Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)

Detalhes bibliográficos
Autor(a) principal: Alves dos Santos Ribeiro, Luan
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Griot : Revista de Filosofia
Texto Completo: http://www3.ufrb.edu.br/seer/index.php/griot/article/view/2190
Resumo: The following article aims to present and develop Martin Heidegger's criticism of Aesthetics from the essay The Origin of the Work of Art (Der Ursprung des Kunstwerkes, 1936). For Heideggerian thinking, Aesthetics, as an heir to the metaphysical paradigms, kills what is essential in the art (its ontological truth) by taking it fundamentally as an object capable of provoking and impacting the sensitivity of the contemplating subject. As will be shown Heidegger traces the origin (Ur-sprung) of such a conception in the first Western philosophical systems with Plato and Aristotle, and its development in the initial moments of modernity with Descartes and the other heirs of his thinking. Since we are already at the heart of historical sedimentation when conceiving works of art, it is necessary to dive into such sedimentation to develop the sleeping potentialities. This is the invitation that Heidegger offers us and that we also offer the reader here.
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spelling Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)A crítica de Heidegger à estética em A origem da obra de arte (Der Ursprung des kunstwerkes, 1936)Heidegger; A Origem da Obra de Arte; Ontologia da obra de arte; Metafísica; Estética.Heidegger; The Origin of the Work of Art; Ontology of the work of art; Metaphysics; Aesthetics.The following article aims to present and develop Martin Heidegger's criticism of Aesthetics from the essay The Origin of the Work of Art (Der Ursprung des Kunstwerkes, 1936). For Heideggerian thinking, Aesthetics, as an heir to the metaphysical paradigms, kills what is essential in the art (its ontological truth) by taking it fundamentally as an object capable of provoking and impacting the sensitivity of the contemplating subject. As will be shown Heidegger traces the origin (Ur-sprung) of such a conception in the first Western philosophical systems with Plato and Aristotle, and its development in the initial moments of modernity with Descartes and the other heirs of his thinking. Since we are already at the heart of historical sedimentation when conceiving works of art, it is necessary to dive into such sedimentation to develop the sleeping potentialities. This is the invitation that Heidegger offers us and that we also offer the reader here.O seguinte artigo tem por objeto apresentar e desenvolver a crítica de Martin Heidegger à estética a partir do ensaio A Origem da Obra de Arte (Der Ursprung des Kunstwerkes, 1936).  Para o pensamento heideggeriano a estética, enquanto herdeira dos paradigmas metafísicos, mata o que há de essencial na arte (a sua verdade ontológica) ao tomá-la fundamentalmente como um objeto capaz de provocar e impactar a sensibilidade do sujeito contemplador.  Conforme acompanharemos em nosso percurso, Heidegger traça a origem (Ur-sprung) de tal concepção nos primeiros sistemas filosóficos ocidentais com Platão e Aristóteles e o seu desenvolvimento nos momentos iniciais da modernidade com Descartes e os demais herdeiros de seu pensamento. Uma vez que ao concebermos as obras de artes já nos encontramos no cerne de sedimentações históricas, faz-se necessário mergulhar em tais sedimentações em vista de desenvolver as potencialidades ali adormecidas. É esse o convite que Heidegger nos faz e que aqui também fazemos ao leitor.Universidade Federal do Recôncavo da Bahia2021-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-ReviewedEvaluados por los paresAvaliados pelos paresapplication/pdfhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/219010.31977/grirfi.v21i1.2190Griot : Revista de Filosofia; v. 21 n. 1 (2021); 301-3192178-1036reponame:Griot : Revista de Filosofiainstname:Universidade Federal do Recôncavo na Bahia (UFRB)instacron:UFRBporhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/2190/1235Copyright (c) 2021 Luan Alves dos Santos Ribeirohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAlves dos Santos Ribeiro, Luan2021-06-02T12:21:07Zoai:seer.www.ufrb.edu.br:article/2190Revistahttp://www.ufrb.edu.br/griot/PUBhttp://www3.ufrb.edu.br/seer/index.php/griot/oai||griotrevista@gmail.com2178-10362178-1036opendoar:2021-06-02T12:21:07Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB)false
dc.title.none.fl_str_mv Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
A crítica de Heidegger à estética em A origem da obra de arte (Der Ursprung des kunstwerkes, 1936)
title Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
spellingShingle Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
Alves dos Santos Ribeiro, Luan
Heidegger; A Origem da Obra de Arte; Ontologia da obra de arte; Metafísica; Estética.
Heidegger; The Origin of the Work of Art; Ontology of the work of art; Metaphysics; Aesthetics.
title_short Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
title_full Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
title_fullStr Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
title_full_unstemmed Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
title_sort Heidegger’s critique of aesthetics in the origin of the work of art (Der Ursprung des kuntwerkes, 1936)
author Alves dos Santos Ribeiro, Luan
author_facet Alves dos Santos Ribeiro, Luan
author_role author
dc.contributor.author.fl_str_mv Alves dos Santos Ribeiro, Luan
dc.subject.por.fl_str_mv Heidegger; A Origem da Obra de Arte; Ontologia da obra de arte; Metafísica; Estética.
Heidegger; The Origin of the Work of Art; Ontology of the work of art; Metaphysics; Aesthetics.
topic Heidegger; A Origem da Obra de Arte; Ontologia da obra de arte; Metafísica; Estética.
Heidegger; The Origin of the Work of Art; Ontology of the work of art; Metaphysics; Aesthetics.
description The following article aims to present and develop Martin Heidegger's criticism of Aesthetics from the essay The Origin of the Work of Art (Der Ursprung des Kunstwerkes, 1936). For Heideggerian thinking, Aesthetics, as an heir to the metaphysical paradigms, kills what is essential in the art (its ontological truth) by taking it fundamentally as an object capable of provoking and impacting the sensitivity of the contemplating subject. As will be shown Heidegger traces the origin (Ur-sprung) of such a conception in the first Western philosophical systems with Plato and Aristotle, and its development in the initial moments of modernity with Descartes and the other heirs of his thinking. Since we are already at the heart of historical sedimentation when conceiving works of art, it is necessary to dive into such sedimentation to develop the sleeping potentialities. This is the invitation that Heidegger offers us and that we also offer the reader here.
publishDate 2021
dc.date.none.fl_str_mv 2021-02-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-Reviewed
Evaluados por los pares
Avaliados pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www3.ufrb.edu.br/seer/index.php/griot/article/view/2190
10.31977/grirfi.v21i1.2190
url http://www3.ufrb.edu.br/seer/index.php/griot/article/view/2190
identifier_str_mv 10.31977/grirfi.v21i1.2190
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www3.ufrb.edu.br/seer/index.php/griot/article/view/2190/1235
dc.rights.driver.fl_str_mv Copyright (c) 2021 Luan Alves dos Santos Ribeiro
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Luan Alves dos Santos Ribeiro
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Recôncavo da Bahia
publisher.none.fl_str_mv Universidade Federal do Recôncavo da Bahia
dc.source.none.fl_str_mv Griot : Revista de Filosofia; v. 21 n. 1 (2021); 301-319
2178-1036
reponame:Griot : Revista de Filosofia
instname:Universidade Federal do Recôncavo na Bahia (UFRB)
instacron:UFRB
instname_str Universidade Federal do Recôncavo na Bahia (UFRB)
instacron_str UFRB
institution UFRB
reponame_str Griot : Revista de Filosofia
collection Griot : Revista de Filosofia
repository.name.fl_str_mv Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB)
repository.mail.fl_str_mv ||griotrevista@gmail.com
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