Butler a reading of Beauvoir: gender as a performing act
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Griot : Revista de Filosofia |
DOI: | 10.31977/grirfi.v20i3.1835 |
Texto Completo: | http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1835 |
Resumo: | Between Beauvoir and Butler, we will question whether the "becoming woman" establishes the distinction between sex and gender, becoming a mode of acculturation that, in addition to the anatomical differentials, designates a performance in transformation. From Beauvoir, we will see: situated, subjectivity is established between civilization and intercorporeal relations. Marking the woman as the second sex, Beauvoir ratifies the ambiguity as a human factor, weaving reflections to the freedom, oppression, recognition and feminine condition. Of this, Beauvoir is questioning that Butler interrogates the genders. By tracing the incipient use of gender in "becoming woman," Butler suggests revisions to the phenomenological notions of subject, body, situation, and sexual difference. It promotes a performative conception where the genre is a constant becoming. It describes how the genres are constituted, considering that there are no ideal genres. Thus, becoming gender means that as a body we dramatize and style it. Criticism, this performance personifies a way of acting where repetition, innovation, necessity and contingency are re-signifiable. |
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Griot : Revista de Filosofia |
spelling |
Butler a reading of Beauvoir: gender as a performing actButler leitora de Beauvoir: o gênero como ato performativoBeauvoir; Butler; Gênero; Atos Performativos.Beauvoir; Butler; Gender; Performative Acts.Between Beauvoir and Butler, we will question whether the "becoming woman" establishes the distinction between sex and gender, becoming a mode of acculturation that, in addition to the anatomical differentials, designates a performance in transformation. From Beauvoir, we will see: situated, subjectivity is established between civilization and intercorporeal relations. Marking the woman as the second sex, Beauvoir ratifies the ambiguity as a human factor, weaving reflections to the freedom, oppression, recognition and feminine condition. Of this, Beauvoir is questioning that Butler interrogates the genders. By tracing the incipient use of gender in "becoming woman," Butler suggests revisions to the phenomenological notions of subject, body, situation, and sexual difference. It promotes a performative conception where the genre is a constant becoming. It describes how the genres are constituted, considering that there are no ideal genres. Thus, becoming gender means that as a body we dramatize and style it. Criticism, this performance personifies a way of acting where repetition, innovation, necessity and contingency are re-signifiable.Entre Beauvoir e Butler, questionaremos se o tornar-se mulher instaura a distinção entre sexo e gênero, convertendo-se num modo de aculturação que, aquém dos diferenciais anatômicos, designa uma performance em transformação. De Beauvoir, veremos: situada, a subjetividade se estabelece entre a civilização e as relações intercorpóreas. Assinalando a mulher como o segundo sexo, Beauvoir ratifica a ambiguidade como fator humano, tecendo reflexões à liberdade, opressão, reconhecimento e condição feminina. Disto, é interpelando Beauvoir que Butler interroga os gêneros. Rastreando no tornar-se mulher o uso incipiente do gênero, Butler sugere revisões às noções fenomenológicas de sujeito, corporeidade, situação e diferença sexual. Fomenta uma concepção performática onde o gênero é um constante devir. Descreve como se constituem os gêneros, considerando que não existem gêneros ideais. Assim, tornar-se gênero significa que, enquanto corpo, o dramatizamos e estilizamos. Crítica, esta performance personifica um modo de agir onde repetição, inovação, necessidade e contingência são ressignificáveis.Universidade Federal do Recôncavo da Bahia2020-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-ReviewedEvaluados por los paresAvaliados pelos paresapplication/pdfhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/183510.31977/grirfi.v20i3.1835Griot : Revista de Filosofia; v. 20 n. 3 (2020); 16-382178-1036reponame:Griot : Revista de Filosofiainstname:Universidade Federal do Recôncavo na Bahia (UFRB)instacron:UFRBporhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/1835/1129Copyright (c) 2020 Diego Luiz Luiz Warmlinghttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessWarmling, Diego Luiz 2020-12-04T21:03:25Zoai:seer.www.ufrb.edu.br:article/1835Revistahttp://www.ufrb.edu.br/griot/PUBhttp://www3.ufrb.edu.br/seer/index.php/griot/oai||griotrevista@gmail.com2178-10362178-1036opendoar:2020-12-04T21:03:25Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB)false |
