A recepção da tragédia Antígona, de Sófocles, na montagem de Luiz Paulo Vasconcellos

• Autor(a) principal: Rodrigues, Gabriela Rocha
• Data de Publicação: 2013
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFPel - Guaiaca
• Texto Completo: http://repositorio.ufpel.edu.br/handle/ri/2164
• topic: Estética da recepção; Antígona; Teatro; Luiz Paulo Vasconcellos; Aesthetics of reception; Antigone; Theater; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA

This Master s Thesis uses the assumptions of Aesthetics of Reception as a tool for the analysis of the assembly of Antigone, by the director Luiz Paulo Vasconcellos, held in Porto Alegre in 1979, under the oppression of a military dictatorship. Hans Robert Jauss, the highest exponent of this theoretical thinking, conceives the relationship between the reader and literature based on the aesthetic and historical character of the same. The author directs his research having as guiding idea the reconstruction of the historical process of each work; in this process, the reader is an indispensable piece because it portrays as responsible for the mediation between the past and the present. For Jauss, it is in constant change of the horizon of the reader s expectation that the evolution of the history of literature inscribes itself. Thus, the literary work enables the reader to develop a critical awareness in relation to their usual values and perspectives, in addition to enabling the expansion of its horizons in historical praxis. To this end, it was hold a bibliographical and documental research. The theoretical basis of the work contemplates names such as Hans Robert Jauss, Luiz Costa Lima, Junito Brandão de Souza, Albin Leski, Gerd Bornheim, Clovis Dias Massa, and others. In addition, it is made a qualitative approach through the analysis of interviews with the director Luiz Paulo Vasconcellos and the actress Sandra Dani, as well the analysis of critiques, reports and interviews published by the press at the time. The resulting analysis of this study verifies the position of the interviewees and journalistic critics and delineates the relationship between their horizon of expectation and the reception of the sophoclean work. In this sense, this research reveals that the theatrical performance in times of exception provides a unique moment of reflection and resistance, because it gives the opportunity to the public to widen the view and understanding of the historical time which it is a part of.