A Meeting at the University of Rome “La Sapienza” or On Onion Growing

Detalhes bibliográficos
Autor(a) principal: Biagini (Workcenter of Jerzy Grotowski and Thomas Richards – Pontedera, Itália), Mario
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/33504
Resumo: The text is based on the transcript, revised by the author, of A. R. Ciamara of part of a seminar given by the author in 2000 at the University of Rome “La Sapienza.” The text is constructed on the basis of the author’s answers to questions on important themes for understanding the work of the Workcenter of Jerzy Grotowski and Thomas Richards. It deals with the issue of Grotowski’s legacy, problematising work without audience and the concept of physical action. The text also discusses the function of vocal vibration in the work of Grotowski and the Workcenter and discusses the difficulty in defining and putting into words certain dimensions of their work. Finally, the text questions the relationship between those who work with theatre and those who study it, and the meaning of working as an actor.
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spelling A Meeting at the University of Rome “La Sapienza” or On Onion GrowingRencontre à l’Université de Rome “La Sapienza” ou Sur la Culture des OignionsEncontro na Universidade de Roma “La Sapienza” ou Sobre o Cultivo das CebolasGrotowskiWorkcenter of Jerzy Grotowski and Thomas RichardsPhysical ActionActorTheatreGrotowskiWorkcenter of Jerzy Grotowski and Thomas RichardsAção FísicaAtorTeatroGrotowskiWorkcenter of Jerzy Grotowski and Thomas RichardsAction PhysiqueActeurThéâtreThe text is based on the transcript, revised by the author, of A. R. Ciamara of part of a seminar given by the author in 2000 at the University of Rome “La Sapienza.” The text is constructed on the basis of the author’s answers to questions on important themes for understanding the work of the Workcenter of Jerzy Grotowski and Thomas Richards. It deals with the issue of Grotowski’s legacy, problematising work without audience and the concept of physical action. The text also discusses the function of vocal vibration in the work of Grotowski and the Workcenter and discusses the difficulty in defining and putting into words certain dimensions of their work. Finally, the text questions the relationship between those who work with theatre and those who study it, and the meaning of working as an actor.Ce texte s’appuie sur la transcription de A.R. Ciamara, revue par l’auteur, d’une partie d’un séminaire animé par l’auteur à l’Université de Rome “La Sapienza” en 2000. Le texte s’articule à partir de réponses de l’auteur à des questions portant sur des thématiques importantes pour la compréhension du travail du Workcenter de Jerzy Grotowski et Thomas Richards. Il s‘interroge sur l’héritage de Grotowski et analyse la question du théâtre sans public et du concept d’action physique. Le texte propose encore une réflexion sur la fonction des chants vibratoires dans le travail de Grotowski et au sein du Workcenter et exprime la difficulté de définir et de traduire en mots certaines dimensions du travail. Pour finir, il est question des relations entre celui qui fait et celui qui étudie le théâtre et, aussi, du sens du métier d’acteur.O texto é baseado na transcrição, revista pelo autor, de A. R. Ciamara de parte de um seminário ministrado pelo autor, no ano de 2000, na Universidade de Roma “La Sapienza”. O texto se articula a partir de questões respondidas por Biagini sobre temas importantes para a compreensão do trabalho do Workcenter of Jerzy Grotowski and Thomas Richards. Trata-se a questão do legado de Grotowski, problematiza-se a questão do trabalho sem público e o conceito de ação física. O texto discute, ainda, a função dos cantos vibratórios no trabalho de Grotowski e do Workcenter e discorre sobre a dificuldade de definir e colocar em palavras determinadas dimensões do trabalho. Por fim, o texto se pergunta sobre as relações entre quem faz e quem estuda teatro e sobre o sentido do ofício de ator.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/33504Brazilian Journal on Presence Studies; Vol. 3 No. 1 (2013): jan./abr. 2013; 287-332Révue Brésilienne d'Études de la Présence; Vol. 3 No. 1 (2013): jan./abr. 2013; 287-332Révue Brésilienne d'Études de la Présence; Vol. 3 No 1 (2013): jan./abr. 2013; 287-332Revista Brasileira de Estudos da Presença; v. 3 n. 1 (2013): jan./abr. 2013; 287-3322237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/33504/51000Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBiagini (Workcenter of Jerzy Grotowski and Thomas Richards – Pontedera, Itália), Mario2022-10-16T22:02:07Zoai:seer.ufrgs.br:article/33504Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T22:02:07Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv A Meeting at the University of Rome “La Sapienza” or On Onion Growing
Rencontre à l’Université de Rome “La Sapienza” ou Sur la Culture des Oignions
Encontro na Universidade de Roma “La Sapienza” ou Sobre o Cultivo das Cebolas
title A Meeting at the University of Rome “La Sapienza” or On Onion Growing
spellingShingle A Meeting at the University of Rome “La Sapienza” or On Onion Growing
Biagini (Workcenter of Jerzy Grotowski and Thomas Richards – Pontedera, Itália), Mario
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Physical Action
Actor
Theatre
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Ação Física
Ator
Teatro
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Action Physique
Acteur
Théâtre
title_short A Meeting at the University of Rome “La Sapienza” or On Onion Growing
title_full A Meeting at the University of Rome “La Sapienza” or On Onion Growing
title_fullStr A Meeting at the University of Rome “La Sapienza” or On Onion Growing
title_full_unstemmed A Meeting at the University of Rome “La Sapienza” or On Onion Growing
title_sort A Meeting at the University of Rome “La Sapienza” or On Onion Growing
author Biagini (Workcenter of Jerzy Grotowski and Thomas Richards – Pontedera, Itália), Mario
author_facet Biagini (Workcenter of Jerzy Grotowski and Thomas Richards – Pontedera, Itália), Mario
author_role author
dc.contributor.author.fl_str_mv Biagini (Workcenter of Jerzy Grotowski and Thomas Richards – Pontedera, Itália), Mario
dc.subject.por.fl_str_mv Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Physical Action
Actor
Theatre
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Ação Física
Ator
Teatro
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Action Physique
Acteur
Théâtre
topic Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Physical Action
Actor
Theatre
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Ação Física
Ator
Teatro
Grotowski
Workcenter of Jerzy Grotowski and Thomas Richards
Action Physique
Acteur
Théâtre
description The text is based on the transcript, revised by the author, of A. R. Ciamara of part of a seminar given by the author in 2000 at the University of Rome “La Sapienza.” The text is constructed on the basis of the author’s answers to questions on important themes for understanding the work of the Workcenter of Jerzy Grotowski and Thomas Richards. It deals with the issue of Grotowski’s legacy, problematising work without audience and the concept of physical action. The text also discusses the function of vocal vibration in the work of Grotowski and the Workcenter and discusses the difficulty in defining and putting into words certain dimensions of their work. Finally, the text questions the relationship between those who work with theatre and those who study it, and the meaning of working as an actor.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/33504
url https://seer.ufrgs.br/index.php/presenca/article/view/33504
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/33504/51000
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 1 (2013): jan./abr. 2013; 287-332
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 1 (2013): jan./abr. 2013; 287-332
Révue Brésilienne d'Études de la Présence; Vol. 3 No 1 (2013): jan./abr. 2013; 287-332
Revista Brasileira de Estudos da Presença; v. 3 n. 1 (2013): jan./abr. 2013; 287-332
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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