In defense of a polyphonic sociology: Introducing female voices into the sociological canon

Detalhes bibliográficos
Autor(a) principal: Lins Hamlin, Cynthia
Data de Publicação: 2023
Outros Autores: Weiss, Raquel, Brito, Simone Magalhães
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Sociologias (Online)
Texto Completo: https://seer.ufrgs.br/index.php/sociologias/article/view/125407
Resumo: Recent controversies surrounding the sociological canon have foregrounded the need to think about the process of erasing and silencing ‘non-Western’ and female contributions to the discipline. By emphasizing the androcentrism of the sociological canon, our goal is to contribute to the construction of a less biased and limited sociology through the inclusion of female voices previously excluded from its official history. We start by briefly describing the conditions that enabled this exclusion, taking the Chicago women sociologists as an example, along with the emergence of a particular conception of theory and research associated with the formation of the classical canon. Next, by questioning the use of terms such as ‘founders,’ ‘classics’ and ‘canon,’ we maintain that the existence of a canon, classical or otherwise, plays a central role in the identity of the discipline and of social theory itself. Finally, in order to productively include the contributions of sociology’s women pioneers, we propose substituting the literary metaphor of the canon with a musical one: a type of polyphony that emphasizes the contrast between different voices and simultaneously establishes how they can be combined in a common tradition that makes dialogue possible.
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spelling In defense of a polyphonic sociology: Introducing female voices into the sociological canonEn defensa de una sociología polifónica: introduciendo las voces femeninas en el canon sociológicoPor uma sociologia polifônica: introduzindo vozes femininas no cânone sociológicocânoneclássicospioneiras da sociologiapolifoniacanonclassicswomen pioneerspolyphonycanonclásicospioneras de la sociologíapolifoníaRecent controversies surrounding the sociological canon have foregrounded the need to think about the process of erasing and silencing ‘non-Western’ and female contributions to the discipline. By emphasizing the androcentrism of the sociological canon, our goal is to contribute to the construction of a less biased and limited sociology through the inclusion of female voices previously excluded from its official history. We start by briefly describing the conditions that enabled this exclusion, taking the Chicago women sociologists as an example, along with the emergence of a particular conception of theory and research associated with the formation of the classical canon. Next, by questioning the use of terms such as ‘founders,’ ‘classics’ and ‘canon,’ we maintain that the existence of a canon, classical or otherwise, plays a central role in the identity of the discipline and of social theory itself. Finally, in order to productively include the contributions of sociology’s women pioneers, we propose substituting the literary metaphor of the canon with a musical one: a type of polyphony that emphasizes the contrast between different voices and simultaneously establishes how they can be combined in a common tradition that makes dialogue possible.Controversias recientes acerca del canon sociológico han puesto de manifiesto la necesidad de pensar el proceso de borrado y silenciamiento de las aportaciones “no occidentales” y femeninas a la disciplina. Al enfatizar la dimensión androcéntrica del canon sociológico, nuestro objetivo es contribuir a la construcción de una sociología menos sesgada y limitada a partir de la inclusión de voces femeninas excluidas de la historia oficial de la disciplina. Inicialmente, hacemos una breve descripción de las condiciones que permitieron excluir esas voces, tomando como ejemplo a las sociólogas de Chicago, posibilitando el surgimiento de una particular concepción de la teoría y la investigación asociada a la formación del canon clásico. Luego, al enfatizar el uso de términos como “fundadores”, “clásicos” y “canon”, argumentamos que la existencia de un canon, sea clásico u otro, juega un rol central en la identidad de la disciplina y de la propia teoría social. Finalmente, para incluir productivamente los aportes de las pioneras de la sociología, proponemos sustituir la metáfora literaria del canon por una metáfora musical: una especie de polifonía que enfatiza el contraste entre diferentes voces y, al mismo tiempo, establece cómo esas pueden combinarse en una tradición común que hace posible el diálogo.Controvérsias recentes em torno do cânone sociológico têm pontuado a necessidade de se pensar o processo de apagamento e silenciamento de contribuições “não-ocidentais” e femininas à disciplina. Ao enfatizar a dimensão androcêntrica do cânone sociológico, nosso objetivo é contribuir para a construção de uma sociologia menos viesada e limitada a partir da inclusão de vozes femininas excluídas da história oficial da disciplina. Inicialmente, efetuamos uma breve descrição das condições que possibilitaram a exclusão daquelas vozes, tomando como exemplo as sociólogas de Chicago, e a emergência de uma concepção particular de teoria e de pesquisa associada à formação do cânone clássico. Em seguida, ao tensionarmos o uso de termos como “fundadores”, “clássicos” e “cânone”, defendemos que a existência de um cânone, clássico ou não, desempenha papel central para a identidade da disciplina e da própria teoria social. Por fim, de forma a incluir de maneira produtiva as contribuições das pioneiras da sociologia, propomos substituir a metáfora literária do cânone por uma metáfora musical: