Temporal experience in Schoenberg’s musical expressionism according to Adorno
Autor(a) principal: | |
---|---|
Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Griot : Revista de Filosofia |
Texto Completo: | http://www3.ufrb.edu.br/seer/index.php/griot/article/view/600 |
Resumo: | This article aims to sustain that Adorno’s diagnostic of the desertion of qualitative temporal experience in Schoenberg’s expressionism can be unfolded through the mobilization of two concepts of musicology: thematic work and tonal harmony. Both concepts are associated to compositive procedures due to which music previous to expressionism attained a temporal continuity that obeyed a necessity, namely, that was not contingent or fortuitous. Therefore, the dissolution of temporal continuity in Schoenberg’s expressionist work is a result of the refusal of these procedures. |
id |
UFRB-4_097f6add62f2e1070e7fc5087cc45980 |
---|---|
oai_identifier_str |
oai:seer.www.ufrb.edu.br:article/600 |
network_acronym_str |
UFRB-4 |
network_name_str |
Griot : Revista de Filosofia |
repository_id_str |
|
spelling |
Temporal experience in Schoenberg’s musical expressionism according to AdornoA experiência do tempo no expressionismo musical de Schoenberg, segundo AdornoMúsica expressionista; Temporalidade; Trabalho temático; Harmonia.Expressionist music; Temporality; Thematic work; HarmonyThis article aims to sustain that Adorno’s diagnostic of the desertion of qualitative temporal experience in Schoenberg’s expressionism can be unfolded through the mobilization of two concepts of musicology: thematic work and tonal harmony. Both concepts are associated to compositive procedures due to which music previous to expressionism attained a temporal continuity that obeyed a necessity, namely, that was not contingent or fortuitous. Therefore, the dissolution of temporal continuity in Schoenberg’s expressionist work is a result of the refusal of these procedures.O presente artigo pretende sustentar que o diagnóstico adorniano sobre perda da experiência qualitativa do tempo no expressionismo de Schoenberg pode ser desdobrado a partir da mobilização de dois conceitos da musicologia: o trabalho temático e a harmonia tonal. Ambos os conceitos estão associados a procedimentos compositivos em virtude dos quais logrou-se, na música anterior ao expressionismo, uma continuidade temporal que obedecia a uma necessidade, isto é, não contingente, ou fortuita. A dissolução da continuidade temporal na obra expressionista de Schoenberg é, portanto, resultado do abandono destes mesmos procedimentos.Universidade Federal do Recôncavo da Bahia2014-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-ReviewedEvaluados por los paresAvaliados pelos paresapplication/pdfhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/60010.31977/grirfi.v9i1.600Griot : Revista de Filosofia; v. 9 n. 1 (2014); 55-652178-1036reponame:Griot : Revista de Filosofiainstname:Universidade Federal do Recôncavo na Bahia (UFRB)instacron:UFRBporhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/600/316Copyright (c) 2014 Philippe Curimbaba Freitasinfo:eu-repo/semantics/openAccessFreitas, Philippe Curimbaba2020-06-30T18:18:10Zoai:seer.www.ufrb.edu.br:article/600Revistahttp://www.ufrb.edu.br/griot/PUBhttp://www3.ufrb.edu.br/seer/index.php/griot/oai||griotrevista@gmail.com2178-10362178-1036opendoar:2020-06-30T18:18:10Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB)false |
dc.title.none.fl_str_mv |
Temporal experience in Schoenberg’s musical expressionism according to Adorno A experiência do tempo no expressionismo musical de Schoenberg, segundo Adorno |
title |
Temporal experience in Schoenberg’s musical expressionism according to Adorno |
spellingShingle |
Temporal experience in Schoenberg’s musical expressionism according to Adorno Freitas, Philippe Curimbaba Música expressionista; Temporalidade; Trabalho temático; Harmonia. Expressionist music; Temporality; Thematic work; Harmony |
title_short |
Temporal experience in Schoenberg’s musical expressionism according to Adorno |
title_full |
Temporal experience in Schoenberg’s musical expressionism according to Adorno |
title_fullStr |
Temporal experience in Schoenberg’s musical expressionism according to Adorno |
title_full_unstemmed |
Temporal experience in Schoenberg’s musical expressionism according to Adorno |
title_sort |
Temporal experience in Schoenberg’s musical expressionism according to Adorno |
author |
Freitas, Philippe Curimbaba |
author_facet |
Freitas, Philippe Curimbaba |
author_role |
author |
dc.contributor.author.fl_str_mv |
Freitas, Philippe Curimbaba |
dc.subject.por.fl_str_mv |
Música expressionista; Temporalidade; Trabalho temático; Harmonia. Expressionist music; Temporality; Thematic work; Harmony |
topic |
Música expressionista; Temporalidade; Trabalho temático; Harmonia. Expressionist music; Temporality; Thematic work; Harmony |
description |
This article aims to sustain that Adorno’s diagnostic of the desertion of qualitative temporal experience in Schoenberg’s expressionism can be unfolded through the mobilization of two concepts of musicology: thematic work and tonal harmony. Both concepts are associated to compositive procedures due to which music previous to expressionism attained a temporal continuity that obeyed a necessity, namely, that was not contingent or fortuitous. Therefore, the dissolution of temporal continuity in Schoenberg’s expressionist work is a result of the refusal of these procedures. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-06-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-Reviewed Evaluados por los pares Avaliados pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www3.ufrb.edu.br/seer/index.php/griot/article/view/600 10.31977/grirfi.v9i1.600 |
url |
http://www3.ufrb.edu.br/seer/index.php/griot/article/view/600 |
identifier_str_mv |
10.31977/grirfi.v9i1.600 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www3.ufrb.edu.br/seer/index.php/griot/article/view/600/316 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Philippe Curimbaba Freitas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Philippe Curimbaba Freitas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Recôncavo da Bahia |
publisher.none.fl_str_mv |
Universidade Federal do Recôncavo da Bahia |
dc.source.none.fl_str_mv |
Griot : Revista de Filosofia; v. 9 n. 1 (2014); 55-65 2178-1036 reponame:Griot : Revista de Filosofia instname:Universidade Federal do Recôncavo na Bahia (UFRB) instacron:UFRB |
instname_str |
Universidade Federal do Recôncavo na Bahia (UFRB) |
instacron_str |
UFRB |
institution |
UFRB |
reponame_str |
Griot : Revista de Filosofia |
collection |
Griot : Revista de Filosofia |
repository.name.fl_str_mv |
Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB) |
repository.mail.fl_str_mv |
||griotrevista@gmail.com |
_version_ |
1754732698544373760 |