A performance musical do zabumbeiro Quartinha
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFPB |
Texto Completo: | https://repositorio.ufpb.br/jspui/handle/tede/6576 |
Resumo: | The studies of musical practices developed in urban contexts have been gaining in recent decades, more and more space in ethnomusicological research and point to ample opportunities for research and important contributions, in relation to knowledge of the various directories and their producers in many aspects. This work proposes a study on the musical performance of Quartinha Zabumbeiro, based on the concept of performance as event and process, where they are considered not only the musicians performing, but the general context, involving the audience, the environment and the results of interaction among participants. Considering the general objective to examine and understand the features of the musical performance of Quartinha, the work is the cornerstone theoretical and methodological foundations of ethnomusicology and has significant contributions of musicology, organology, anthropology and ethnography. As data collecting instruments were used in literature, participant observation, the semi-structured interview, in addition to audio recordings, video and photography; these instruments were designed in order to tailor them to the needs of the survey, and were fundamental to the results obtained in the work. Even considering the general aspects of performance in the Quartinha various sets that have participated, with emphasis on groups of forró, the text highlights its performance in the work of the musician Santanna. From the analysis, we observed that the musical performance of Closet characterized by observation of other musicians, especially Zabumbeiros, the development of collective practice, inventiveness, and the construction of a personal style that has been socially recognized along its trajectory. |
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A performance musical do zabumbeiro QuartinhaQuartinhazabumbaperformance musicalQuartinhazabumbamusical performanceARTES::MUSICAThe studies of musical practices developed in urban contexts have been gaining in recent decades, more and more space in ethnomusicological research and point to ample opportunities for research and important contributions, in relation to knowledge of the various directories and their producers in many aspects. This work proposes a study on the musical performance of Quartinha Zabumbeiro, based on the concept of performance as event and process, where they are considered not only the musicians performing, but the general context, involving the audience, the environment and the results of interaction among participants. Considering the general objective to examine and understand the features of the musical performance of Quartinha, the work is the cornerstone theoretical and methodological foundations of ethnomusicology and has significant contributions of musicology, organology, anthropology and ethnography. As data collecting instruments were used in literature, participant observation, the semi-structured interview, in addition to audio recordings, video and photography; these instruments were designed in order to tailor them to the needs of the survey, and were fundamental to the results obtained in the work. Even considering the general aspects of performance in the Quartinha various sets that have participated, with emphasis on groups of forró, the text highlights its performance in the work of the musician Santanna. From the analysis, we observed that the musical performance of Closet characterized by observation of other musicians, especially Zabumbeiros, the development of collective practice, inventiveness, and the construction of a personal style that has been socially recognized along its trajectory.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESOs estudos acerca das práticas musicais desenvolvidas em contextos urbanos vêm ganhando, nestas últimas décadas, cada vez mais espaço nos trabalhos etnomusicológicos e apontam para amplas possibilidades de pesquisas e importantes contribuições, no que diz respeito ao conhecimento dos diversos repertórios e seus produtores em múltiplos aspectos. Esse trabalho propõe um estudo sobre a performance musical do zabumbeiro Quartinha, tomando por base o conceito de performance como evento e processo, onde são considerados não só os músicos executantes, mas o contexto geral, envolvendo a audiência, o ambiente e os resultados da interação entre os participantes. Considerando o objetivo geral de apresentar e refletir acerca dos aspectos que caracterizam a performance musical de Quartinha, o trabalho tem como principal alicerce os fundamentos teórico-metodológicos da etnomusicologia e conta com importantes aportes da musicologia, organologia e antropologia. Como instrumentos de coleta de dados, foram utilizadas a pesquisa bibliográfica, a observação participante, a entrevista semiestruturada, além dos registros em áudio, vídeo e fotográficos; tais instrumentos foram pensados de maneira a adequá-los às necessidades da pesquisa, e foram fundamentais para os resultados obtido no trabalho. Mesmo contemplando aspectos gerais da performance de Quartinha nos diversos conjuntos que tem participado, com ênfase para os grupos de forró, o texto destaca a sua atuação no trabalho do músico Santanna. A partir das análises realizadas, foi possível verificar que a performance musical de Quartinha caracteriza-se pela observação de outros músicos, em especial de zabumbeiros, pela valorização da prática coletiva, pela inventividade, e pela construção de um estilo pessoal que tem sido reconhecido socialmente ao longo da sua trajetória.Universidade Federal da ParaíbaBRMúsicaPrograma de Pós-Graduação em MúsicaUFPBSantos, Eurides de Souzahttp://lattes.cnpq.br/0945222017075398Dantas, Gledson Meira2015-05-14T12:52:21Z2018-07-21T00:22:38Z2011-08-012018-07-21T00:22:38Z2011-05-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfDANTAS, Gledson Meira. A performance musical do zabumbeiro Quartinha. 