Black Performance and Body Dramaturgy in the Batuque

Detalhes bibliográficos
Autor(a) principal: Silva (Universidade Federal de Goiás, Brazil), Renata de Lima
Data de Publicação: 2022
Outros Autores: Rosa (Instituto Federal de Brasília, Brazil), Eloisa Marques
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/71218
Resumo: The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).
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spelling Black Performance and Body Dramaturgy in the BatuquePerformance Afro-Brésilienne et Dramaturgies Corporelles des BatuquesBlack Performance and Body Dramaturgy in the BatuqueDramaturgyBodyBatuqueAfro-Brazilian PerformanceBatuqueDramaturgieCorpsBatuquePerformance Afro-BrésilienneDramaturgyBodyBatuqueAfro-Brazilian PerformanceThe expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).Une importante contribution de l’ethnocenologie et des études de la performance dans le domaine de l’art de la scène est l’expansion de ce qui put être considère comme la scène ou comme le spectacle, en brisant les frontières, fondées sur le colonialisme du savoir, qui ont séparé radicalement l’art de la culture populaire, en polarisant la création et la tradition. Cette rupture de paradigme ouvre la possibilité de penser les dramaturgies corporelles présentes dans les rituels african-brésiliens comme une construction de la relation entre le corps et l’ancestralité. C’est dans cette perspective que cet article présente une discussion sur la performance african-brésilienne des batuques, plus précisément la Suça, de la ville de Natividade, située dans l’état du Tocantins, au Brésil.The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/71218Brazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 249-273Révue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 249-273Révue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 249-273Revista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 249-2732237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/71218/50336Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSilva (Universidade Federal de Goiás, Brazil), Renata de LimaRosa (Instituto Federal de Brasília, Brazil), Eloisa Marques2022-10-04T20:06:08Zoai:seer.ufrgs.br:article/71218Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T20:06:08Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Black Performance and Body Dramaturgy in the Batuque
Performance Afro-Brésilienne et Dramaturgies Corporelles des Batuques
Black Performance and Body Dramaturgy in the Batuque
title Black Performance and Body Dramaturgy in the Batuque
spellingShingle Black Performance and Body Dramaturgy in the Batuque
Silva (Universidade Federal de Goiás, Brazil), Renata de Lima
Dramaturgy
Body
Batuque
Afro-Brazilian Performance
Batuque
Dramaturgie
Corps
Batuque
Performance Afro-Brésilienne
Dramaturgy
Body
Batuque
Afro-Brazilian Performance
title_short Black Performance and Body Dramaturgy in the Batuque
title_full Black Performance and Body Dramaturgy in the Batuque
title_fullStr Black Performance and Body Dramaturgy in the Batuque
title_full_unstemmed Black Performance and Body Dramaturgy in the Batuque
title_sort Black Performance and Body Dramaturgy in the Batuque
author Silva (Universidade Federal de Goiás, Brazil), Renata de Lima
author_facet Silva (Universidade Federal de Goiás, Brazil), Renata de Lima
Rosa (Instituto Federal de Brasília, Brazil), Eloisa Marques
author_role author
author2 Rosa (Instituto Federal de Brasília, Brazil), Eloisa Marques
author2_role author
dc.contributor.author.fl_str_mv Silva (Universidade Federal de Goiás, Brazil), Renata de Lima
Rosa (Instituto Federal de Brasília, Brazil), Eloisa Marques
dc.subject.por.fl_str_mv Dramaturgy
Body
Batuque
Afro-Brazilian Performance
Batuque
Dramaturgie
Corps
Batuque
Performance Afro-Brésilienne
Dramaturgy
Body
Batuque
Afro-Brazilian Performance
topic Dramaturgy
Body
Batuque
Afro-Brazilian Performance
Batuque
Dramaturgie
Corps
Batuque
Performance Afro-Brésilienne
Dramaturgy
Body
Batuque
Afro-Brazilian Performance
description The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/71218
url https://seer.ufrgs.br/index.php/presenca/article/view/71218
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/71218/50336
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 249-273
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 249-273
Révue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 249-273
Revista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 249-273
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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