cartographic records, from which it was possible to analyze the general implantation of neoclassical buildings and their importance in the layout of the city, especially in the Campo do Conselheiro Diogo, as well as the physiognomic features of this architectural repertoire and its role in the 19th century urban landscape. Given the emphasis of the study, the recognition of this historical period in Parahyba contributes to the understanding of a national process, which was not restricted to the metropolises of the Empire, but encompassed several provinces of the Northeast that, even not corresponding to the economic and social standards of the Court, assimilated the imperial ideology through the construction of new urban scenarios. It is worth mentioning that the period in question precedes a phase marked by profound changes in the city's landscape, both in terms of its architecture, by the superposition of new modernizing languages, and in the remodeling of public spaces themselves. The irreversibility of these transformations and the lack of knowledge about the aforementioned architectural collection point to the need to recognize their importance for the city of Parahyba, seeing them not only as isolated monuments, but as component signs of the image and urban history of the capital in the 19th century.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESDentre as diversas conceituações em torno da ideia de cidade, em geral compreende-se o seu conteúdo como um conjunto de qualidades sociais e também físicas, aqui representadas pelos termos civitas e urbs respectivamente. Partindo dessa compreensão, esta pesquisa tem por objeto de estudo a linguagem neoclássica e sua influência na paisagem urbana da cidade da Parahyba (atual João Pessoa) durante o período imperial. A investigação se fundamenta em uma dupla acepção do projeto neoclássico, que incluiria, primeiramente, sua dimensão cívica (cultura, civilidade), relacionada ao ideário civilizatório do Brasil Império; e também seus aspectos materiais, relativos à linguagem arquitetônica propriamente dita (forma, volumetria). Nesse sentido, adota-se como estudo de caso o Campo do Conselheiro Diogo, atual Praça Pedro Américo, por constituir o logradouro mais emblemático do neoclassicismo na capital paraibana, uma vez que era delimitado por três exemplares do estilo – o Teatro Santa Roza, o Quartel de Linha e o Tesouro Provincial – e por estar situado exatamente na região central da urbe à época, cuja formação e relevância esteve diretamente atrelada à presença de tais edificações. Em suma, buscou-se investigar a existência de um projeto neoclássico na escala do urbano e de que modo este contribuiu para forjar a imagem da capital nos oitocentos, traduzindo, através da arquitetura, o discurso civilizatório e progressista que modelava a sociedade à época. Para tanto, o estudo se desdobrou através da pesquisa documental, recorrendo a fontes primárias como os relatórios dos presidentes da província e as publicações da imprensa, que revelaram a influência do ideário nacional na cultura paraibana durante o século XIX. Considerando a dimensão material, da constituição física da cidade, o estudo teve o suporte dos registros iconográficos e da cartografia, a partir dos quais pôde-se analisar a implantação geral dos edifícios neoclássicos e sua importância no traçado da cidade, em especial no Campo do Conselheiro Diogo, bem como os traços fisionômicos desse repertório arquitetônico e seu protagonismo na paisagem urbana oitocentista. Dada a ênfase do estudo, o reconhecimento desse período histórico na Parahyba contribui para a compreensão de um processo nacional, que não se restringiu às metrópoles do Império, mas abarcou diversas províncias do Nordeste que, mesmo não correspondendo aos padrões econômicos e sociais da Corte, assimilaram o ideário imperial através da construção de novos cenários urbanos. Vale ressaltar que o período em questão antecede uma fase marcada por profundas transformações na paisagem da cidade, tanto no que diz respeito à sua arquitetura, pela sobreposição de novas linguagens modernizantes, quanto à remodelação dos espaços públicos em si. A irreversibilidade dessas transformações e o desconhecimento acerca do referido acervo arquitetônico apontam para a necessidade de reconhecer sua importância para a capital paraibana, enxergando-o não apenas como monumentos isolados, mas como signos componentes da imagem e da história urbana da Parahyba no século XIX.Universidade Federal da ParaíbaBrasilArquitetura e UrbanismoPrograma de Pós-Graduação em Arquitetura e UrbanismoUFPBCavalcanti Filho, Ivanhttp://lattes.cnpq.br/6958290588727271Assunção, Jessica Soares Rabello2023-01-31T20:44:53Z2022-11-282023-01-31T20:44:53Z2022-09-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/26119porAttribution-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2023-05-22T16:32:01Zoai:repositorio.ufpb.br:123456789/26119Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2023-05-22T16:32:01Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false |
dc.title.none.fl_str_mv |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
title |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
spellingShingle |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) Assunção, Jessica Soares Rabello Paisagem urbana Linguagem arquitetônica Arquitetura neoclássica Classicismo imperial Parahyba - Cidade Urban landscape Architectural language Neoclassical architecture Imperial classicism Parahyba - City CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO |
title_short |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
title_full |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
title_fullStr |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
title_full_unstemmed |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