2011. 147 f. Dissertação (Mestrado em Música) - Universidade Federal da Paraíba, João Pessoa, 2011.https://repositorio.ufpb.br/jspui/handle/tede/6576porinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2018-09-06T01:23:25Zoai:repositorio.ufpb.br:tede/6576Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2018-09-06T01:23:25Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false |
dc.title.none.fl_str_mv |
A performance musical do zabumbeiro Quartinha |
title |
A performance musical do zabumbeiro Quartinha |
spellingShingle |
A performance musical do zabumbeiro Quartinha Dantas, Gledson Meira Quartinha zabumba performance musical Quartinha zabumba musical performance ARTES::MUSICA |
title_short |
A performance musical do zabumbeiro Quartinha |
title_full |
A performance musical do zabumbeiro Quartinha |
title_fullStr |
A performance musical do zabumbeiro Quartinha |
title_full_unstemmed |
A performance musical do zabumbeiro Quartinha |
title_sort |
A performance musical do zabumbeiro Quartinha |
author |
Dantas, Gledson Meira |
author_facet |
Dantas, Gledson Meira |
author_role |
author |
dc.contributor.none.fl_str_mv |
Santos, Eurides de Souza http://lattes.cnpq.br/0945222017075398 |
dc.contributor.author.fl_str_mv |
Dantas, Gledson Meira |
dc.subject.por.fl_str_mv |
Quartinha zabumba performance musical Quartinha zabumba musical performance ARTES::MUSICA |
topic |
Quartinha zabumba performance musical Quartinha zabumba musical performance ARTES::MUSICA |
description |
The studies of musical practices developed in urban contexts have been gaining in recent decades, more and more space in ethnomusicological research and point to ample opportunities for research and important contributions, in relation to knowledge of the various directories and their producers in many aspects. This work proposes a study on the musical performance of Quartinha Zabumbeiro, based on the concept of performance as event and process, where they are considered not only the musicians performing, but the general context, involving the audience, the environment and the results of interaction among participants. Considering the general objective to examine and understand the features of the musical performance of Quartinha, the work is the cornerstone theoretical and methodological foundations of ethnomusicology and has significant contributions of musicology, organology, anthropology and ethnography. As data collecting instruments were used in literature, participant observation, the semi-structured interview, in addition to audio recordings, video and photography; these instruments were designed in order to tailor them to the needs of the survey, and were fundamental to the results obtained in the work. Even considering the general aspects of performance in the Quartinha various sets that have participated, with emphasis on groups of forró, the text highlights its performance in the work of the musician Santanna. From the analysis, we observed that the musical performance of Closet characterized by observation of other musicians, especially Zabumbeiros, the development of collective practice, inventiveness, and the construction of a personal style that has been socially recognized along its trajectory. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-08-01 2011-05-05 2015-05-14T12:52:21Z 2018-07-21T00:22:38Z 2018-07-21T00:22:38Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
DANTAS, Gledson Meira. A performance musical do zabumbeiro Quartinha. 2011. 147 f. Dissertação (Mestrado em Música) - Universidade Federal da Paraíba, João Pessoa, 2011. https://repositorio.ufpb.br/jspui/handle/tede/6576 |
identifier_str_mv |
DANTAS, Gledson Meira. A performance musical do zabumbeiro Quartinha. 2011. 147 f. Dissertação (Mestrado em Música) - Universidade Federal da Paraíba, João Pessoa, 2011. |
url |
https://repositorio.ufpb.br/jspui/handle/tede/6576 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal da Paraíba BR Música Programa de Pós-Graduação em Música UFPB |
publisher.none.fl_str_mv |
Universidade Federal da Paraíba BR Música Programa de Pós-Graduação em Música UFPB |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da UFPB instname:Universidade Federal da Paraíba (UFPB) instacron:UFPB |
instname_str |
Universidade Federal da Paraíba (UFPB) |
instacron_str |
UFPB |
institution |
UFPB |
reponame_str |
Biblioteca Digital de Teses e Dissertações da UFPB |
collection |
Biblioteca Digital de Teses e Dissertações da UFPB |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB) |
repository.mail.fl_str_mv |
diretoria@ufpb.br|| diretoria@ufpb.br |
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