dc.title.none.fl_str_mv |
Butler a reading of Beauvoir: gender as a performing act Butler leitora de Beauvoir: o gênero como ato performativo |
title |
Butler a reading of Beauvoir: gender as a performing act |
spellingShingle |
Butler a reading of Beauvoir: gender as a performing act Butler a reading of Beauvoir: gender as a performing act Warmling, Diego Luiz Beauvoir; Butler; Gênero; Atos Performativos. Beauvoir; Butler; Gender; Performative Acts. Warmling, Diego Luiz Beauvoir; Butler; Gênero; Atos Performativos. Beauvoir; Butler; Gender; Performative Acts. |
title_short |
Butler a reading of Beauvoir: gender as a performing act |
title_full |
Butler a reading of Beauvoir: gender as a performing act |
title_fullStr |
Butler a reading of Beauvoir: gender as a performing act Butler a reading of Beauvoir: gender as a performing act |
title_full_unstemmed |
Butler a reading of Beauvoir: gender as a performing act Butler a reading of Beauvoir: gender as a performing act |
title_sort |
Butler a reading of Beauvoir: gender as a performing act |
author |
Warmling, Diego Luiz |
author_facet |
Warmling, Diego Luiz Warmling, Diego Luiz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Warmling, Diego Luiz |
dc.subject.por.fl_str_mv |
Beauvoir; Butler; Gênero; Atos Performativos. Beauvoir; Butler; Gender; Performative Acts. |
topic |
Beauvoir; Butler; Gênero; Atos Performativos. Beauvoir; Butler; Gender; Performative Acts. |
description |
Between Beauvoir and Butler, we will question whether the "becoming woman" establishes the distinction between sex and gender, becoming a mode of acculturation that, in addition to the anatomical differentials, designates a performance in transformation. From Beauvoir, we will see: situated, subjectivity is established between civilization and intercorporeal relations. Marking the woman as the second sex, Beauvoir ratifies the ambiguity as a human factor, weaving reflections to the freedom, oppression, recognition and feminine condition. Of this, Beauvoir is questioning that Butler interrogates the genders. By tracing the incipient use of gender in "becoming woman," Butler suggests revisions to the phenomenological notions of subject, body, situation, and sexual difference. It promotes a performative conception where the genre is a constant becoming. It describes how the genres are constituted, considering that there are no ideal genres. Thus, becoming gender means that as a body we dramatize and style it. Criticism, this performance personifies a way of acting where repetition, innovation, necessity and contingency are re-signifiable. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-10-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-Reviewed Evaluados por los pares Avaliados pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1835 10.31977/grirfi.v20i3.1835 |
url |
http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1835 |
identifier_str_mv |
10.31977/grirfi.v20i3.1835 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1835/1129 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Diego Luiz Luiz Warmling http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Diego Luiz Luiz Warmling http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Recôncavo da Bahia |
publisher.none.fl_str_mv |
Universidade Federal do Recôncavo da Bahia |
dc.source.none.fl_str_mv |
Griot : Revista de Filosofia; v. 20 n. 3 (2020); 16-38 2178-1036 reponame:Griot : Revista de Filosofia instname:Universidade Federal do Recôncavo na Bahia (UFRB) instacron:UFRB |
instname_str |
Universidade Federal do Recôncavo na Bahia (UFRB) |
instacron_str |
UFRB |
institution |
UFRB |
reponame_str |
Griot : Revista de Filosofia |
collection |
Griot : Revista de Filosofia |
repository.name.fl_str_mv |
Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB) |
repository.mail.fl_str_mv |
||griotrevista@gmail.com |
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1822166774115729408 |
dc.identifier.doi.none.fl_str_mv |
10.31977/grirfi.v20i3.1835 |