When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language

Detalhes bibliográficos
Autor(a) principal: Villas Bôas, Rafael Litvin
Data de Publicação: 2022
Outros Autores: Canova, Felipe
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/96688
Resumo: In this article it is analyzed the presence of peasants in the Brazilian theater, in a historical perspective from the pre-coup of 1964 until the recent period, in which connections were established between social movements like MST and political theater collectives and grassroots video. It is object of analysis in this paper the MST relations with these collectives and the places that the theatrical language started to occupy on MST, as well as the influences of several theatrical forms and the relation of this language with the audiovisual. The research seeks to highlight that the relation mediated by the socialization of the artistic means of production can replace the terms of the debate between theme and form: if the land can belong to everyone, art is also an inherent element of the human condition, not only relegated to those who specialized in the craft.
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spelling When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual languagePolitical TheaterTheater of the OppressedGrassroots VideoAgrarian IssuePeasantryIn this article it is analyzed the presence of peasants in the Brazilian theater, in a historical perspective from the pre-coup of 1964 until the recent period, in which connections were established between social movements like MST and political theater collectives and grassroots video. It is object of analysis in this paper the MST relations with these collectives and the places that the theatrical language started to occupy on MST, as well as the influences of several theatrical forms and the relation of this language with the audiovisual. The research seeks to highlight that the relation mediated by the socialization of the artistic means of production can replace the terms of the debate between theme and form: if the land can belong to everyone, art is also an inherent element of the human condition, not only relegated to those who specialized in the craft.Universidade Federal do Rio Grande do Sul2022-09-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/96688Brazilian Journal on Presence Studies; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-29Révue Brésilienne d'Études de la Présence; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-29Révue Brésilienne d'Études de la Présence; Vol. 9 No 4 (2019): Out./Dez. 2019; 01-29Revista Brasileira de Estudos da Presença; v. 9 n. 4 (2019): Out./Dez. 2019; 01-292237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/96688/54647Copyright (c) 2019 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessVillas Bôas, Rafael LitvinCanova, Felipe2022-09-27T03:29:39Zoai:seer.ufrgs.br:article/96688Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-09-27T03:29:39Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
title When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
spellingShingle When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
Villas Bôas, Rafael Litvin
Political Theater
Theater of the Oppressed
Grassroots Video
Agrarian Issue
Peasantry
title_short When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
title_full When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
title_fullStr When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
title_full_unstemmed When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
title_sort When Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual language
author Villas Bôas, Rafael Litvin
author_facet Villas Bôas, Rafael Litvin
Canova, Felipe
author_role author
author2 Canova, Felipe
author2_role author
dc.contributor.author.fl_str_mv Villas Bôas, Rafael Litvin
Canova, Felipe
dc.subject.por.fl_str_mv Political Theater
Theater of the Oppressed
Grassroots Video
Agrarian Issue
Peasantry
topic Political Theater
Theater of the Oppressed
Grassroots Video
Agrarian Issue
Peasantry
description In this article it is analyzed the presence of peasants in the Brazilian theater, in a historical perspective from the pre-coup of 1964 until the recent period, in which connections were established between social movements like MST and political theater collectives and grassroots video. It is object of analysis in this paper the MST relations with these collectives and the places that the theatrical language started to occupy on MST, as well as the influences of several theatrical forms and the relation of this language with the audiovisual. The research seeks to highlight that the relation mediated by the socialization of the artistic means of production can replace the terms of the debate between theme and form: if the land can belong to everyone, art is also an inherent element of the human condition, not only relegated to those who specialized in the craft.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/96688
url https://seer.ufrgs.br/index.php/presenca/article/view/96688
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/96688/54647
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-29
Révue Brésilienne d'Études de la Présence; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-29
Révue Brésilienne d'Études de la Présence; Vol. 9 No 4 (2019): Out./Dez. 2019; 01-29
Revista Brasileira de Estudos da Presença; v. 9 n. 4 (2019): Out./Dez. 2019; 01-29
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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