Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX

Detalhes bibliográficos
Autor(a) principal: Melo, Joaz Silva de
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFPB
Texto Completo: https://repositorio.ufpb.br/jspui/handle/123456789/20697
Resumo: The relationship between literature and society has always been a subject of debate among scholars on the subject. Some, like the Russian formalists, sought a more scientific method for their immanentist analyzes. Others, like Antonio Candido, sought to analyze how the text reflects and relates to the world it represents. Fantastic literature, on the other hand, is no different, there are those who privilege the structure of the text, such as Tzvetan Todorov, and there are those who admit social echoes, such as David Roas, Jean-Paul Sartre, among others. Todorov, for example, disregards the allegorical interpretation, as it is not inherent in the text; what is deconstructed by the other scholars. In our research, we studied two narratives, “O Nariz”, by Nikolai Gogol, Ukrainian-Russian author of the 19th century, and “As Nails”, by Murilo Rubião, Brazilian author of the 20th century. We will analyze how the narratives develop in the fantastic, how criticisms are constructed from an allegorical reading of them and how both represent the society in which they are inserted. Fantastic literature, generally, presents relations with the world, unlike the popular concept of fantasy as a distance from the “real”. This connection, many times, serves to denounce the abnormalities of the world. Many authors have worked with criticism of society over time. Although Nikolai Gogol and Murilo Rubião belong to different centuries and continents, the selected narratives of both are classified as fantastic. Initially, our research is developed from the survey of the authors' critical fortune and how they worked the fantastic as a form of criticism. Then, we will stop at the analysis of the text, highlighting points that awaken an allegorical reading that combines with contemporary and 19th century social factors to thus detect and classify the criticism (s) presented. According to Jean-Paul Sartre (2005), the artist persists where the philosopher gives up, thus, we intend to understand the conception of the world expressed in the authors' narratives. Our study is a bibliographic research, in which we used the comparative method in a qualitative way. After the analysis, we realized that the narratives present criticisms of the common way of life in the societies in which they are located, whether it be the class system of Tsarist Russia, or the Brazilian bourgeois way of life. In both realities, only appearance, fame or position had value. As theoretical assumptions for the present study, we present: Tzvetan Todorov (2017), David Roas (2014), Jean-Paul Sartre (2005); on allegory in literature: Walter Benjamim (2011) and João Adolfo Hansen (2006).
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spelling Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XXFantásticoAlegoriaMurilo RubiãoNikolai GogolFantasticAllegoryCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASThe relationship between literature and society has always been a subject of debate among scholars on the subject. Some, like the Russian formalists, sought a more scientific method for their immanentist analyzes. Others, like Antonio Candido, sought to analyze how the text reflects and relates to the world it represents. Fantastic literature, on the other hand, is no different, there are those who privilege the structure of the text, such as Tzvetan Todorov, and there are those who admit social echoes, such as David Roas, Jean-Paul Sartre, among others. Todorov, for example, disregards the allegorical interpretation, as it is not inherent in the text; what is deconstructed by the other scholars. In our research, we studied two narratives, “O Nariz”, by Nikolai Gogol, Ukrainian-Russian author of the 19th century, and “As Nails”, by Murilo Rubião, Brazilian author of the 20th century. We will analyze how the narratives develop in the fantastic, how criticisms are constructed from an allegorical reading of them and how both represent the society in which they are inserted. Fantastic literature, generally, presents relations with the world, unlike the popular concept of fantasy as a distance from the “real”. This connection, many times, serves to denounce the abnormalities of the world. Many authors have worked with criticism of society over time. Although Nikolai Gogol and Murilo Rubião belong