um tipo de polifonia que enfatiza o contraste entre diferentes vozes e, ao mesmo tempo, estabelece como elas podem ser combinadas numa tradição comum que torna o diálogo possível. Programa de Pós-Graduação em Sociologia da Universidade Federal do Rio Grande do Sul2023-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion"Avaliado pelos pares"application/pdfapplication/pdfhttps://seer.ufrgs.br/index.php/sociologias/article/view/12540710.1590/18070337-125407-PTSOCIOLOGIAS; Vol. 24 No. 61 (2022): Dossier Women in Social Theory; 26-59SOCIOLOGIAS; Vol. 24 Núm. 61 (2022): Dossier Mujeres en la Teoría Social; 26-59Sociologias; v. 24 n. 61 (2022): Dossiê Mulheres na Teoria Social; 26-591807-03371517-4522reponame:Sociologias (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporenghttps://seer.ufrgs.br/index.php/sociologias/article/view/125407/87671https://seer.ufrgs.br/index.php/sociologias/article/view/125407/87672Copyright (c) 2022 Cynthia Lins Hamlinhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLins Hamlin, CynthiaWeiss, RaquelBrito, Simone Magalhães2023-01-10T17:36:27Zoai:seer.ufrgs.br:article/125407Revistahttps://seer.ufrgs.br/sociologiasPUBhttps://seer.ufrgs.br/sociologias/oai||revsoc@ufrgs.br1807-03371517-4522opendoar:2023-01-10T17:36:27Sociologias (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv In defense of a polyphonic sociology: Introducing female voices into the sociological canon
En defensa de una sociología polifónica: introduciendo las voces femeninas en el canon sociológico
Por uma sociologia polifônica: introduzindo vozes femininas no cânone sociológico
title In defense of a polyphonic sociology: Introducing female voices into the sociological canon
spellingShingle In defense of a polyphonic sociology: Introducing female voices into the sociological canon
Lins Hamlin, Cynthia
cânone
clássicos
pioneiras da sociologia
polifonia
canon
classics
women pioneers
polyphony
canon
clásicos
pioneras de la sociología
polifonía
title_short In defense of a polyphonic sociology: Introducing female voices into the sociological canon
title_full In defense of a polyphonic sociology: Introducing female voices into the sociological canon
title_fullStr In defense of a polyphonic sociology: Introducing female voices into the sociological canon
title_full_unstemmed In defense of a polyphonic sociology: Introducing female voices into the sociological canon
title_sort In defense of a polyphonic sociology: Introducing female voices into the sociological canon
author Lins Hamlin, Cynthia
author_facet Lins Hamlin, Cynthia
Weiss, Raquel
Brito, Simone Magalhães
author_role author
author2 Weiss, Raquel
Brito, Simone Magalhães
author2_role author
author
dc.contributor.author.fl_str_mv Lins Hamlin, Cynthia
Weiss, Raquel
Brito, Simone Magalhães
dc.subject.por.fl_str_mv cânone
clássicos
pioneiras da sociologia
polifonia
canon
classics
women pioneers
polyphony
canon
clásicos
pioneras de la sociología
polifonía
topic cânone
clássicos
pioneiras da sociologia
polifonia
canon
classics
women pioneers
polyphony
canon
clásicos
pioneras de la sociología
polifonía
description Recent controversies surrounding the sociological canon have foregrounded the need to think about the process of erasing and silencing ‘non-Western’ and female contributions to the discipline. By emphasizing the androcentrism of the sociological canon, our goal is to contribute to the construction of a less biased and limited sociology through the inclusion of female voices previously excluded from its official history. We start by briefly describing the conditions that enabled this exclusion, taking the Chicago women sociologists as an example, along with the emergence of a particular conception of theory and research associated with the formation of the classical canon. Next, by questioning the use of terms such as ‘founders,’ ‘classics’ and ‘canon,’ we maintain that the existence of a canon, classical or otherwise, plays a central role in the identity of the discipline and of social theory itself. Finally, in order to productively include the contributions of sociology’s women pioneers, we propose substituting the literary metaphor of the canon with a musical one: a type of polyphony that emphasizes the contrast between different voices and simultaneously establishes how they can be combined in a common tradition that makes dialogue possible.
publishDate 2023
dc.date.none.fl_str_mv 2023-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
"Avaliado pelos pares"
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/sociologias/article/view/125407
10.1590/18070337-125407-PT
url https://seer.ufrgs.br/index.php/sociologias/article/view/125407
identifier_str_mv 10.1590/18070337-125407-PT
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/sociologias/article/view/125407/87671
https://seer.ufrgs.br/index.php/sociologias/article/view/125407/87672
dc.rights.driver.fl_str_mv Copyright (c) 2022 Cynthia Lins Hamlin
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Cynthia Lins Hamlin
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-Graduação em Sociologia da Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Programa de Pós-Graduação em Sociologia da Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv SOCIOLOGIAS; Vol. 24 No. 61 (2022): Dossier Women in Social Theory; 26-59
SOCIOLOGIAS; Vol. 24 Núm. 61 (2022): Dossier Mujeres en la Teoría Social; 26-59
Sociologias; v. 24 n. 61 (2022): Dossiê Mulheres na Teoria Social; 26-59
1807-0337
1517-4522
reponame:Sociologias (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Sociologias (Online)
collection Sociologias (Online)
repository.name.fl_str_mv Sociologias (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||revsoc@ufrgs.br
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