The Dramaturgy of the Body in the Indian Theater as a Visible Poetry

Detalhes bibliográficos
Autor(a) principal: Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo Carlos
Data de Publicação: 2022
Outros Autores: Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), Priscilla de Queiroz
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/69537
Resumo: The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry ‒ This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the twentieth century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective.Keywords: Actor’s Craft. Interculturalism. Indian Classical Dance-Theatre. Kathakali. Orissi.
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spelling The Dramaturgy of the Body in the Indian Theater as a Visible PoetryLa Dramaturgie du Corps dans le Theatre Indienne come Visible PoesieThe Dramaturgy of the Body in the Indian Theatre as a Visible PoetryActor’s CraftInterculturalismIndian Classical Dance-TheatreKathakaliOrissiTravail de l’ActeurInterculturalismeTheatre-Danse Classique IndienneKathakaliOrissiThe Dramaturgy of the Body in the Indian Theatre as a Visible Poetry ‒ This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the twentieth century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective.Keywords: Actor’s Craft. Interculturalism. Indian Classical Dance-Theatre. Kathakali. Orissi.Cet article vise a analyser le concept de dṛśya kāvya (la poesie visible), de la tradition theatrale indienne, entant que une proposition de dramaturgie du corps. A partir de l'impact que le traditions du spectacle asiatiques ont provoque sur le theatre europeen au cours du XX siecle, nous allons examiner certains concepts et techniques de jeu de la theatre-danse classique indienne (plus precisement, Orissi et Kathakali), base sur la traduction poetique du mot dans le geste corporel. Nous allons se questionner sur la pertinence de cette discussion pour un theatre qui cherche a se demarquer d'un modele logocentrique, dans une perspective interculturelle.This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the 20th century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of the word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/69537Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-1832237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/69537/50367Copyright (c) 2016 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessGomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo CarlosDuarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), Priscilla de Queiroz2022-10-04T20:17:34Zoai:seer.ufrgs.br:article/69537Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T20:17:34Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
La Dramaturgie du Corps dans le Theatre Indienne come Visible Poesie
The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry
title The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
spellingShingle The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo Carlos
Actor’s Craft
Interculturalism
Indian Classical Dance-Theatre
Kathakali
Orissi
Travail de l’Acteur
Interculturalisme
Theatre-Danse Classique Indienne
Kathakali
Orissi
title_short The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
title_full The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
title_fullStr The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
title_full_unstemmed The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
title_sort The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
author Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo Carlos
author_facet Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo Carlos
Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), Priscilla de Queiroz
author_role author
author2 Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), Priscilla de Queiroz
author2_role author
dc.contributor.author.fl_str_mv Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), Ricardo Carlos
Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), Priscilla de Queiroz
dc.subject.por.fl_str_mv Actor’s Craft
Interculturalism
Indian Classical Dance-Theatre
Kathakali
Orissi
Travail de l’Acteur
Interculturalisme
Theatre-Danse Classique Indienne
Kathakali
Orissi
topic Actor’s Craft
Interculturalism
Indian Classical Dance-Theatre
Kathakali
Orissi
Travail de l’Acteur
Interculturalisme
Theatre-Danse Classique Indienne
Kathakali
Orissi
description The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry ‒ This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the twentieth century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective.Keywords: Actor’s Craft. Interculturalism. Indian Classical Dance-Theatre. Kathakali. Orissi.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/69537
url https://seer.ufrgs.br/index.php/presenca/article/view/69537
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/69537/50367
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-183
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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