Quando poe encontrou peirce no cinema: o modo de representação indicial na investigação criminal em the raven (2012)

• Autor(a) principal: Vasconcelos, Clara Mayara de Almeida
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
• Texto Completo: https://repositorio.ufpb.br/jspui/handle/tede/8526
• topic: Cinema; General Theory of Signs; Teoria Geral dos Signos; Literatura; Tradução Intersemiótica; Índices; Literature; Intersemiotic Translation; Index; LINGUISTICA, LETRAS E ARTES::LETRAS

This research is the final interpretant of the analytical process used to understand the relationship between Cinema and Literature permeated by the General Theory of Signs grounded by Charles Sanders Peirce, which is based in the connection established by the representamen, the object and the interpretant. From this, we can assay the elements present in the movie The Raven (2012) out from the plot of the tales written by Edgar A. Poe. In this case, the action of the indexical sign process ruled the way how we expounded the dynamic existence amidst the object, tales, and the representamen, cinema. As we know, there is a long time that the Literature and the Cinema have an informational interchange, by which they share many characteristics for using, for example, the same story for constructing a “new” script in a different system of signs. Jakobson called this exchange of constituent of language to another as intersemiotic translation. Considering this aspect, it was enclosed to the Peircean Semiotics, focusing on the index, in this research. Based on this, the discussions promoted by studious such as Deleuze (1983), Eco and Sebeok (1991), Ferraz Júnior (2012), Hutcheon (2013), Nöth (1990; 2003), Peirce (1975; 2003), Plaza (2003) e Santaella (1992, 1995, 2001, 2004, 2005, 2008) were included in our approaches in this work to describe references between texts from the verbal to the non-verbal system of signs. Based in these overlays, we decided to divide our work in three parts. In the first one, we discussed about Poe, in the field of Literature, and Peirce, in the area of semiotics; the second part has as specific focus the duty of the indexical representation method and the relation between the abduction of Peirce and the “ratiocination” of Poe; the third part is the analysis of some frames from the film The Raven according to the previous development of semiotic approach which had been argued until the third chapter.