to different centuries and continents, the selected narratives of both are classified as fantastic. Initially, our research is developed from the survey of the authors' critical fortune and how they worked the fantastic as a form of criticism. Then, we will stop at the analysis of the text, highlighting points that awaken an allegorical reading that combines with contemporary and 19th century social factors to thus detect and classify the criticism (s) presented. According to Jean-Paul Sartre (2005), the artist persists where the philosopher gives up, thus, we intend to understand the conception of the world expressed in the authors' narratives. Our study is a bibliographic research, in which we used the comparative method in a qualitative way. After the analysis, we realized that the narratives present criticisms of the common way of life in the societies in which they are located, whether it be the class system of Tsarist Russia, or the Brazilian bourgeois way of life. In both realities, only appearance, fame or position had value. As theoretical assumptions for the present study, we present: Tzvetan Todorov (2017), David Roas (2014), Jean-Paul Sartre (2005); on allegory in literature: Walter Benjamim (2011) and João Adolfo Hansen (2006).Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESA relação entre literatura e sociedade sempre foi motivo de debates entre estudiosos do assunto. Alguns, como os formalistas russos, buscavam um método mais científico para suas análises imanentistas. Outros, como Antonio Candido, buscavam analisar como o texto reflete e se relaciona com o mundo que representa. A literatura fantástica, por sua vez, não é diferente, há os que privilegiam a estrutura do texto, como Tzvetan Todorov, e há os que admitem os ecos sociais, como David Roas, Jean-Paul Sartre, entre outros. Todorov, por exemplo, desconsidera a interpretação alegórica, pois ela não é inerente ao texto; o que é desconstruído pelos outros estudiosos. Em nossa pesquisa, estudamos duas narrativas, “O Nariz”, de Nikolai Gogol, autor ucraniano-russo do século XIX, e “As Unhas”, de Murilo Rubião, autor brasileiro do século XX. Analisaremos como as narrativas se desenvolvem no fantástico, como são construídas críticas a partir de uma leitura alegórica delas e como ambas representam a sociedade em que estão inseridas. A literatura fantástica, geralmente, apresenta relações com o mundo, diferentemente do conceito popular de fantasia como distanciamento do “real”. Essa ligação, muitas das vezes, serve para denunciar as anormalidades do mundo. Muitos autores trabalharam com críticas a sociedade ao longo do tempo. Embora Nikolai Gogol e Murilo Rubião pertençam a diferentes séculos e continentes, as narrativas selecionadas de ambos são classificadas como fantásticas. Inicialmente, nossa pesquisa é desenvolvida a partir do levantamento da fortuna crítica dos autores e como eles trabalhavam o fantástico como uma forma de crítica. Em seguida, nos deteremos na análise do texto, destacando pontos que despertam uma leitura alegórica que combine com fatores sociais contemporâneos e do século XIX para, assim, detectar e classificar a(s) crítica(s) apresentada(s). De acordo com Jean-Paul Sartre (2005), o artista persiste onde o filósofo desiste, assim, pretendemos compreender a concepção de mundo expressa nas narrativas dos autores. Nosso estudo trata-se de uma pesquisa bibliográfica, na qual utilizamos o método comparativo de forma qualitativa. Concluídas as análises, percebemos que as narrativas apresentam críticas ao modo de vida comum nas sociedades em que se situam, quer seja ao sistema de classes da Rússia czarista, ou ao modo de vida burguês brasileiro. Nas duas realidades apenas a aparência, fama ou cargo tinham valor. Como pressupostos teóricos para o presente estudo, apresentamos: Tzvetan Todorov (2017), David Roas (2014), Jean-Paul Sartre (2005); sobre a alegoria na literatura: Walter Benjamim (2011) e João Adolfo Hansen (2006).Universidade Federal da ParaíbaBrasilLetrasPrograma de Pós-Graduação em LetrasUFPBSantos, Luciane Alveshttp://lattes.cnpq.br/4298723741829457Melo, Joaz Silva de2021-08-11T20:51:59Z2021-08-062021-08-11T20:51:59Z2021-02-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttps://repositorio.ufpb.br/jspui/handle/123456789/20697porhttp://creativecommons.org/licenses/by-nd/3.0/br/info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFPBinstname:Universidade Federal da Paraíba (UFPB)instacron:UFPB2022-08-10T10:52:19Zoai:repositorio.ufpb.br:123456789/20697Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufpb.br/PUBhttp://tede.biblioteca.ufpb.br:8080/oai/requestdiretoria@ufpb.br|| diretoria@ufpb.bropendoar:2022-08-10T10:52:19Biblioteca Digital de Teses e Dissertações da UFPB - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
title Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
spellingShingle Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
Melo, Joaz Silva de
Fantástico
Alegoria
Murilo Rubião
Nikolai Gogol
Fantastic
Allegory
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
title_full Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
title_fullStr Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
title_full_unstemmed Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
title_sort Do nariz de Gogol às unhas de Rubião: a crítica social na literatura fantástica dos séculos XIX e XX
author Melo, Joaz Silva de
author_facet Melo, Joaz Silva de
author_role author
dc.contributor.none.fl_str_mv Santos, Luciane Alves
http://lattes.cnpq.br/4298723741829457
dc.contributor.author.fl_str_mv Melo, Joaz Silva de
dc.subject.por.fl_str_mv Fantástico
Alegoria
Murilo Rubião
Nikolai Gogol
Fantastic
Allegory
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
topic Fantástico
Alegoria
Murilo Rubião
Nikolai Gogol
Fantastic
Allegory
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description The relationship between literature and society has always been a subject of debate among scholars on the subject. Some, like the Russian formalists, sought a more scientific method for their immanentist analyzes. Others, like Antonio Candido, sought to analyze how the text reflects and relates to the world it represents. Fantastic literature, on the other hand, is no different, there are those who privilege the structure of the text, such as Tzvetan Todorov, and there are those who admit social echoes, such as David Roas, Jean-Paul Sartre, among others. Todorov, for example, disregards the allegorical interpretation, as it is not inherent in the text; what is deconstructed by the other scholars. In our research, we studied two narratives, “O Nariz”, by Nikolai Gogol, Ukrainian-Russian author of the 19th century, and “As Nails”, by Murilo Rubião, Brazilian author of the 20th century. We will analyze how the narratives develop in the fantastic, how criticisms are constructed from an allegorical reading of them and how both represent the society in which they are inserted. Fantastic literature, generally, presents relations with the world, unlike the popular concept of fantasy as a distance from the “real”. This connection, many times, serves to denounce the abnormalities of the world. Many authors have worked with criticism of society over time. Although Nikolai Gogol and Murilo Rubião belong to different centuries and continents, the selected narratives of both are classified as fantastic. Initially, our research is developed from the survey of the authors' critical fortune and how they worked the fantastic as a form of criticism. Then, we will stop at the analysis of the text, highlighting points that awaken an allegorical reading that combines with contemporary and 19th century social factors to thus detect and classify the criticism (s) presented. According to Jean-Paul Sartre (2005), the artist persists where the philosopher gives up, thus, we intend to understand the conception of the world expressed in the authors' narratives. Our study is a bibliographic research, in which we used the comparative method in a qualitative way. After the analysis, we realized that the narratives present criticisms of the common way of life in the societies in which they are located, whether it be the class system of Tsarist Russia, or the Brazilian bourgeois way of life. In both realities, only appearance, fame or position had value. As theoretical assumptions for the present study, we present: Tzvetan Todorov (2017), David Roas (2014), Jean-Paul Sartre (2005); on allegory in literature: Walter Benjamim (2011) and João Adolfo Hansen (2006).
publishDate 2021
dc.date.none.fl_str_mv 2021-08-11T20:51:59Z
2021-08-06
2021-08-11T20:51:59Z
2021-02-24
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.language.iso.fl_str_mv por
language por
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eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Letras
Programa de Pós-Graduação em Letras
UFPB
publisher.none.fl_str_mv Universidade Federal da Paraíba
Brasil
Letras
Programa de Pós-Graduação em Letras
UFPB
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFPB
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