title_sort |
Civitas et Urbs: O projeto neoclássico na cidade da Parahyba (1858-1889) |
author |
Assunção, Jessica Soares Rabello |
author_facet |
Assunção, Jessica Soares Rabello |
author_role |
author |
dc.contributor.none.fl_str_mv |
Cavalcanti Filho, Ivan http://lattes.cnpq.br/6958290588727271 |
dc.contributor.author.fl_str_mv |
Assunção, Jessica Soares Rabello |
dc.subject.por.fl_str_mv |
Paisagem urbana Linguagem arquitetônica Arquitetura neoclássica Classicismo imperial Parahyba - Cidade Urban landscape Architectural language Neoclassical architecture Imperial classicism Parahyba - City CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO |
topic |
Paisagem urbana Linguagem arquitetônica Arquitetura neoclássica Classicismo imperial Parahyba - Cidade Urban landscape Architectural language Neoclassical architecture Imperial classicism Parahyba - City CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO |
description |
Among the various conceptualizations around the idea of the city, its content is generally understood as a set of social and also physical qualities, represented here by the terms civitas and urbs respectively. Based on this understanding, this research has as object of study the neoclassical language and its influence on the urban landscape of the city of Parahyba (currently João Pessoa) during the imperial period. The investigation is based on a double meaning of the neoclassical project, which would include, firstly, its civic dimension (culture, civility), related to the civilizing ideals of the Empire of Brazil; and also its material aspects, related to the architectural language itself (shape, volumetry). In this sense, the Campo do Conselheiro Diogo, currently Praça Pedro Américo, is adopted as case study, as it constitutes the most emblematic street of neoclassicism in the capital, since it was delimited by three examples of the style - the Santa Roza theater, the Quartel de Linha and the Provincial Treasury – and for being located exactly in the central region of the city at the time, whose formation and relevance was directly linked to the presence of these buildings. In short, we sought to investigate the existence of a neoclassical project on the urban scale and how it contributed to forging the image of the capital in the 19th century, translating, through architecture, the civilizing and progressive discourse that shaped society at the time. For this, the study unfolded through documentary research, using primary sources such as the reports of the presidents of the province and the press publications, which revealed the influence of the national ideology on the culture of Parahyba during the 19th century. Considering the material dimension, the physical constitution of the city, the study was supported by iconographic and cartographic records, from which it was possible to analyze the general implantation of neoclassical buildings and their importance in the layout of the city, especially in the Campo do Conselheiro Diogo, as well as the physiognomic features of this architectural repertoire and its role in the 19th century urban landscape. Given the emphasis of the study, the recognition of this historical period in Parahyba contributes to the understanding of a national process, which was not restricted to the metropolises of the Empire, but encompassed several provinces of the Northeast that, even not corresponding to the economic and social standards of the Court, assimilated the imperial ideology through the construction of new urban scenarios. It is worth mentioning that the period in question precedes a phase marked by profound changes in the city's landscape, both in terms of its architecture, by the superposition of new modernizing languages, and in the remodeling of public spaces themselves. The irreversibility of these transformations and the lack of knowledge about the aforementioned architectural collection point to the need to recognize their importance for the city of Parahyba, seeing them not only as isolated monuments, but as component signs of the image and urban history of the capital in the 19th century. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-28 2022-09-23 2023-01-31T20:44:53Z 2023-01-31T20:44:53Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufpb.br/jspui/handle/123456789/26119 |
url |
https://repositorio.ufpb.br/jspui/handle/123456789/26119 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ info:eu-repo/semantics/openAccess |
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Attribution-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nd/3.0/br/ |
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openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Arquitetura e Urbanismo Programa de Pós-Graduação em Arquitetura e Urbanismo UFPB |
publisher.none.fl_str_mv |
Universidade Federal da Paraíba Brasil Arquitetura e Urbanismo Programa de Pós-Graduação em Arquitetura e Urbanismo UFPB |
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reponame:Biblioteca Digital de Teses e Dissertações da UFPB instname:Universidade Federal da Paraíba (UFPB) instacron:UFPB |
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Universidade Federal da Paraíba (UFPB) |
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UFPB |
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UFPB |
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Biblioteca Digital de Teses e Dissertações da UFPB |
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Biblioteca Digital de Teses e Dissertações da UFPB |
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Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB) |
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diretoria@ufpb.br|| diretoria@ufpb.br |
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